I dunno, I tried reading 'This Side of Paradise' and just couldn't get into the writing style. Felt really dated and the main guy was insufferable. Maybe I should try 'Gatsby' again? Everyone says that's the one.
His published correspondence, especially with Hemingway, is wildly revealing. You see the insecurity, the rivalry, the admiration. Hemingway's famous put-down about him thinking 'rich people were a special glamorous race' hit Fitzgerald where he lived. Those letters show how he was perceived by his peers and how he internalized those judgments, which deeply affected his confidence and his later work.
2026-07-19 05:55:30
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The Divorce That Ruined Him
Garnet
10
17.7K
When Elara Whitmore discovered her husband in bed with the one woman she was never supposed to compete with—his adopted sister—her world shattered in a single night.
But betrayal wasn’t the worst part.
They wanted her gone.
Pregnant and alone, Elara overhears the sister’s plan to eliminate both her and the unborn child standing in the way of their twisted future. Instead of fighting back, she does something far more dangerous.
She pretends to lose.
With forged medical records claiming her baby is dead and divorce papers served without a word of protest, Elara disappears from their lives forever.
Or so they believe.
A chance encounter with a dying billionaire changes everything. Months later, Elara rises from the ashes as the sole heiress to a global empire worth billions.
While her ex-husband’s world collapses under the manipulations of the very woman he chose over her, a silent observer begins pulling strings from the shadows.
A brilliant young boy.
A boy with her eyes.
A boy with his blood.
Years later, when the truth finally surfaces, the man who once discarded his wife will face the cruelest revelation of all—
The child who destroyed his empire…
is the son he tried to erase.
And this time, there will be no forgiveness
Stanley Meyer and I were the main leads of a sappy school romance novel. We were childhood sweethearts with a bond stronger than iron and steel.
Everyone thought that I'd be Mrs. Meyer in the future despite the fact that I was the daughter of the Meyers' housekeeper.
That was, until I personally witnessed Stanley making out with Tina West, Gerard West's illegitimate daughter who has just returned from abroad. He even put the emerald pendant, which was supposed to be a keepsake from my grandma, on her neck carefully.
I was overwhelmed trying to figure out this unexpected variable outside the plot. But Stanley decided to imprison me in a mental asylum instead.
"It's better for you to wake up from that daydream of yours. I'm sick of hearing you prattle about the male and female leads for so many years. Only when Tina is by my side do I feel a sense of freedom."
The torture I was forced to undergo in the mental asylum was too much for me to handle. My only salvation was the spare time I got to scribble down the original plotline of this novel.
When Stanley found out, however, he torched my drafts instantly. He even went as far as to poison the glass I drink from.
Before I died, I heard his icy voice.
"Tina will continue to live her life in fear as long as someone in this world remembers the original plot. That's why you must die for her sake."
When I woke up again, I'd returned to the day I witnessed Stanley and Tina making out with each other. Everyone around me wore various expressions, though they collectively decided to stay quiet.
I was the one who shattered the silence by raising my glass with a smile. "I wish you a lifetime of happiness."
Love! Is this word beautiful or deceitful? I am tired of hearing him say that soulless I love you and get back to his mistress, side-chick, or whatever. it is not like we are in a relationship or we are a couple. The relationship we are in is more than something which shouldn't be named.
I just want to be loved by him, physically and emotionally. I should be the one he is seeking whenever he feels horny, is it wrong to feel like this? But not for only tending to his wounds or being a shoulder to cry on.
maybe it's wrong to feel something for the man who never describes you as more than a friend but always looks at you like he wants to do things with you that friends shouldn't.
What is so good about her is that he always ends up in her bed, maybe I never will know, and by asking I don't want to ruin whatever we have. but it's time to move on from Ezra Irwin and do something good for my life too.
come and follow Fay Moore and Ezra Irwin in their Life's Drama and know what will happen.
Lucas Benjamin is used to objectification. He knows the women only come to him for his money. He is kind of used to it. So when his aunt reintroduces him to a childhood friend, he's kind of relieved to finally meet someone outside his normal Gatsby lifestyle.
But something is different with her. She doesn't seem to give a shit about his wealth. Suddenly, he finds himself drawn to this silent girl with a bad attitude. What happens when he discovers that money cannot buy the thing he wants this time?
Charlotte is not exactly looking for love. She especially isn't attracted to the rich and famous, flaunting their wealth and throwing wild parties around. But when she is reintroduced to her old childhood friend Lucas, her whole world is turned upside down. Will she finally let her past go, and open herself up to new beginnings?
After the divorce, she became the dream woman everyone longed for.
James Ferguson saved Zelda Liamson and always did whatever she asked, making sure she had everything she could ever want. Zelda thought it was true love. After five years of marriage, she realized she was nothing more than his favourite pet, while he was her whole world.
Then, the woman James truly loved came back, and Zelda demanded a divorce. James mocked her, saying, " You can't survive without me. What will you do without the Ferguson's name? "
But Zelda did run away and never looked back, receiving marriage proposals every day.
James lost his mind and returned, begging Zelda, "Please, come back to me. Give me another chance." His eyes were full of love and desperation.
All the relatives knew I had a "backward cousin."
For my birthday, she gave me a grocery-store pound cake.
When I ran a marathon, she presented me with a pair of worn-out canvas sneakers.
At my graduate school acceptance party, she even sent a funeral wreath of white lilies with a sash that read "In Sympathy," wishing me an early departure to the afterlife.
In my previous life, I slapped her so hard she tumbled down the porch steps.
My brother took her side and plotted revenge, falsely reporting to the university that I had cheated on my SATs. My admission was revoked.
"You're so modern. You know how things work," he sneered. "Plenty of people take a gap year. Just apply again."
My father also defended her, cutting off all my financial support.
"You've had so much schooling. You're so educated," he said coldly. "Support yourself."
Alone in a city eighteen hundred miles from home, I fought to survive. I called my brother and my father again and again—only to be blocked.
I delivered food while renting a room and studying to reapply.
At my lowest, my hands were raw and cracked from frostbite, scrambling for delivery shifts at four in the morning just to earn a small bonus.
Worn down by the cold and exhaustion, I suffered cardiac arrest at twenty-three and collapsed in a snowdrift in that unfamiliar city. No one ever came to claim me.
This time, I chose to let it go and accepted the wreath with a gracious smile.
To fully integrate myself into this family.
After all, what is a moment of pride compared to a lifetime's inheritance?
F. Scott Fitzgerald's works are like glittering fragments of the Jazz Age, each one reflecting a different facet of his brilliance. 'The Great Gatsby' is, of course, the crown jewel—its prose is so sharp it could cut glass, and Gatsby’s tragic yearning hits harder every time I reread it. But don’t sleep on 'Tender Is the Night'; it’s messier, more personal, and somehow even more heartbreaking. The way Fitzgerald dissects the collapse of a marriage against the Riviera’s glamour is brutal and beautiful.
Then there’s 'This Side of Paradise,' his debut that crackles with youthful arrogance and ambition. It’s rougher around the edges, but you can see the seeds of his later genius. And for something quieter, 'The Beautiful and Damned' offers a scathing look at entitlement and wasted potential. Fitzgerald had this uncanny ability to make decadence feel hollow and shimmering at the same time—like champagne bubbles popping one by one.
I think people sleep on 'The Beautiful and Damned' for this. Anthony and Gloria Patch are the ultimate Jazz Age couple—beautiful, entitled, and utterly dedicated to the pursuit of pleasure as a life philosophy. Watching their long, slow decline is like watching the era itself rot from the inside. It’s less glamorous than 'Gatsby,' but maybe more clinically accurate about the spiritual emptiness at the core of all that partying.