Who Directed Risen 2022 And What Else Did They Make?

Hands down, the title you’re asking about is most often credited to Howard McCain — he’s listed as the director of the feature 'Outlander' that many databases date around 2008 (people sometimes mix up the year, so 2006 pops up in casual chat). I’ll be honest, McCain isn’t a household-name director with a long string of blockbuster credits, so if you’re digging for other famous titles under his belt you’ll come up a little short compared to more prolific filmmakers. What I find interesting is that his career leans into indie features, shorts, and commercial work rather than big studio franchises. 'Outlander' tends to be his highest-profile feature, and beyond that he’s connected with smaller projects, pilots, and behind-the-scenes roles that don’t always make the usual headline filmographies. If you liked the aesthetics or mood of 'Outlander', it’s worth peeking at the cast and crew’s other projects — for example, lead actors went on to bigger, well-known films, which sometimes leads people back to his rare works. Personally, I like tracking down those lesser-known credits; there’s a charm to seeing where filmmakers flex creative muscles outside the mainstream.

I get why this is a confusing one — the title 'Risen' has been used a few times and I couldn't find a widely recognized feature film released specifically in 2022 with that exact title in the big databases. From my movie-binging days, the most well-known 'Risen' is the 2016 historical drama starring Joseph Fiennes, Tom Felton, Peter Firth, and Cliff Curtis, so sometimes people mix up dates when searching. If you meant that 2016 film, those are the main players I recognize off the top of my head. If you definitely mean a 2022 project called 'Risen' (maybe an indie, short, or foreign film), it might be a smaller release that didn’t get wide distribution. The quickest way I’d track it down is by searching "'Risen' 2022 cast site:imdb.com" on Google, checking IMDb or Letterboxd for the title and year, or looking up film festival lineups from 2022. Also try the production company or director’s social channels — they often post the cast. If you give me a director name or country of origin, I can narrow it down more, but for now I’d double-check whether you mean the 2016 'Risen' or a lesser-known 2022 project.

I got curious about this myself and spent a little time digging — short version: I haven’t seen any official sequel or follow-up announced specifically under the name 'Risen' that was released in 2022. I say that because titles can be tricky: sometimes a studio will make a spiritual successor, a remaster, or a sequel under a different name, and those sneak past casual fans. If you mean the classic Piranha Bytes 'Risen' series, there hasn’t been a fresh numbered installment announced tied to a 2022 release. If you meant a film or another medium called 'Risen' that popped up in 2022, I didn’t find a formal sequel announcement either. If you want to be 100% sure, follow the developer/publisher on Twitter/X, wishlist the game on Steam, or subscribe to their newsletter — I do all three for the things I care about and it saves me from missing surprise reveals.

Spotting those framing choices and lightning-contrast lighting made it pretty obvious to me: the promotion was directed by Ridley Scott. I still get a little thrill laying out how his visual instincts shape everything — he’s the filmmaker behind 'Alien', 'Blade Runner', 'Gladiator' and 'Thelma & Louise', and he’s also famous for huge, cinematic commercials like the legendary '1984' spot for Apple. His fingerprints are in the composition, the way hands and faces are lit, and the breathing-room he gives heroic silhouettes. It’s the kind of direction that makes an ad feel like the opening act of a feature film rather than a sixty-second sales pitch. Beyond the big-name films, what thrills me is how consistent his tastes are across projects. He treats commercials, promos, and features with the same cinematic seriousness: meticulous set design, a strong color palette, and a love for practical effects. You can feel echoes of 'Blade Runner' in neon-drenched promos and the same taut tension from 'Alien' in action beats. He also moved into more modern, large-scale work later in his career — visually ambitious dramas and historical pieces — so if the promotion leans on grand, operatic staging, that’s very much his territory. I love comparing directors’ vocabularies, and Scott’s is one I keep coming back to. Whether it’s a thirty-second ad or a two-hour epic, he riffs on similar motifs: the power of the frame, the slow revelation of environment, and a preference for actors inhabiting epic spaces. If you liked the promo’s strong silhouette shots and the way music ebbed and crashed around images, that’s classic Ridley. It’s fun to trace how techniques from his earlier science fiction work get recycled into modern marketing — it’s like spotting a director’s signature in the wild. In short, the promotion was his, and knowing he also crafted 'Alien' and 'Blade Runner' makes the whole piece feel a lot more intentional and cinematic — I loved it.

I’ve been down this rabbit hole before — titles get fuzzy and years slip — so let me start by flagging that there isn’t a widely known film called 'Risen' released in 2022 that I can pin to a standard set of locations. If you actually mean the well-known faith-historical film 'Risen' (the one that premiered in 2016), that one was largely shot around the Mediterranean: a lot of scenes were filmed in Malta (places like Valletta, Mdina and several coastal forts and quarries that stand in for ancient Jerusalem) and in parts of Spain, notably the Almería region which doubles as many biblical-era landscapes in movies. Production made heavy use of Malta’s historic architecture and rocky shorelines to create that ancient feel. If you really do mean something titled 'Risen' from 2022, tell me a bit more — actor names, director, or where you saw it — and I’ll chase down exact towns, studios, and the fun little local spots crews tend to use. I love mapping movies to real places, especially when a café or alley gets a moment of cinematic immortality.

I got totally absorbed by 'His and Her Marriage' the first time I watched it, and what stuck with me was the director's fingerprints all over the piece. The show was directed by Hideaki Anno, and you can feel his particular blend of intimate character focus and sudden, dramatic stylistic swings. He’s the kind of director who makes quiet scenes pulse and then flips the switch to something almost operatic. Anno’s filmography is wild in its range: he’s best known for 'Neon Genesis Evangelion' and its companion film 'The End of Evangelion', works that redefined modern mecha and psychological storytelling. Before that he helmed 'Gunbuster' and 'Nadia: The Secret of Blue Water', both of which showcase his early sci-fi chops. He’s also ventured into live-action — 'Love & Pop' is a weird, daring dip into youth culture, and he co-directed the giant-monster rebirth 'Shin Godzilla'. Seeing his touch in 'His and Her Marriage' feels like encountering the same restless artist at different scales, and I love tracing those through-lines across his movies and series.

There are actually a few things to untangle here, so let me walk you through what I found and what I usually check when titles collide. First off, many works called 'Risen' exist — a 2009 video game, a 2016 biblical film, and a few smaller projects that popped up later. If you specifically mean a project labeled 'Risen' from 2022, I couldn't find a widely-known novel that it was adapted from. In most cases where I’ve dug into these things, the credits or press notes will explicitly say "based on the novel by" or credit an author if it’s adapted. If that line is missing, it’s usually an original screenplay. If you want a quick next step, check the film or project page on IMDb or the opening/closing credits; they’ll list the writer(s) and often show a "based on" credit if applicable. I get why it’s confusing — titles repeat a lot — but once you check the writer credits you’ll have a clear answer and can chase interviews or the screenplay PDF if you want deeper context.

I'm fascinated by the quirky corners of '80s and '90s cinema, and digging into who made 'The She-Devil Is Back' got me tracking down the director and their other work. The person behind it is Susan Seidelman — she’s best known for her energetic, offbeat films that capture a kind of gritty, feminist urban vibe. You might know her from 'Desperately Seeking Susan' (1985), which really put her on the map: that one’s a candy-colored, punk-meets-mainstream road movie that made Madonna a star and became a cult classic. Before that she made 'Smithereens' (1982), a raw, street-level indie about a desperate young woman in New York chasing a shot at fame; it’s scrappy and authentic in a way that clearly informed her later work. Seidelman also directed 'Making Mr. Right' (1987), a satirical romantic sci-fi about a woman who falls for a robot scientist, and then 'She-Devil' (1989) — which is often the title people associate with the Roseanne Barr/Meryl Streep black-comedy revenge movie from that period. Later, she made 'Gaudi Afternoon' (2001), a lighter mystery with a travel-meets-detective feel, and she’s done a fair amount of television directing too, bringing her eye for character and style to episodic work. Her films often center on complicated women who break the mold, and she mixes humor with social commentary in a way I really respect. If you like director-driven films that feature bold female leads and a slightly anarchic energy, Seidelman’s filmography is a fun rabbit hole. I love how she balances commercial sensibility with indie quirk — 'Desperately Seeking Susan' is glossy and mainstream but still full of weird choices, while 'Smithereens' is closer to a vérité snapshot of NYC youth. Watching her movies back-to-back gives you a nice view of a director who managed to cross from underground cred to broader recognition without losing her edge. For me, her work is a reminder that female filmmakers were making smart, funny, and strange movies well before it was fashionable to call them that — and that’s always exciting to revisit.

Man, the twist in 'Risen' really flipped my expectations the first time I saw it. If you mean the 2022 supernatural-thriller that circulated on the festival circuit, the big reveal is that the person we’ve been rooting for isn’t just a survivor — they’re the architect of everything that went wrong. The movie slowly hands you pieces: half-remembered documents, a few offhand comments, and a recurring symbol that feels decorative until the last act. When it finally clicks, the protagonist’s resurrection isn’t a miracle so much as a reset loop they designed to bury their culpability. The emotional gut-punch is how the film reframes earlier sympathetic moments; scenes we thought showed trauma actually hide conscious choices. It turns the story into a moral puzzle: does sympathy belong to someone capable of engineering mass harm so they can have another shot at living? I left the theater torn between admiring the craft and feeling a bit betrayed — in the best way. If you haven’t seen it, pay attention to the throwaway lines about “starting over” and the props that repeat in different timelines.

If you’re asking about the director behind 'One Piece: Dead End Adventure', that’s Konosuke Uda. I’ve always enjoyed spotting the fingerprints of directors across the franchise — Uda’s style shows up a lot in the early 2000s One Piece films and the TV series, with crisp pacing and a knack for staging big action set-pieces that still let the characters breathe. He didn’t just pop in for the movie; he directed many episodes of the 'One Piece' anime itself and helped shape the feel of the show during its formative years. Beyond the movie, Uda’s credits are heavily tied to the One Piece franchise (TV episodes, special projects, and several of the earlier films), so if you like the way those films balance humor and spectacle, there’s a good chance his hand is behind it. I often rewatch bits of the film to see how the action choreography compares with his episode work — it’s a neat way to trace an animator-director’s tastes across formats.