Why Is Funny Weather Considered A Must-Read Novel?

2025-11-13 03:19:52 266

3 Answers

Kyle
Kyle
2025-11-17 12:39:19
'Funny Weather' is one of those rare books that changed how I move through the world. Laing’s essays on art during crises—whether AIDS or climate collapse—taught me to see creativity as survival, not decoration. Her piece on 'the lonely city' (which I read mid-pandemic) made urban loneliness feel poetic rather than suffocating.

What stuck with me was her insistence that joy and despair aren’t opposites. The way she describes dancing in clubs or the communal grief in Felix Gonzalez-Torres’ installations—it’s all about holding contradictions. Now I catch myself seeking out those small, defiant beauties: a stranger’s playlist shared on a train, a mural in an alley. The book didn’t just inform me; it rewired my senses.
Connor
Connor
2025-11-17 21:59:45
If you’ve ever felt art was intimidating or elitist, 'Funny Weather' is the book that’ll throw open the doors. Laing writes with this warm, conspiratorial tone, like she’s handing you a cup of tea while dissecting why Tracy Emin’s bed or Bowie’s final album matters. The chapter 'Against Isolation' hit me hardest—she connects historical queer art movements to modern resistance, showing how culture can be Armor against oppressive systems.

It’s also refreshingly unpretentious. She’ll pivot from analyzing Hilary Mantel’s novels to musing on gardening as creative practice. That fluidity makes the book feel alive, like a conversation with the smartest friend you wish you had. I dog-eared nearly every page, scribbling 'YES!' in Margins whenever she articulated something I’d felt but never voiced.
Chloe
Chloe
2025-11-19 13:12:06
Olivia Laing's 'Funny Weather' feels like stumbling into the most vibrant, intellectually stimulating party where everyone’s discussing art, politics, and survival with equal Passion. What makes it essential isn’t just the essays themselves—though her takes on David Bowie’s queerness or the radical hope in Margaret Atwood’s writing are electrifying—but how she frames creativity as a lifeline during chaos. Her prose dances between personal grief (she wrote much of this during the Brexit fallout) and collective resilience, making art feel less like a luxury and more like oxygen.

I especially love how she dismantles the myth of the 'isolated genius.' Her portraits of artists like Jean-Michel Basquiat or Derek Jarman show messy, collaborative humanity. It’s not a dry analysis; it’s a rallying cry. After reading, I found myself noticing tiny acts of creativity everywhere—graffiti, playlist-making—as quiet rebellions. That shift in perspective? Priceless.
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