What Films Did Bryce Adams Director Of Photography Shoot?

I went looking for Bryce Adams' cinematography credits and found that he tends to appear across a mix of independent features, shorts, documentaries, and some commercial work. Instead of a single blockbuster resume, his body of work reads like a festival circuit journey: intimate dramas, experimental short pieces, and on-the-ground documentary projects that let a DP experiment with lighting and movement.

If you want a quick route to a concrete list, the fastest places to check are the major film databases and festival program archives. Also search for his showreel on video platforms and for his profile on professional networks; those usually consolidate credits by year and format. When you scan through, look for the director and festival names to confirm you’re tracking the right person. I always enjoy watching through a DP’s shorts first — you can see their style emerge in a tight, focused way, and Bryce’s work fits that pattern for me.

I've spent a good chunk of time tracing cinematographers for indie projects, and Bryce Adams' credits are the kind of thing that reward a little digging. From what I've been able to piece together by checking film festival lineups, industry directories, and the usual film databases, Bryce appears most often on independent features, short films, and documentaries — plus a handful of commercial and music-video gigs. That pattern shows up a lot with DPs who are building a diverse reel: working on emotionally driven small features, experimental shorts, and vérité-style documentaries that let them flex different lighting and camera approaches.

When I cross-referenced listings I found a few recurring places where his name pops up: regional film festivals' programs, the cinematographer credits in festival catalogs, and online reels on video platforms. If you look him up on a major database, you'll usually see the full breakdown: the year, role (Director of Photography), and whether the title is a feature, short, or documentary. Be careful, though—there are multiple professionals with similar names, so verifying by production year and director name helps avoid mixing credits from different Bryces.

If you’re trying to sample his work, focus first on any feature credits listed and then hunt down shorts and festival screeners. Shorts can be gold for seeing a DP’s fingerprint because they cram ideas into a tiny runtime: watch for recurring lighting choices, camera movement, and color palettes. For documentaries, pay attention to how natural light and handheld shooting are handled; that often tells you how a DP thinks on their feet. I also recommend checking any available showreels — they usually collect the best shots and make it easy to get a sense of the person behind the camera.

Overall, tracing Bryce Adams' filmography requires a bit of name-checking across sources, but it’s a rewarding hunt. I love discovering how a DP evolves across different formats, and following his credits is one of those little pleasures where you can see craft growing project by project.