How Does East Of West: The Apocalypse, Year Two End?

2025-12-11 14:42:07 294

4 Answers

Theo
Theo
2025-12-13 02:49:59
Year Two ends with everything burning—literally and metaphorically. The Horsemen’s factions are at each other’s throats, Death’s loyalty is split, and the Message’s prophecies start feeling more like curses. The final battle at the White Tower is a visual feast, with Dragotta’s art shifting between intimate close-ups and wide shots of carnage. What I love is how Hickman doesn’t spoon-feed resolutions; side characters like Wolf or the President get ambiguous fates, leaving you to theorize. The last issue’s lettering even changes subtly during key monologues, like the text itself is unstable. Perfect for a story about the end of the world.
Emma
Emma
2025-12-14 00:30:24
Chaos. Betrayals. A tower falling. Year Two closes with the Horsemen fractured, Death questioning everything, and the world’s factions realizing too late that they’ve played into the apocalypse’s hands. The art’s the real star—those jagged panels during fights, the quiet horror in Xiaolian’s face when she sees what Death’s become. Not an ending, just a darker turn.
Gemma
Gemma
2025-12-14 17:42:21
The ending’s a masterclass in tension. Just when you think the Horsemen might unite, their egos tear them apart—War’s rage, Conquest’s arrogance, and Famine’s nihilism all clash. Meanwhile, Death’s reunion with Xiaolian gets interrupted by the Union’s last-ditch attack, and the White Tower becomes this symbol of failed control. Hickman drops lore bombs too, like the true nature of the message or the Confederacy’s secret ploys. The pacing’s breakneck, but it slows for eerie moments, like Chamberlain staring at the sky as the Tower falls. No clean victories here, just a gorgeously bleak setup for Year Three.
Felicity
Felicity
2025-12-16 18:40:29
East of East: The Apocalypse, Year Two' builds to this chaotic, almost operatic finale where all the factions—The Chosen, the Union, the Confederacy, and the Maoists—are scrambling for power as the Horsemen’s plans unravel. Death’s personal arc hits hard; his love for Xiaolian clashes with his role in the apocalypse, and the final showdown between him and the other Horsemen is brutal. The comic doesn’t tie things up neatly—instead, it leans into the messiness of war and prophecy. The last few panels show the White Tower’s fall, but the real punch is in the character moments, like Archibald Chamberlain’s desperate gambit or Xiaolian’s quiet defiance. Hickman’s writing makes it feel less like a traditional 'end' and more like the world is just collapsing in slow motion.

What stuck with me was how the art reinforces the tone—those stark reds and blacks, the way Dragotta draws exhaustion on every character’s face. It’s not a happy ending, but it’s a fitting one for a series that’s always been about the cost of power. If you’ve followed the politics and mythology up to this point, the payoff is in the details: the way old alliances crumble, or how even the 'villains' get moments of humanity. Makes me wanna reread year one to catch all the foreshadowing I missed!
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