Is My Favorite Thing Is Monsters Vol 2 Worth Reading? Review

2026-03-08 06:05:24 26

3 Answers

Stella
Stella
2026-03-11 04:14:43
I dove into 'My Favorite Thing Is Monsters Vol 2' with sky-high expectations after how Vol 1 wrecked me emotionally—and wow, it didn’t disappoint. Emil Ferris’s art is still jaw-dropping, like flipping through a haunted sketchbook where every page oozes raw emotion. The story picks up with Karen’s investigation into her neighbor’s death, but it spirals into this layered exploration of identity, trauma, and monster metaphors that hit way deeper than most graphic novels dare.

What really got me was how Ferris weaves real history (like the Holocaust) into Karen’s personal chaos—it’s heavy, but never feels exploitative. Some folks might find the pacing meandering, but for me, those detours into side characters’ lives added richness. The only gripe? Now I’m starving for Vol 3, and who knows when that’ll materialize. If you loved the first book’s mix of gritty autobiography and surreal horror, this is a must-read.
Jack
Jack
2026-03-11 09:44:42
Hot take: If you adored the first volume’s messy brilliance, Vol 2 cranks it to eleven. Karen’s story gets wilder, weirder, and more wonderfully unhinged—think detective noir meets 'Pan’s Labyrinth' in 1968 Chicago. Ferris doesn’t just draw monsters; she makes you feel how they symbolize survival. The subplot with Karen’s brother wrecked me, and the cameo by a certain infamous murderer? Chilling.

Yeah, it’s dense. Yeah, you might need Wikipedia open for the history bits. But where else will you find a queer, biracial kid battling demons—real and imagined—with this much heart? Grab it, but only if you’re ready to have your soul gently stomped on.
Grayson
Grayson
2026-03-13 07:23:59
As a longtime comics reader, I’m picky about sequels—so many crash and burn—but 'My Favorite Thing Is Monsters Vol 2' is that rare follow-up that expands everything great about the original. Karen’s voice feels even more intimate here, like she’s scribbling her nightmares directly into your brain. The plot’s less linear than Vol 1, diving into flashbacks and fantasy sequences that might confuse casual readers, but stick with it.

Ferris’s crosshatching style remains unreal; you could spend hours dissecting a single panel’s textures. And the way she ties Karen’s queer awakening to historical atrocities? Gut-wrenching, but oddly hopeful. It’s not a breezy read—you’ll need tissues and maybe a therapy session afterward—but it’s art that sticks to your ribs. Perfect for anyone who thinks comics can be high literature.
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