What Happens In The Ending Of 'The Once And Future Sex'?

*The sequel to this book will be here from now on----------Daughters of the Moon Goddess-----------All the chapters you purchased here will remain here. * Kas Latmus isn't even an omega with the Silver Moon pack. She's a slave. Her Alpha has abused her for years. On her seventeenth birthday, her wolf wakes up and insists the Moon Goddess is her mother. Kas knows it can't be true but she is too weak to argue until she starts to go through an unusual transformation and display abilities that are not normal for a werewolf. Just as Kas is ready to give up on life, the ruthless Bronx Mason, an Alpha werewolf with a reputation for killing weak wolves shows up and claims her as his mate. Will Kas be able to overcome years of abuse and learn to love the menacing Alpha that is her mate or is she too far gone to be able to accept him and become the Luna her wolf believes she should be?

In the Kingdom of Deovaria, the peaceful Faery have been killed and enslaved by their neighboring Kingdom of Humans. The remaining few forced to choose between life or death, agree to live under the humans rule. Freedom comes with a price though. Faeries are to immediately stop all use of magic, and all faerie women are to be taken into the castle walls to bear one child that will be half human, and half faery. Giving the King a glimpse into what he always wanted, and invincible army. To try and protect their kind, a curse is placed on the Kingdom to stop all faery from having female children. Eighteen years later, Aspen, is the last female to turn of age. When she is taken by force, she turns her magic onto the humans, killing a guard in the process and committing treason against her new King. Little does she know she will soon come face to face with a furious Prince, and a longer journey than she had ever imagined.

Seven days before our bonding ceremony, I overheard my mate joking with his friends. He had already moved our bonding from the snowfield altar I chose to the coastside grounds because Lyra liked the sea. But that was not the part that made them fall silent. What shocked them was that he had also prepared a Luna crown for her. One of them laughed nervously. “Changing the bonding site is one thing. Maybe Serena will forgive that. But the Luna crown? That’s different. For a woman, that crown means everything. Aren’t you afraid she’ll leave?” My mate only smiled, calm and certain. “It’s just a crown. Serena won’t care.” “She loves me. When has she ever refused me anything? She’s not going to throw a tantrum over something this small.” And for the first time, I realized he was right about one thing. I had loved him enough to forgive too much. But not anymore. So when the bonding day came and he stood at the coastside grounds calling for me again and again, I only watched the snow fall outside the window and thought: He was right. I did not make a scene. I did not demand an explanation. I just walked away without a word. He thought that meant it was nothing. He would only understand later that a woman who leaves in silence is not giving you another chance—she is leaving you with nothing but regret.

"Tomorrow, we don't have to speak of this again." I hardly know what I'm asking. I just know I want whatever it is. He watches me with an intensity only he is capable of. "Put my hand where you want me to touch you." **** Vaela should never have gone up that mountain. She should never have tried to find the Immortal Prince. But she did, and now she's mortal in a land of immortals, fighting to find her mate in order to save her own life. Yet the enigmatic Prince trying to save her life is getting in her way. How can she concentrate on finding her true mate when she is confined to his home, unable to resist him? Unless, of course, he is the answer to all her problems. *Mature Content! Read at your own discretion!*

The night I confessed my love to my girlfriend, she wept so hard she could barely breathe. She said she had seen the future, and she wanted to make a promise with me. I asked her why. She only shook her head and said, "I don't remember… all I know is that in the future I regret something terribly. Frank, no matter what happens, you must give me three chances. Will you?" I was deeply in love with Agnes Grey, so I agreed without hesitation. But later, it was as if she had forgotten all about that night—forgotten it when she clung so intimately to her male assistant. Only then did I understand why she'd made me promise that all those years ago. Because the moment I signed my name on the divorce papers, I heard a familiar voice. It was Agnes at nineteen. Through her sobs, she pleaded, "Frank… you promised me, didn't you? You said you'd give me three chances."

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.