Who Illustrated The Original Revolting Rhymes Book?

2025-11-28 14:59:54 203

4 Answers

Declan
Declan
2025-11-29 12:34:20
The original 'Revolting Rhymes' illustrations were done by Quentin Blake, whose scratchy, energetic style is instantly recognizable. His work perfectly complements Roald Dahl’s twisted fairy tale retellings, adding this whimsical yet slightly chaotic vibe that makes the book so memorable. I love how Blake’s art feels spontaneous, like it’s barely contained on the page—it matches Dahl’s subversive humor so well.

Funny enough, I stumbled upon a first edition at a used bookstore years ago, and Blake’s illustrations just leaped off the page. They’re deceptively simple but full of personality, especially how he exaggerates expressions. It’s no surprise he became synonymous with Dahl’s books—they’re a match made in mischievous heaven.
Evelyn
Evelyn
2025-12-01 12:53:12
Oh, Blake’s work on that book is iconic! His illustrations have this messy charm—like they were dashed off in a fit of inspiration, but every stroke serves the story. The way he frames scenes, like the pig grinning over the wolf’s demise, adds layers to Dahl’s dark humor. It’s art that doesn’t take itself seriously but still sticks with you decades later.
Henry
Henry
2025-12-03 00:42:21
Quentin Blake’s name is practically etched into my childhood memories thanks to 'Revolting Rhymes.' His style is so distinct—like someone bottled chaos and spilled it onto paper. I remember being fascinated by how he drew the wolf in 'Little Red Riding Hood' with this lanky, sleazy look, like a con artist in fur. It’s not just technical skill; it’s personality. Even now, flipping through my battered copy, his drawings feel like old friends who never lost their edge.
Victoria
Victoria
2025-12-04 23:05:12
Blake’s illustrations in 'Revolting Rhymes' are pure magic. His lines are loose and lively, giving Cinderella’s stepsisters these grotesque, exaggerated features that make you laugh even before reading Dahl’s snarky rhymes. I adore how he plays with proportions—Giant noses, tiny eyes—it’s like a caricature come to life. His art doesn’t just sit there; it moves, which is why kids and adults alike keep coming back to it. That book wouldn’t hit half as hard without his visuals.
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