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Elise is an unemployed woman from the modern world and she transmigrated to the book "The Lazy Lucky Princess." She hated the book because of its cliché plot and the unexpected dark past of the protagonist-Alicia, an orphan who eventually became the Saint of the Empire. Alicia is a lost noble but because of her kind and intelligent nature the people naturally love and praise her including Elise. When Elise wakes up in the body of the child and realizes that she was reincarnated to the book she lazily read, she struggles on how to survive in the other world and somehow meets the characters and be acquainted with them. She tried to change the flow of the story but the events became more dangerous and Elise was reminded why she hated the original plot. Then Alicia reaches her fifteen birthday. The unexpected things happened when Elise was bleeding in the same spot Alicia had her wound. Elise also has the golden light just like the divine power of the Saint. "You've gotta be kidding me!"

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

On Alaric's wedding day, I brought a gift to the wedding feast. I had barely taken my seat when someone swung straight at my face. Alaric's bride, a transmigrator who called herself an expert in noble-household intrigue, glared at me in her wedding gown. "So you're the prince's former betrothed? How does a defeated rival still have the nerve to show up at the wedding feast? Have you no shame?" A palace maid caught her hand before the slap landed, and I studied her with a dark expression. Before I could speak, Lydia of House Leicester mocked me again. "What? Are you going to say you only came to offer your blessings? I grew up watching period dramas. Don't think I don't know what filthy thoughts a medieval woman like you is hiding. "You came here pretending to congratulate us while planning to ruin the wedding feast and make the prince change his mind, didn't you? Too bad Alaric promised me that I would be his only wife for life. Even if you were to strip naked and stand in front of him, he wouldn't touch you!" Then she raised her brow at the women behind her. The noblewomen and ladies who were friendly with her surrounded me, scorn on their faces. Then they reached out to slap me. "Exactly, you wench! How dare you provoke Princess Lydia? We'll make you pay for it today!" The courtyard fell into chaos. Insults and jeers came one after another. Just as the women were about to grab my hair, the chief steward Edwin quickly stood in front of me and shouted, "Enough! I would like to see who dares to show disrespect to the Grand Princess of this realm, Her Royal Highness Princess Sophia!"

I woke up inside a novel, and not even as an important character. I became a pretty background extra in a smut novel. My brother, however, was the only normal person in the entire story. His character setting was the one man the soft, delicate heroine could never win over. He was the cold, unattainable Prince Charming she could never conquer. When the heroine cried and confessed her love, he was studying. When she offered him her whole heart and body, he was busy starting a company. When she spiraled into scandals and nightlife, he was already a billionaire, calm and untouchable. I thought he would live a quiet, ascetic life forever. Until one night, I walked in on him at midnight… holding a piece of clothing I recognized all too well, murmuring a name over and over, a name so familiar that my scalp tingled.

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.