Does 'Icon' Have A Sequel Or Planned Series?

Getting into the world of writing can feel both exhilarating and overwhelming, especially when you're looking for guidance. For anyone starting their journey as an author, I highly recommend 'On Writing: A Memoir of the Craft' by Stephen King. This book isn’t just a manual; it’s infused with passion. King shares his personal experiences, insights, and philosophy about writing. He doesn’t hold back on his early struggles, which makes it relatable for those of us on our own paths. His advice on daily writing habits and the importance of perseverance can really motivate you to push through those tough times. Another fabulous read is 'Bird by Bird: Some Instructions on Writing and Life' by Anne Lamott. I love how Lamott blends humor with wisdom, making the writing process feel a bit less daunting. Her anecdotes about the writing life, coupled with practical writing tips, resonate deeply. She emphasizes that writing is a journey, not a destination, encouraging us to take it ‘bird by bird’ — one small step at a time. Her candidness about failure and insecurity in writing is comforting, reminding aspiring authors we’re not alone in feeling this way. Lastly, don’t overlook 'The Elements of Style' by William Strunk Jr. and E.B. White. While it’s more technical, this book is essential for honing your writing skills, teaching us economy and clarity in our prose. It’s a must-have reference that I often return to. Each of these books brings something unique to the table, fueling creativity and discipline in equal measure, and really helping any writer find their voice!

One of my absolute favorites has to be 'The Hunger Games' series by Suzanne Collins. Katniss Everdeen is such a compelling character, not only because she’s tough and resourceful but also because she’s layered and relatable. She starts as a reluctant hero, thrown into the brutal arena of the Hunger Games, where she has to fight for survival and protect her little sister. Her journey captures the essence of bravery, self-sacrifice, and moral complexity. Beyond the action, what grabs me is how her decisions reflect the struggles of defining one's identity amidst oppressive systems. I often find myself reflecting on how Katniss evolves from merely surviving to leading a revolution, which is just super inspiring. Another series that deserves the spotlight is 'The Girl with the Dragon Tattoo' by Stieg Larsson. Lisbeth Salander is one of the most memorable characters I’ve come across in fiction. She’s fiercely intelligent, with a unique set of skills that make her a badass hacker and investigator. Her complex relationship with societal norms and historical trauma makes her journey a deep exploration of resilience. Personally, I love how she challenges the male-dominated spheres she enters, proving that strength comes in many forms. Larsson's storytelling, combined with Lisbeth's unyielding spirit, creates a captivating narrative that sticks with you long after you finish the book. Lastly, 'The Witcher' series by Andrzej Sapkowski features characters like Yennefer of Vengerberg who completely reshape the fantasy genre’s portrayal of women. Initially introduced as a powerful sorceress, Yennefer evolves throughout the series, grappling with her own desires and the consequences of power. What I find compelling is how she defies traditional expectations of female characters, refusing to be sidelined or defined solely by her relationships with men. With a fierce independence and complex emotions, Yennefer offers a richer, more realistic portrayal of womanhood in the fantastical realm. Each of these protagonists brings something unique to literature, showcasing strength, complexity, and depth that resonates with so many readers like me.

There's this quiet thunder in how Kurt Cobain became a cultural icon that still makes my skin tingle. I was a teenager scribbling zines and swapping tapes when 'Nevermind' crashed into every dorm room and backyard party, and it wasn't just the hook of 'Smells Like Teen Spirit'—it was the way Cobain sounded like he was singing the exact sentence you couldn't say out loud. His voice could be snarling and fragile in the same breath, and that paradox felt wildly real. Beyond the music, he embodied a resistance to polished fame. Flannel shirts, thrift-store everything, a DIY ethic—those visual cues made rejecting mainstream glitz fashionable again. He also carried contradictions: vulnerability and anger, melodic songwriting and punk dissonance, a sincerity about gender and art that complicated the male-rock archetype. When he died, the myth hardened; tragedy and the media spotlight turned a restlessly private person into a generational symbol. For me, that mix of radical honesty, imperfect beauty, and the way his songs helped people name their confusion is the core of his icon status—still something I find hard to let go of.

Considering the landscape of fantasy literature, Éowyn from 'The Lord of the Rings' stands as a remarkable figure, championing not just strength but the depth of character that transcends traditional gender roles. Her fierce defiance against the constraints of her society—particularly her desire to fight and protect her home rather than be confined to roles deemed acceptable for women at the time—makes her empowerment profoundly relatable. She doesn’t merely wish to be included; she actively takes action, disguising herself as a man to join the battle. When she confronts the Witch-king of Angmar, declaring, 'I am no man!' it’s a moment that resonates with anyone who’s felt underestimated, like she’s claiming not just her own power but that of women everywhere. What’s interesting about Éowyn is how she embodies this fierce warrior spirit while also grappling with her own desires and vulnerabilities. We see her struggles with loneliness and a longing for love, which adds layers to her character beyond that initial rebellious stance. It’s not just about fighting; it's also about personal growth and finding one's identity in a world that tries to pin you down. In that way, she’s not just a warrior; she's a symbol of self-determination and the complex nature of female empowerment. Watching her journey reminds me of the freshness authors like N.K. Jemisin and Sarah J. Maas bring to the table in modern fantasy, where female characters are multi-faceted and break free from established molds. The allure of Éowyn isn't just in her fighting prowess but in her evolution. While on the surface she might appear as just a shieldmaiden, peeling back the layers reveals her as a figure confronting misogyny, showcasing that women can be fierce and vulnerable all at once. That’s pretty revolutionary, isn’t it?

Sometimes I find myself redesigning a tiny recommendation icon at 2 a.m. and realizing accessibility is what saves the whole idea from failing in the real world. Start with semantics: make it a real interactive element (like a native or an element with role='button') so screen readers and keyboard users treat it properly. Give it an accessible name via an actual visible label, aria-label, or aria-labelledby. If the icon changes state (recommended vs. not), expose that state with aria-pressed or aria-checked so assistive tech knows what's up. Color and size matter: don't rely on color alone to show a recommendation — add shape, outline, text, or a secondary cue. Ensure graphics meet WCAG's UI component contrast rules (aim for at least 3:1 against adjacent colors for icons and controls) and keep hit targets big enough (around 44x44 CSS pixels) with a clear, visible focus style. Tooltips must be keyboard-accessible (appear on focus, not only hover). Also watch motion: avoid auto-animating icons or respect users' reduced motion preferences. Test with keyboard-only navigation, a screen reader, and color-blind simulators; simple manual checks plus axe or Lighthouse catch most issues. I often map out these rules on sticky notes before tweaking pixels—helps keep things usable for everyone.

Whenever I scroll through product pages I always notice those little badges and icons that nudge me toward a purchase. Brands big and small rely on them: 'Amazon's Choice' is the classic one that shows up with a tidy blue badge and often lifts click-through rates, while marketplaces like Etsy slap a 'Bestseller' tag on items that sell consistently. Retailers such as Best Buy and Walmart use 'Top Rated' or 'Best Seller' icons, and you’ll see 'Editor's Choice' on tech sites and app stores like the Google Play Store and Apple App Store when an editor wants to spotlight something. Travel sites do it too — Booking.com uses 'Recommended' and TripAdvisor labels hotels with 'Traveler's Choice' to signal social proof. Even restaurants and local businesses get 'Recommended' badges on Google Maps and Yelp, which can change foot traffic. The psychology behind this is simple: those icons reduce uncertainty and mimic social proof, so shoppers feel like they’re making a safe pick. I’ve followed a 'Top Rated' tag into purchases more than once, and it’s wild how consistent the effect is across industries.

There’s a special kind of thrill I get when tracing how fictional characters slip out of books and into the wider culture, and Prince Dakkar is a delightful example. Jules Verne introduced readers to the enigmatic Captain Nemo in the serial run of 'Twenty Thousand Leagues Under the Sea' (published 1869–1870), but it was only later, in 'The Mysterious Island' (1874), that Nemo’s backstory—his identity as Prince Dakkar—was revealed. That reveal shifted him from a mysterious, almost otherworldly sea captain into a figure with a political and cultural silhouette: a displaced Indian prince who had turned his genius and bitterness against imperial powers. Reading that as a teenager in a cramped dormitory, I felt the character suddenly take on a weight I hadn’t expected; he stopped being just a cool submarine captain and started feeling like a symbol of resistance and exile. His rise to full cultural-icon status was gradual and layered. Late nineteenth- and early twentieth-century stage adaptations and silent films kept the figure alive, but the mainstream, global recognition really accelerated mid-century. Walt Disney’s 1954 film '20,000 Leagues Under the Sea' turned Nemo into a visual shorthand — the brooding genius in a magnificent vessel — and introduced him to entire generations who might never touch Verne’s originals. At the same time, scholars and readers began to emphasize Nemo/Prince Dakkar’s anti-imperial undertones. That reinterpretation made him resonate differently in South Asia and among anti-colonial thinkers: he could be read as a Tipu Sultan–adjacent figure, a representation of princely resistance, even if Verne’s intentions weren’t strictly documentary. From there the character multiplied across media. Graphic novels and comics—most famously Alan Moore’s 'The League of Extraordinary Gentlemen'—recontextualized him again, sometimes foregrounding his Indian royal identity explicitly as Prince Dakkar. Steampunk aesthetics elevated the Nautilus as an icon of retro-futuristic tech, while filmmakers, novelists, and game designers kept riffing on Nemo’s blend of scientific brilliance, moral ambiguity, and tragic exile. For me, the moment he became a true cultural icon wasn’t a single date; it was the convergence of Verne’s serialized fame, the revealing arc of 'The Mysterious Island', mid-century cinematic reach, and later reinterpretations that made him useful to very different political and aesthetic conversations. Every time I see a crowd at a steampunk fair or a discussion thread debating whether Nemo was justified, I’m reminded how Prince Dakkar’s contradictions keep him alive—more than a character, a mirror for whatever anxieties and hopes a generation brings to him.

I've noticed several publishers using the book open icon for their novels, and it's always struck me as a neat little branding choice. The most iconic one is probably Penguin Classics—their open book logo is instantly recognizable, like a badge of honor for timeless literature. Random House also uses variations of it across some imprints, giving their covers a scholarly vibe. What's interesting is how indie publishers like Europa Editions adopted it too, but with a more minimalist twist. Their open book looks almost like origami, which fits their focus on international fiction. I love spotting these subtle design choices—it's like publishers are winking at readers who pay attention to details.