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Did The Godfather Influence Seven'S Storyline?
2026-06-16 21:19:08
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4 Answers
Lila
2026-06-18 09:09:30
Ever notice how 'The Godfather' and 'Seven' both have that oppressive atmosphere? Like, you can feel the weight of their worlds. But influence? Nah. 'Seven' is its own beast—a crime story stripped down to nihilism. Michael Corleone’s arc is Shakespearean; John Doe’s just wants to punish. Fincher’s style is colder, more detached compared to Coppola’s operatic warmth. If there’s any overlap, it’s in how both films make evil compelling. But 'Seven' doesn’t need a legacy; it’s a standalone nightmare.
Kyle
2026-06-18 14:12:54
I’ve obsessed over both films for years, and while they share a DNA of excellence, 'Seven' feels more like a descendant of 'Taxi Driver' or 'Zodiac' (ironically, also Fincher). 'The Godfather' is about systems—family, loyalty, corruption. 'Seven' is about breaking systems, about chaos wearing a mask of order. Doe’s sermons are nothing like Vito’s quiet authority. Even the violence differs: Coppola lingers on betrayal; Fincher lingers on aftermath. Maybe the only real link is how both directors trust the audience to sit with discomfort.
Caleb
2026-06-19 07:54:09
As a film buff, I’d say 'influence' is too strong. 'Seven' is a product of ’90s neo-noir, while 'The Godfather' defined ’70s cinema. Their moral questions don’t even align—one’s about compromising your soul, the other about losing it entirely. But damn, both make rain look iconic.
Jade
2026-06-19 18:57:57
The Godfather' and 'Seven' are both masterpieces, but their storytelling feels worlds apart. Coppola's epic focuses on family, power, and legacy, while Fincher's gritty thriller dives into moral decay and obsession. I don’t see direct narrative influence—'Seven' is more of a procedural with a philosophical edge, whereas 'The Godfather' is a sprawling saga. That said, both use darkness as a character itself. The way 'Seven' lingers on shadows feels almost like a nod to Gordon Willis’ cinematography in 'The Godfather,' but thematically, they’re playing different games. Fincher’s film feels more aligned with noir than mafia drama.
One could argue John Doe’s meticulous planning mirrors Michael Corleone’s calculated rise, but that’s a stretch. 'Seven' thrives on despair, while 'The Godfather' finds tragedy in ambition. If anything, they’re spiritual cousins in tone—both unflinchingly brutal, but 'Seven' leaves you hollow, whereas 'The Godfather' makes you ponder the cost of power. I’d say Fincher was likely more inspired by 'Se7en’s' own genre peers like 'Silence of the Lambs' than Coppola’s work.
One could argue John Doe’s meticulous planning mirrors Michael Corleone’s calculated rise, but that’s a stretch. 'Seven' thrives on despair, while 'The Godfather' finds tragedy in ambition. If anything, they’re spiritual cousins in tone—both unflinchingly brutal, but 'Seven' leaves you hollow, whereas 'The Godfather' makes you ponder the cost of power. I’d say Fincher was likely more inspired by 'Se7en’s' own genre peers like 'Silence of the Lambs' than Coppola’s work.
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