How Does 'From A Native Daughter' Critique Colonialism In Hawai'I?

2025-06-20 15:17:50 151

2 Jawaban

Nora
Nora
2025-06-22 16:32:35
Reading 'From a Native Daughter' by Haunani-Kay Trask was a gut punch in the best way possible. The book doesn’t just criticize colonialism—it dismantles it piece by piece, exposing how Western exploitation has gutted Hawaiian culture, land, and sovereignty. Trask’s writing is fierce and unapologetic, tearing apart the romanticized myth of Hawai’i as a paradise for tourists while native Hawaiians struggle with displacement and cultural erasure. She highlights how colonialism isn’t just a historical event but an ongoing system—land stolen for resorts, sacred sites bulldozed for golf courses, and native voices silenced in their own homeland. The way she connects capitalism to colonialism is eye-opening, showing how economic exploitation perpetuates the same violence as military occupation.

What makes Trask’s critique so powerful is her personal lens. She doesn’t speak as a detached academic but as a Kanaka Maoli (Native Hawaiian) woman whose family has lived through generations of oppression. Her anger is palpable, and rightfully so—she documents how the U.S. annexed Hawai’i illegally, overthrowing the monarchy with zero consent from the people. The book also tackles cultural imperialism, like how hula and other traditions are commodified for profit while their spiritual significance is stripped away. It’s not just about past crimes; it’s about the ongoing fight for sovereignty, with Trask calling for Hawaiians to reclaim their identity, language, and land. This isn’t a dry history lesson—it’s a rallying cry.
Stella
Stella
2025-06-25 12:27:22
'From a Native Daughter' hits hard with its raw critique of colonialism in Hawai’i. Trask pulls no punches, exposing how the U.S. takeover destroyed native governance and turned the islands into a playground for outsiders. She rails against the hypocrisy of a system that celebrates Hawaiian culture as exotic while denying Hawaiians control over their own resources. The book’s strength lies in its clarity—colonialism isn’t abstract here. It’s hotels displacing families, it’s polluted water from military bases, it’s schools banning the Hawaiian language. Trask’s voice is urgent, demanding justice for stolen land and cultural survival. It’s a must-read for understanding modern Hawai’i’s struggles.
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