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How Does The Ending Of You A Novel By Caroline Kepnes Differ From The Show?
2025-05-06 22:46:05
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1 Answers
Gracie
2025-05-08 04:12:05
The ending of 'You' by Caroline Kepnes and its TV adaptation diverge in ways that feel almost like two different stories by the time they wrap up. In the novel, Joe Goldberg’s narrative is far more internal, and the ending reflects that. It’s quieter, more introspective, and leaves you with this lingering sense of unease. Joe doesn’t get caught in the book. Instead, he’s still out there, still watching, still narrating his twisted thoughts to the reader. It’s chilling because it feels so unresolved. You’re left with the knowledge that he’s still a threat, still lurking in the shadows, and that’s what makes it so effective. The book’s ending is less about closure and more about the unsettling reality that people like Joe exist, and they don’t always face consequences.
In the show, though, the ending takes a more dramatic turn. It’s bigger, flashier, and leans into the thriller aspect of the story. Joe does get caught, but not in a way that feels like justice. It’s more like a setup for the next season, with him escaping again and continuing his cycle of obsession and violence. The show adds more layers to the story, like the introduction of Love Quinn and her own dark secrets, which changes the dynamic entirely. The TV ending feels more like a cliffhanger, designed to keep viewers hooked for the next installment. It’s entertaining, but it doesn’t have the same quiet, creeping dread that the book’s ending delivers.
What I find most interesting is how the two endings reflect the strengths of their respective mediums. The book’s ending works because it’s so personal. You’re inside Joe’s head, and the lack of resolution feels like a direct confrontation with his psyche. The show, on the other hand, uses its visual and dramatic elements to create a more explosive conclusion. Both are effective in their own ways, but they leave you with very different feelings. The book makes you question the nature of evil and how it can go unnoticed, while the show leaves you on the edge of your seat, waiting to see what Joe will do next. It’s fascinating how the same story can be told in such different ways, and both versions have their own unique impact.
In the show, though, the ending takes a more dramatic turn. It’s bigger, flashier, and leans into the thriller aspect of the story. Joe does get caught, but not in a way that feels like justice. It’s more like a setup for the next season, with him escaping again and continuing his cycle of obsession and violence. The show adds more layers to the story, like the introduction of Love Quinn and her own dark secrets, which changes the dynamic entirely. The TV ending feels more like a cliffhanger, designed to keep viewers hooked for the next installment. It’s entertaining, but it doesn’t have the same quiet, creeping dread that the book’s ending delivers.
What I find most interesting is how the two endings reflect the strengths of their respective mediums. The book’s ending works because it’s so personal. You’re inside Joe’s head, and the lack of resolution feels like a direct confrontation with his psyche. The show, on the other hand, uses its visual and dramatic elements to create a more explosive conclusion. Both are effective in their own ways, but they leave you with very different feelings. The book makes you question the nature of evil and how it can go unnoticed, while the show leaves you on the edge of your seat, waiting to see what Joe will do next. It’s fascinating how the same story can be told in such different ways, and both versions have their own unique impact.
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