Who Filmed These Are All The Goodbyes I Filmed After Our Breakup?

I got a little obsessed with finding every shooting spot for 'The Phantom Heiress: Rising From The Shadows' and ended up following a trail across Europe and the UK. The bulk of the production used studio space at Shepperton Studios just outside London for interiors—think opulent manor rooms, shadowy corridors, and the mechanized trapdoors you can’t tell are fake on screen. They built the heiress’ estate there, then shipped in set dressing and period furniture to keep continuity. For exteriors, they leaned heavily on Prague’s Old Town and surrounding baroque neighborhoods to capture that continental, timeless city vibe. Those narrow alleys and ornate facades stand in for the fictional capital during the flashback sequences. The dramatic coastal scenes—cliffs, stormy seas, and the lighthouse—were filmed along the Cornwall coastline, with a handful of moody shots on the Isle of Skye. It’s a beautiful mash-up that explains why the movie feels both familiar and otherworldly, and I loved how the locations doubled for different countries so seamlessly.

When I dug into where 'Kicked Out' and 'Catch Me If You Can' were filmed, I found myself doing a little geography tour of movie-making choices. For 'Kicked Out' the production leaned heavily on real, gritty urban locations — think council estates, youth centres, and a few seaside backdrops. A lot of the exterior filming was done around south-coast towns and inner-city neighborhoods in and around London, with several interior scenes shot in a West London studio so the crew could control the cramped, emotional moments. The use of actual streets and community halls gives the film that raw, lived-in feeling that helped me connect with the characters. 'Catch Me If You Can' is a whole different travelogue. Spielberg’s crew split time between New York City for authentic street and landmark shots, Los Angeles soundstages where detailed 1960s interiors were built, and Montreal, which doubled for parts of mid-century America thanks to its period architecture and cooperative production incentives. Seeing the contrast between on-location New York exteriors and the meticulously dressed soundstages in L.A. made the movie’s era pop for me — I could almost feel the 1960s rush. It’s neat how two very different films chose locations to emphasize character grit versus stylish period sheen, and that difference is still what sticks with me.

I get a kick out of tracking where movies pick their coastal vibes, and for 'The Beach House' the most talked-about East Coast shoot was over in Nova Scotia. The 2018/2019 indie-horror version leaned into that foggy, salt-scented Atlantic atmosphere you only get up in Canada’s Maritimes — think rocky coves, low dunes and sleepy fishing towns rather than wide, car-friendly beaches. Filmmakers favored the South Shore style: stone jetties, weathered shacks, and that sort of isolated, windswept mood that sells a tense seaside story on screen. I love how the Nova Scotia coastline reads differently on camera compared to, say, the Outer Banks or Cape Cod. The light is colder, the architecture is older, and the vegetation is scrubby in a way that immediately says “remote.” If you’re imagining where the cast hung their hats between takes, picture small harbor towns, narrow coastal roads, and a couple of provincial parks where the production could set up shots without too many tourists crashing the frame. That mix made the setting feel like another character, which I always appreciate — the coast itself carries a lot of the film’s mood. I walked away wanting to visit those lighthouses and cliffs just to chase the same cinematic feeling.

I’m pretty into tracking chapter counts, and with 'I Became Billionaire After Breakup' the tricky part is that different platforms slice it differently. Official releases and fan translations don’t always match—some sites package short bonus episodes or author notes as extra chapters, while others keep strictly to the main storyline. If you count only the main serialized installments, you’re looking at somewhere in the vicinity of fifty or so chapters; toss in the side chapters and specials and it comfortably creeps past that. Personally I like to think of it as a work-in-progress rather than a fixed number. The story has enough beats and small extras that a simple chapter count undersells how much content there is. I keep checking the publisher’s page every few weeks; it’s a modest, satisfying read and those extra bits make re-reading fun, honestly.

Filming for 'Young Sheldon' mostly happened on studio lots in Southern California rather than out in Texas where the story is set. The bulk of interior scenes—the Cooper family home, the school sets, and other recurring locations—were built on soundstages at Warner Bros. Studios in Burbank. Those controlled environments let the crew recreate late-1980s/early-1990s Texas down to wallpaper, curtains, and period-accurate props without worrying about weather or neighborhood interruptions. You can tell a lot of care went into the production design because the sets feel lived-in and consistent across episodes. Beyond the stages, the show used various Los Angeles-area locations and backlot exteriors for occasional street scenes and neighborhood shots. For authenticity, producers sometimes sprinkle in establishing footage or stock shots of Texas towns, but the working production stayed mostly in the L.A. ecosystem. I love spotting how they blend studio polish with little real-world touches—feels cozy and convincing to me.

Got curious one weekend and did a location deep-dive into 'The Second Act: Revenge', and it turned into a little obsession — in the best way. The bulk of principal photography was shot around Vancouver, British Columbia, which is why the city’s skyline and rain-soaked streets feel so present throughout the film. You can spot Gastown’s brick alleys and vintage lamp posts in several night sequences, while Granville Island supplies that artsy market vibe for a quiet reunion scene. The production used Vancouver Film Studios for most interior sets, so a lot of the apartment interiors and the antagonist’s study were built on stage rather than being real locations. They also snuck in a few Pacific Northwest landmarks: the seawall at Stanley Park appears during the bicycle chase, and the Capilano Suspension Bridge shows up in a brief, moody montage that hints at isolation. For the big estate exterior, they filmed at Hatley Castle on Vancouver Island — it’s one of those gorgeous, slightly spooky manors that immediately reads as ‘old money’ on screen. A second-unit crew shot coastal sequences around White Rock and the Tsawwassen ferry terminal to sell the seaside escape. To round things out, the production flew a small unit down to Los Angeles for a handful of urban scenes that needed recognizably southern California architecture — a courtroom facade and a rooftop bar scene were shot in downtown LA, then blended with Vancouver footage in editing. The mixing of cities is seamless most of the time, and I loved pausing on frames to pick out the real-life spots — it makes rewatching feel like a scavenger hunt and gives the film an oddly international texture.

The filming location for 'The Expat' is quite intriguing! The movie was primarily shot in Colombia, which the filmmakers chose for its stunning landscapes and vibrant culture. It's fascinating how filmmakers often select locations that not only serve as backdrops but also enrich the storytelling experience. In the case of 'The Expat', Colombia perfectly encapsulates the essence of the story, transforming what could have been just another action film into a visually striking experience. The decision to film in Colombia is especially significant because it offers a mix of urban and rural settings that can evoke a wide array of emotions and atmospheres. From the bustling streets of Bogotá to the lush greenery of the countryside, every shot feels alive and teeming with character. I can't help but appreciate how location scouting can influence the overall vibe of a movie; it’s almost a character in itself! Plus, the culture, the color, and the warmth of the Colombian people really shine through, making the film feel authentic. Additionally, this choice highlights the growing trend of filmmakers seeking to head to countries that are often overlooked for major productions. Colombia has some truly unique landscapes and historical sites that many audiences might not immediately associate with a modern thriller. It's like uncovering a hidden gem; once you see it, you can’t help but want to explore more. I think it’s such a testament to how storytelling and location can intertwine beautifully in film, creating something memorable and unique. Isn't it amazing how a film can do more than just entertain? It can also transport us to places we've never been, broadening our horizons! I always walk away from these movies feeling not just entertained, but educated, especially about the culture and geography of their settings. It's exciting to see what future productions might choose to showcase next.Different regions have so much to offer, and I really love getting a little glimpse into them through film. Overall, 'The Expat' reaffirms my belief in the power of great cinematography paired with stunning locales!

If you want to watch 'I Became Billionaire After Breakup' online, the quickest route I take is to check official streaming services first. I usually search Netflix, Amazon Prime Video, Crunchyroll, and regional platforms like iQIYI, WeTV, Bilibili, and Viki because those services often license shows or adaptions quickly. Sometimes the series or its source material appears on YouTube via an official channel or the distributor uploads episodes with subtitles. If it's based on a webcomic or web novel, the publisher's own site or apps (like Webtoon or Tapas for comics) are worth checking too. If a quick search on those platforms comes up blank, I run the title through an aggregator like JustWatch or Reelgood to see current availability by country. That saves time and tells me whether I can rent, buy, or stream it as part of a subscription. I also keep an eye out for region-locked releases; occasionally a platform has it in one country but not another. In those cases I choose to wait for an official release rather than risk poor-quality uploads. I try to support the creators whenever possible, so if there's a legal purchase option—digital buy, physical disc, or subscription—I take that route. Finding a nicely subtitled, legal source makes the rewatching experience so much better and I sleep easier knowing the creators get paid; plus, the picture and subtitles are usually cleaner. It’s a satisfying watch when I can stream it properly and enjoy the details.