What Inspired The World-Building In 'Alloys'?

The world-building in 'alloys' feels like a love letter to retro-futurism and alchemy. I noticed how the author blends 1920s aesthetics with advanced metallurgy—think Art Deco cities powered by liquid metal reactors. The inspiration clearly draws from historical industrial revolutions, but twisted through a fantasy lens. The way different social classes interact with 'Alloys' (nobles hoarding gold-based alloys, rebels using mercury amalgams) mirrors real-world resource wars. There's even nods to Renaissance-era alchemical texts; some faction symbols match illustrations from the 'Splendor Solis' manuscript. The author admitted in interviews they binge-watched 'Fullmetal Alchemist' while studying WWII arms race documentaries, which explains the seamless fusion of magic and technology.

the world-building is a masterclass in thematic cohesion. The central premise of metals granting supernatural abilities stems from ancient metallurgical myths—like how Mercury was considered divine by alchemists. Cities are structured around foundries, with districts named after ore purity levels (the elite live in 'Zone 24K', slums are 'Scrapheap 9').

The geopolitical system mirrors our own resource-driven conflicts, but with a twist. Nations wage 'Alloy Wars' not for oil, but control of rare metallic veins that surface during 'Metal Blooms'—events inspired by supervolcano eruptions. The author confirmed they studied real mineral distribution maps when designing these vein networks.

What fascinates me most is how biology integrates with alloys. Characters graft metal onto bones like cyborgs, a concept pulled from cutting-edge prosthetics research. The 'Living Steel' faction takes this further—their priests undergo rituals to replace blood with liquid alloys, reminiscent of mercury poisoning symptoms in miners. This isn't just fantasy; it's speculative fiction grounded in material science history.

Reading 'Alloys' made me realize how much world-building steals from chemistry labs. The magic system runs on alloy properties—brass conducts 'sound magic' because it's used in real instruments, while tungsten blocks spells due to its density. I bet the author raided a periodic table for ideas.

The cultures feel ripped from industrial eras too. The coal-stained 'Cinderfolk' are straight out of Victorian factory towns, but their steam engines run on molten silver instead of water. Sky cities float using magnesium alloys that burn slowly, which is legit science—NASA experimented with magnesium-based propellants.

Best detail? The 'Alloy Plague' where people slowly turn into metal statues. That's clearly inspired by mercury poisoning or maybe even the myth of King Midas. The way it spreads through touch mirrors radiation sickness, making the magic feel dangerous and unpredictable. For fans of this vibe, 'Perdido Street Station' does similar things with bio-mechanical fusion.