Which Films Portray Becoming Supernatural As A Curse?

2025-08-31 16:26:45 133

4 Answers

George
George
2025-09-03 11:23:34
Sometimes I like to think about why filmmakers choose the supernatural-as-curse trope, and I end up revisiting a few favorites. My angle is thematic: the curse stands in for illness, addiction, puberty, or social ostracism. 'Ginger Snaps' is a textbook example—werewolf transformation as a savage comment on puberty and female rage. David Cronenberg territory like 'The Fly' or 'Rabid' (if you want body horror) makes the physical mutation deeply personal and grotesque: you lose yourself, literally and morally.

Then there are films where the curse is social and eternal. 'Interview with the Vampire' treats vampirism like a seductive prison, and 'Thirst' complicates religious identity with monstrous desire. Psychological or possession films—'The Exorcist' or 'Possession'—frame the supernatural as invasive and destructive. If you're curating a double feature, try pairing a body-horror transformation with a possession film: it highlights different forms of losing control and makes the curse feel both intimate and unavoidable.
Talia
Talia
2025-09-03 13:54:20
When I want compact, effective examples of becoming supernatural as a curse, I reach for a few go-tos. 'The Fly'—tragic, gross, and utterly heartbreaking. 'Ginger Snaps'—horror as puberty and punishment. 'An American Werewolf in London'—the curse destroys normal life and identity. 'It Follows' treats the curse as an infectious, inescapable presence that ruins peace of mind. 'Interview with the Vampire' gives vampirism all the glamour and loneliness of an eternal sentence.

If you're picking one for tonight, pick by mood: body-horror for visceral dread, werewolf films for cursed fate, or 'It Follows' for modern paranoia—I'll happily argue for any of them over popcorn.
Theo
Theo
2025-09-03 17:38:32
I still get queasy thinking about the final scene of 'The Fly'—that sticky, tragic collapse of human and insect. For me, films that treat becoming supernatural as a curse usually lean into loss: loss of body integrity, of relationships, of moral control. Beyond 'The Fly', I think of 'An American Werewolf in London', where lycanthropy is an uncontrollable, humiliating transformation that ruins the protagonist's life; and 'Ginger Snaps', which smartly uses lycanthropy as a brutal allegory for puberty and social exile.

On a different track, possession movies like 'The Exorcist' and 'The Exorcism of Emily Rose' frame the supernatural as a violent theft of agency, while 'It Follows' turns the idea into a contagious curse that haunts sexuality. Then there's 'Interview with the Vampire' and 'Thirst' — both present immortality or vampirism with glamour overturned by endless loneliness, craving, and moral rot. I usually pick one of these when I want horror that hurts in a human way, not just jump scares.
Ben
Ben
2025-09-05 05:45:47
I've got a playlist of curse-as-supernatural films that I reach for when I'm in a moody, late-night watching mood. 'It Follows' is brilliant because the curse is modern and contagious—there's real dread in the idea you could inherit something you can't explain. 'Ginger Snaps' takes the curse into teenage territory: it’s gore, metaphor, and anger all lumped into lycanthropy as social punishment. 'The Wolfman' and 'An American Werewolf in London' both lean hard into the classical idea that becoming a werewolf is a hereditary or unavoidable fate that corrupts your life.

If you want something gothic, 'Interview with the Vampire' shows immortality as an emotional curse, and if you prefer visceral body horror, 'The Fly' is basically the gold standard. I usually watch one of these on a rainy night with tea and headphones—some of them stick with me for days.
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