Which Famous Songs Feature Pink Floyd Nick Mason'S Drumming?

2025-09-02 01:09:39 145

3 Answers

Hazel
Hazel
2025-09-03 15:45:01
Nothing gets me tapping the table like the ticking that opens 'Time' — that opening clock collage into those thunderous toms still gives me goosebumps. Over the years I've come back again and again to the records where Nick Mason's playing isn't flashy but absolutely essential: 'Time', 'Money', and 'Us and Them' from 'The Dark Side of the Moon' are the obvious ones I always point friends to. His cymbal work and those spacious fills are exactly what anchor the weird harmonic moves of that album.

If I’m telling people which other big tracks to listen to, I always throw in 'One of These Days' and 'Echoes' from the way-earlier and more exploratory days, plus 'Comfortably Numb' and 'Another Brick in the Wall (Part 2)' from the more arena-rock era. On 'Dogs' and 'Pigs (Three Different Ones)' Mason holds huge, patient beats that let David Gilmour and Roger Waters stretch out; the restraint is the point. He’s the backbone on the long suites like 'Shine On You Crazy Diamond' too — subtle and timely rather than showy.

Beyond the classics, I dig digging into live versions: the live 'Comfortably Numb' performances show how a simple groove can be stretched into something cinematic. If you're curating a starter playlist to hear Mason's touch, put 'One of These Days', 'Money', 'Time', 'Echoes', and 'Comfortably Numb' back-to-back; you’ll get a nice cross-section of his style and how it evolved, and you might notice the small fills and textures that make his drumming so Pink Floyd.
Ulysses
Ulysses
2025-09-05 19:49:25
Every so often I like to put on a Pink Floyd record and listen specifically for the drums — it's a different kind of joy. Mason isn’t the sort of drummer who grabs your attention with flashy paradiddles; he’s the kind who creates space. If you want tracks where his sound is particularly recognizable, start with 'Money' (that 7/4 groove and the clever snare accents), 'Time' (the famous clock intro into tom-heavy phrasing), and 'Us and Them' (the soft, expressive cymbal touch). Those three show very different sides of his approach.

For longer, more atmospheric pieces, try 'Echoes' and 'Shine On You Crazy Diamond' — he’s great at underpinning long dynamics and mood shifts. 'One of These Days' is more aggressive and motoric, and on 'Dogs' he lays out these patient, almost industrial patterns that let the guitars and vocals breathe. I also love comparing studio tracks to live versions; Mason's fills and dynamics often shift in concert, which reveals how much of his playing is about listening and reacting rather than rigidly keeping time. If you play these with headphones, listen for the way he places cymbals in the stereo field and how his toms push the tempo without rushing it.
Quinn
Quinn
2025-09-08 08:44:06
I like a quick, punchy playlist when I want to focus on Mason’s drumming: 'Time', 'Money', 'Echoes', 'One of These Days', 'Comfortably Numb', and 'Dogs' is my go-to. Those tracks span early psychedelia through stadium rock and really highlight his evolution — from experimental textures to steady, monumental grooves. What fascinates me is how often he chooses space over complexity: a measured fill or a perfectly timed cymbal crash can change the whole feel of a passage.

If you’re studying his technique, compare the studio 'Comfortably Numb' to live renditions to hear how his grooves breathe with the soloing. Also, note that Mason appears on every Pink Floyd studio album, so exploring albums like 'Meddle', 'Wish You Were Here', and 'Animals' gives you a deeper sense of his role — not flashy, but essential, like the scaffolding that holds the architecture of those songs together.
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