Who Holds Rights To Regina Spektor The Call Narnia Usage?

2025-08-24 04:02:29 62

5 Answers

Olivia
Olivia
2025-08-27 09:41:35
I get asked this kind of rights question a lot when friends want to use tracks for little creative projects. The quick way to think about it: whoever owns the composition (the sheet-music/song rights) and whoever owns the master recording both need to grant permission for use in a film, trailer, or commercial. For 'The Call' used in relation to 'Prince Caspian', the studio would have licensed both those pieces from Regina’s team.

Practically, start by looking up the song on a performing rights organization database (ASCAP or BMI) to find the listed publisher(s). Then check the album credits and Discogs for the record label that released the track—often that label holds the master. At the time Regina released 'The Call' she was working with major label partners, so the label likely handled the master. The film studio (Disney/Walden Media for the Narnia movies) typically secured the sync license from the publisher and a master license from the label. If you’re clearing rights yourself, reach out to the publisher and label’s licensing departments, or use a clearance company to negotiate fees and terms.
Ulysses
Ulysses
2025-08-28 05:26:18
I love how music licensing is like solving a little detective case. For 'The Call' and its use with 'The Chronicles of Narnia: Prince Caspian', there are two main owners to find: the songwriter/publisher for the composition and the record label for the master. Regina Spektor wrote the song, so her publisher controls the composition rights (unless she retained them), and the label that released the recording controls the master. The movie or trailer producers would have obtained sync and master-use licenses from those parties. To confirm exact names today, check PRO databases (ASCAP/BMI), Discogs or the soundtrack credits, or contact her management or the label’s licensing team.
Vanessa
Vanessa
2025-08-29 20:38:29
Whenever I want to clear a song for a fan project, I treat it like two separate purchases: composition and master. With 'The Call' as used in connection to 'The Chronicles of Narnia: Prince Caspian', the composition rights belong to Regina (or her publisher) and the master is owned by the label that released the recording. The Narnia producers would have negotiated a sync license from the publisher and a master license from the label.

To find the exact current holders, check PRO listings (ASCAP/BMI), look up the single/album credits on Discogs or MusicBrainz, and peek at the film/soundtrack credits. If you want to use the track, reach out to those publishers and the label’s licensing team or use a clearance agency—it's the cleanest route and often worth the price for peace of mind.
Ruby
Ruby
2025-08-30 03:41:36
Hearing 'The Call' in the context of 'The Chronicles of Narnia: Prince Caspian' always feels cinematic to me, and I’ve dug into how that kind of usage works because I tinker with fan vids and amateur edits. Broadly speaking, two separate sets of rights matter: the composition (the songwriting and lyrics) and the master recording (the actual recorded performance). The songwriter—Regina Spektor—owns the underlying composition copyright unless she’s assigned it to a publisher, and the recorded performance is usually owned by her label or whoever financed the session.

For the Narnia trailer/film usage specifically, the movie studio would have cleared a sync license from the publisher for the composition and a master use license from the label for the recording. Regina was associated with Sire/Warner around that era, so the master was likely controlled by her label (and the composition licensed via her publisher). If you want the concrete current holders, check the film credits, the soundtrack liner notes, or databases like Discogs and MusicBrainz, and then verify the publisher via ASCAP/BMI/SESAC.

If you need a legal clearance for a project, contact the song’s publisher for sync rights and the label for master rights, or hire a music clearance service to handle it—trust me, it saves headaches.
Ryder
Ryder
2025-08-30 08:34:35
Sometimes I like to explain this by walking through the actual clearance steps, because it helps keep the legal bits from getting fuzzy in your head. First, identify the composition owner: search ASCAP/BMI/SESAC or the song credits under 'The Call' to find the listed publisher(s). That’s who grants the synchronization license—the permission to pair the songwriting with moving images like scenes from 'Prince Caspian'. Second, identify the master owner by checking the single/album release credits on Discogs, AllMusic, or the physical soundtrack liner notes; that party grants the master use license for the recorded track.

Historically, Regina was releasing music through major label channels around when 'The Call' was used in Narnia marketing, so expect a label like Sire/Warner to be involved on the master side and a music publisher tied to Regina for the composition. The film studio (Disney/Walden Media) would have secured both licenses back then. If you need to license it now, contact the publisher and label licensing departments—or hire a music clearance specialist to handle the negotiations and fees.
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Related Questions

How Did The Call Regina Spektor Narnia Influence The Film?

3 Answers2025-08-24 10:46:28
Hearing that gentle piano and Regina Spektor’s voice wash over the credits at the end of 'The Chronicles of Narnia: Prince Caspian' felt like a small secret the movie kept for people who stayed in their seats. For me, 'The Call' didn’t change the plot, but it shifted how the whole film landed emotionally. The movie’s orchestral score by Harry Gregson-Williams builds the epic, mythic side of Narnia, but Regina’s song re-centers everything on the human, intimate aftermath: loss, longing, and the pull to somewhere that feels like home. Her vocal quirks and sparse arrangement give the ending a weathered, personal feel that contrasts with the big-screen battles, so you leave the theater thinking about the characters’ inner lives rather than just the spectacle. On a practical level, the song helped bridge the film to contemporary listeners who might not already be into orchestral fantasy scores. It showed up on the soundtrack and in promotional spots, which gave the franchise a slightly indie-pop flavor—helpful for younger viewers and fans of singer-songwriters. Beyond marketing, I still notice how fans will cite Regina’s lyrics when talking about the film’s themes—so the track became part of how people interpreted and remembered the movie, not just something tacked onto the credits.

Who Licensed The Call Regina Spektor Narnia For The Movie?

3 Answers2025-08-24 00:54:26
I still get a little giddy when that opening melody of 'The Call' shows up over the credits of 'The Chronicles of Narnia: Prince Caspian' — it’s one of those pairings that stuck with a whole generation of fans. The short version of who actually licensed it: the movie studio (Walt Disney Pictures, working with Walden Media) cleared the song for use. In practice that meant Disney obtained a sync license for the composition and a master-use license for Regina Spektor’s recorded performance, negotiating with her publisher and her record label (she was on Sire/Warner at the time). The soundtrack itself was handled through the film’s music arm, which in this case would be tied to Walt Disney Records for distribution. If you want a paper trail: the film’s end credits and the soundtrack liner notes will list the exact publishing and master ownership names. For most film placements you’ll see two separate sets of credits — one for the songwriter/publisher (who issues the sync license) and one for the label that owns the master (who grants the master license). So while the studio licensed the usage, the formal rights came from Regina’s publisher and label.

How Did Critics Respond To Regina Spektor The Call Narnia?

5 Answers2025-08-24 09:18:42
I still hum that melody when I’m doing dishes — it’s one of those songs that sneaks up on you. Critics mostly greeted Regina Spektor’s 'The Call' with warm curiosity when it turned up connected to 'The Chronicles of Narnia'. A lot of reviews praised how her quirky, intimate voice and the song’s slightly eerie, lullaby-ish piano provided a human, emotional anchor to the sweep of a fantasy franchise. I remember reading pieces that called it a surprisingly tender choice for a big studio film, highlighting how the lyrics of exile and return echoed Narnian themes. Not everyone was ecstatic, though. A few critics thought the modern singer-songwriter sound clashed with the movie’s orchestral grandeur, or that using a contemporary pop-folk track in trailers felt too commercial. Still, the consensus leaned positive: many felt Spektor’s song added a bittersweet, personal note that complemented the film’s larger-than-life moments. For me, it worked — hearing 'The Call' in the trailers gave scenes an emotional undercurrent I wasn’t expecting, and it made me tuck the song into my playlist for rainy evenings.

Are There Covers Of Regina Spektor The Call Narnia Online?

5 Answers2025-08-24 18:33:48
I get this question all the time when people fall in love with that wistful, cinematic feeling behind 'The Call'—and yes, there are definitely covers online, many of them tied to 'The Chronicles of Narnia' fan edits. I tend to live on YouTube for this stuff, and if you search "Regina Spektor 'The Call' cover" you'll find acoustic guitar versions, piano renditions, lo-fi bedroom recordings, and even a few choir and string instrumentals. Lots of creators also sync their covers to scenes from 'Prince Caspian' or other Narnia promos, so you get that emotional montage vibe. If you want to sing along, there are karaoke and instrumental tracks floating around on SoundCloud and YouTube, and you can grab chord charts or piano sheets from sites like Ultimate Guitar and MuseScore. For streaming, small independent artists sometimes upload their covers to Spotify and Bandcamp (mechanical-licensed covers are common there). My favorite way to explore is to filter YouTube by upload date and then check comments—you'll spot tutorial links, capo positions, and tips from people who actually arranged the piece differently. Happy hunting, and if you want, I can point you to the kind of cover (piano, guitar, choral) you like most.

Did Regina Spektor The Call Narnia Appear On Soundtrack?

5 Answers2025-08-24 11:12:09
There's a small bit of pop-culture trivia I love to pull out when chatting about movie soundtracks: Regina Spektor's 'The Call' got closely tied to 'The Chronicles of Narnia: Prince Caspian' during the film's promotional cycle. I don't want to overclaim — 'The Call' is a Regina Spektor single from her 2006 album 'Begin to Hope', and the song was used in trailers and promotional material for 'Prince Caspian'. Regina even released a music video for 'The Call' that intercuts footage from the film, which is why a lot of people associate the song with the movie. However, the movie's official score is by Harry Gregson-Williams, and the score album itself is primarily orchestral pieces rather than pop tracks. If you're hunting for the song with the movie, you'll find it linked to the film in the video and promo realm, but it isn't one of the core score tracks on most standard soundtrack releases. For confirmation I usually check the film credits or the soundtrack tracklist on Discogs or Spotify—those sources show the distinction clearly.

Where Can Fans Stream Regina Spektor The Call Narnia?

5 Answers2025-08-24 00:13:07
Oh man, hearing that twinkly piano and Regina's voice always takes me back. If you want to stream 'The Call', the most reliable places are the major music services: Spotify, Apple Music, Amazon Music, YouTube Music, Deezer, and Tidal all carry it as part of Regina's album 'Begin to Hope'. I usually pull it up on Spotify because I like making playlists for long drives — there are both the studio track and a few live versions floating around on YouTube and sometimes on streaming services. If you're curious whether it appears on any movie soundtrack releases, search for 'The Chronicles of Narnia: Prince Caspian' in the same services or look up the soundtrack on YouTube; the song was heavily associated with the film's promotion, so you'll often find it linked to that film. If you run into regional blocks, a quick check on a site like JustWatch or Reelgood shows where the song or film is available in your country. Personally I love having both the single and the album saved for late-night listening.

Why Did Filmmakers Choose Regina Spektor The Call Narnia?

5 Answers2025-08-24 12:51:40
I got chills the first time 'The Call' swelled under the credits for 'The Chronicles of Narnia: Prince Caspian'—it just fit. Regina Spektor's voice carries this fragile, inquisitive quality that mirrors the kids' slow-growing courage and the bittersweet feel of returning to a changed home. The lyrics—about moving toward something you can’t quite explain—echo the whole Narnia experience: the pull between worlds, duty and longing. From a filmmaking perspective, it's practical too. The song's piano-based arrangement blends gently with the film's orchestral score without clashing, so editors can layer it in trailers or credits and keep emotional continuity. Also, Regina was rising in popularity then, so using 'The Call' helped the film feel contemporary and reach audiences beyond the core fantasy crowd. Finally, licensing a pre-existing, poignant track often gives a movie immediate emotional shorthand; one well-placed song can make the finale linger in viewers' minds long after they leave the theater.

Did The Call Regina Spektor Narnia Appear On The Soundtrack?

3 Answers2025-08-24 03:04:28
I still smile when that piano intro starts — it's such a neat crossover between indie pop and fantasy film. Yes: Regina Spektor's song 'The Call' is tied to 'The Chronicles of Narnia: Prince Caspian'. You can hear it in the film's promotional material and it plays over the end credits, and although the movie's score itself was composed by Harry Gregson-Williams, Regina's track became the pop-facing piece listeners associate with that installment. If you dig into where to find it, 'The Call' originally appears on Regina's album 'Begin to Hope', but it also turned up in association with the film (different soundtrack releases and regional editions sometimes list it as a bonus or included track). So if you want the song exactly as used in the movie context, check streaming platforms, the film’s end credits, or some soundtrack compilations from around 2008. For collectors, physical soundtrack pressings and digital deluxe editions are the places that most often include guest pop tracks like this. Personally, I love how the song's themes — longing, transition, a kind of sweet urgency — fit the movie's mood. It doesn't replace the orchestral score, but it gives the film a modern emotional coda that stuck with a lot of fans, and it’s one of those tracks that makes me want to rewatch the movie and then queue up 'Begin to Hope' afterwards.
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