When Did Enhypen Ni Ki Start Training As A Dancer?

I get a little giddy talking about this — NI-KI, as a member of ENHYPEN, has been part of the group’s haul of trophies since their debut. Early on they collected several 'Rookie' and 'New Artist' awards at year-end shows and festivals, which is the kind of recognition that signals a serious debut impact. Those categories are the big ones people remember: 'Rookie of the Year' or 'Best New Artist' style trophies that come from major ceremonies and fan-voted events. Beyond rookie prizes, ENHYPEN (and therefore NI-KI) has also picked up music show wins on weekly programs like 'M Countdown', 'Music Bank', 'Inkigayo', and 'The Show'. They’ve moved on to album- and song-related awards too — things like album sales awards, popularity or fan-choice categories at events, and appearances on international award stages. Seeing the group evolve from rookie wins to sustained music-show and album recognitions feels really rewarding as a long-term fan.

Watching clips from 'I-LAND' and then seeing the polished debut, I felt like I could trace every tiny step Ni-ki took to get there. He was already labeled a prodigy for dance, but debut prep wasn't just flashy moves — it was relentless repetition. I picture him drilling counts with a metronome, practicing isolations in front of a mirror until muscle memory ate the choreography. There were days focused on power and stamina: long cardio sessions, jump practice, and conditioning to nail those high-energy choreo moments without losing breath. Beyond movement, he had to level up vocally and linguistically. Ni-ki worked on clear pronunciation for Korean lines, practiced harmonies in the studio, and learned how to shape phrases so the camera could catch emotion. Rehearsals turned into small classrooms — coaches correcting posture, producers tweaking formations, and members helping each other hit cues. Watching all that, I really admired how humble he stayed while grinding, and it makes the debut feel earned rather than manufactured.

Man, I’ve been watching Ni-ki’s growth like it’s my favorite ongoing series — and honestly, I don’t have a date to hand you because there’s been no official solo release announcement yet. What I can do is unpack the signs that usually come before a solo debut and why it might be sooner rather than later. First, labels often test the waters with features, OSTs, or Japanese singles for members from Japan before committing to a full solo album. Ni-ki’s strengths — insane dance chops and improving vocals — make him a great candidate for a high-concept dance-pop single or an edgy R&B track that highlights rhythm and performance. Keep an eye on teaser schedules from his label, separate social media activity, and credits on streaming platforms; those almost always leak before a formal release. If you want something more immediate, watch for collaborations, live solo stages, or even a special single tied to a drama or game. Those are the breadcrumbs labels leave. I’m on standby, hyped, and refreshing his socials every other hour — so when it drops, it’ll feel like Christmas morning.

Honestly, what struck me most about Ni-ki’s path to dance wasn’t a single flash of inspiration but a steady buildup of curiosity and obsession. From interviews and clips I’ve watched, he talks about watching performances and dance videos as a kid and feeling compelled to mimic what he saw. That early mimicry — staying up late filming covers, learning moves from videos, and copying idols — is such a relatable spark. There’s a purity to it: not about fame, but about the joy of moving and the thrill when the body finally hits a step right. Beyond that, family and local dance circles mattered. He wasn’t isolated; he trained, joined crews, and fed off other dancers’ energy. Then came the audition phase — 'I-LAND' — where everything accelerated. Watching him there felt like watching someone who’d quietly built a secret skill and finally got the stage to show it. For me, that mix of early love, community practice, and the pressure-cooker of an audition show explains why Ni-ki chose dancing so wholeheartedly.

I got curious about this too when I was rewatching clips from 'I-LAND'—math time! Ni-ki was born on December 9, 2005, and the show aired in mid-2020. That means when he stepped onto 'I-LAND' and became one of the trainees representing Belift Lab, he was 14 years old. Watching him back then, it always struck me how much presence he had despite being the youngest. Debut for 'Enhypen' happened on November 30, 2020, so even at debut he was still 14 (just days away from turning 15). Fans sometimes get mixed up because different age systems and rounding can make numbers look off, but by international age he was 14 throughout the whole process.

I still get goosebumps watching Ni-ki hit those explosive moments on stage — his signature moves didn’t come from a single place, but from years of layering different kinds of training. He started dancing very young in Japan, taking classes at local studios where he built fundamentals: grooves, footwork, musicality. Those early years gave him a natural rhythm and a willingness to experiment with street styles like hip-hop and locking. Later, everything accelerated when he entered 'I-LAND' and joined the trainee system at Belift Lab. That environment threw him into intensive choreography sessions with professional choreographers, daily run-throughs, and feedback loops that sharpened his timing and stage power. Add to that endless hours of self-practice, dance covers, and learning from online videos — and you get the compact, precise moves he’s known for. What really sells his signature style is how he blends raw energy with tiny controlled details, which only comes from repetition, muscle memory, and a lot of sweat. Watching his growth, I feel like each performance is a snapshot of all those invisible training hours, and it makes me root for him even more.

Oh wow — if you dive into fancam rabbit holes like I do, Ni-ki’s top solo clips are impossible to miss. From what I keep seeing across YouTube and fan-run stats, his highest-streamed solo fancams are usually the big choreo pieces: 'Tamed-Dashed' stands out a lot thanks to its explosive energy and Ni-ki’s precision, while 'Drunk-Dazed' and debut-era 'Given-Taken' also pull insane views because fans love to replay his slick lines. Festival and tour stages (like arena encore cuts) sometimes spike too, so you’ll see certain live variations climb fast. I check both the official channels and independent fancam uploads — official uploads often have huge counts, but the fancam channels capture the stage-only focus that people keep rewatching. If you want the most current leaderboard, filter the Ni-ki fancams on YouTube by view count or peek at fancam compilations on Twitter and TikTok trends; those usually mirror what’s trending. Personally I watch the 'Tamed-Dashed' and 'Given-Taken' ones when I need choreography inspo — they never get old. Bottom line: expect those three to top the lists, but keep an eye on live-tour fancams because they can suddenly overtake studio stages depending on the performance clip.

Man, Ni-ki's choreography always hits me like a plot twist in a good manga — unexpected, precise, and somehow emotional. If you want pure power and formation work, start with 'Given-Taken'. The debut choreography gives him those moments where the whole line tightens and then Ni-ki slices through with clean footwork and dramatic accents. Watching the MV and the dance practice back-to-back shows how much detail he packs into small gestures. For contrast, watch 'FEVER' and 'Tamed-Dashed' — 'FEVER' highlights his fluid contemporary lines and control, while 'Tamed-Dashed' is all about sharpness and sync; the dance break lands differently live and in practice cuts. I also love 'Drunk-Dazed' because the group dynamics let Ni-ki pop in and out of the center, showing both power and musicality. If I had to pick one clip to loop, it's a fancam of Ni-ki during a 'Tamed-Dashed' performance; those tiny foot flicks and the way he uses his torso are addictive.