What Examples Show English Poetry Attitude In Victorian Poems?

2025-11-24 05:50:57 197

3 Answers

Ulysses
Ulysses
2025-11-27 05:45:58
Give me a dramatic monologue and I’ll point to Robert Browning every time—he’s the poet who makes Victorian attitudes feel like private conversations in public. In 'My Last Duchess' the speaker’s casual cruelty reveals an age obsessed with rank, appearance, and control, while 'Porphyria’s Lover' explores passion turned destructive; both show how Victorian society hid dark edges beneath manners.

But not all of the period’s voice is sinister. Tennyson’s 'Ulysses' captures that restless, imperial energy and the Victorian appetite for heroic striving, while 'The Lady of Shalott' captures isolation and the artist’s tortured relation to society. Then there’s the melancholy and skeptical strain: Matthew Arnold’s 'Dover Beach' and Thomas Hardy’s poems like 'The Darkling Thrush' register cultural weariness and a search for meaning as science and industry complicate belief. I’m also drawn to poems that act politically—Elizabeth Barrett Browning’s 'The Cry of the Children' is almost journalistic in its outrage. Reading Victorian poetry feels like flipping radio stations: sometimes earnest sermon, sometimes intimate confession, sometimes wrenching social critique. I come away feeling mind-buzzed and oddly comforted by how candid those poets could be about their contradictions.
Zane
Zane
2025-11-27 09:51:08
I often circle back to a few sharp examples when I think about Victorian attitudes in English poetry. Faith versus doubt shows up in Alfred, Lord Tennyson’s 'In Memoriam' and Matthew Arnold’s 'Dover Beach'; both handle spiritual anxiety but with different moods—Tennyson more elegiac, Arnold more resigned. Social protest and moral outrage appear in Elizabeth Barrett Browning’s 'The Cry of the Children' and Christina Rossetti’s 'Goblin Market', which disguise hard truths inside lyrical forms. The dramatic monologue—Browning’s specialty in pieces like 'My Last Duchess'—lets poets dramatize hypocrisy and power dynamics, a very Victorian way to interrogate character.

Innovation and inwardness matter too: Gerard Manley Hopkins’ 'Pied Beauty' bursts with linguistic invention and devotional intensity, while Tennyson’s 'The Charge of the Light Brigade' shows public duty and tragic heroism. Even imperial and national attitudes peek through in late-century work; Rudyard Kipling’s pieces (think 'The White Man’s Burden') reflect the era’s confident and troubling imperial rhetoric. For me, the Victorian poetic attitude is that constant push-pull between earnest moral feeling and formal restlessness, which keeps the poems alive and slightly unsettled.
Liam
Liam
2025-11-30 13:19:18
Walking through a Victorian poetry anthology feels like stepping into a crowded room where everyone’s arguing about God, duty, love, and industry—and I love eavesdropping. In my reading, one of the clearest attitudes is the tension between faith and doubt. Alfred, Lord Tennyson’s 'in memoriam' is practically a heartbeat of that struggle: personal grief pushes him to questions about divine justice and scientific progress. Matthew Arnold’s 'Dover Beach' hits that same nervous anxiety about faith dissolving, but with a gentler, resigned tone that still cuts deep.

Social conscience and moral earnestness are louder in other places. Elizabeth Barrett Browning’s 'The Cry of the Children' slams industrial cruelty and changes how poetry can act as social protest, while Christina Rossetti’s 'Goblin Market' wraps feminist and moral themes in a fairy-tale rhythm that’s both comforting and troubling. Then there’s Robert Browning, who uses the dramatic monologue in 'My Last Duchess' and 'Porphyria's Lover' to expose hypocrisy, obsession, and power in personal voices—Victorian poetry loved getting inside minds to show moral complexity.

Form and invention matter too. Gerard Manley Hopkins upends rhythm and praise in 'Pied Beauty' and 'The Windhover', bringing ecstatic, sacramental language into modern concerns. Even patriotic or melancholic pieces like Tennyson’s 'The Charge of the Light Brigade' or Thomas Hardy’s 'Neutral Tones' reflect attitudes toward duty, loss, and the changing world. For me, the Victorian spirit is this delicious mashup of earnestness, experiment, and emotional Intensity that still feels human and immediate.
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