Where Can International Viewers Stream 'This Is Going To Hurt'?

Watching 'Going Clear' felt like being handed a dossier that someone polished into a gripping film — it's cinematic, angering, and frequently painful to watch. The documentary, directed by Alex Gibney and inspired in large part by Lawrence Wright's book 'Going Clear', stitches together interviews with former members, archival footage, and public records to tell a pretty coherent narrative about the development of Scientology, its power structures, and the experiences of people who left. What struck me first is how many different sources line up: ex-Sea Org members, former high-ranking officials, and court documents all repeat similar patterns about disconnection, auditing practices, and internal discipline. That kind of independent convergence is powerful — anecdotes alone would be shaky, but when stories match up with memos, organizational timelines, and news archives, the documentary gains a lot of credibility. At the same time, the film is clearly curated. Gibney picks the most dramatic and critical voices and arranges them into a narrative arc that emphasizes harm and secrecy. The Church of Scientology actively refused to participate and launched rebuttals, which the film includes indirectly, but you can feel the editorial stance. Memory can be fallible and anger can reshape recollection, so I spent time looking at corroborating sources after watching: court cases, early investigative journalism, and even leaked internal materials that have circulated online. Many of the documentary's specific claims — about Sea Org conditions, practices like disconnection, and the existence and status of secret cosmology materials — are supported elsewhere. That doesn't mean every single anecdote is beyond dispute, but it means the core institutional portrait it paints is grounded in verifiable material. What matters to me, personally, is that 'Going Clear' functions less as neutral history and more as an exposé with a clear point of view. For viewers seeking an introduction to why critics and ex-members are so alarmed, it's one of the most effective single pieces out there. If you want full academic balance, supplement it with deeper reads and primary sources: read Lawrence Wright's book 'Going Clear', follow detailed legal filings, and watch follow-up series like 'Leah Remini: Scientology and the Aftermath' to see additional testimonies. Overall, I left the film convinced of its major claims about leadership behavior and institutional practices, while also aware that the storytelling choices make it an advocacy documentary rather than a courtroom transcript — still, a powerful and persuasive one that stuck with me for weeks.

Reading 'This is Going to Hurt' felt like peeking behind the curtain of the medical world—raw, unfiltered, and brutally honest. Adam Kay's diaries capture the exhaustion, dark humor, and emotional toll of being a junior doctor with a visceral intensity that resonates. The long hours, the bureaucratic frustrations, the moments of sheer panic—it all rings true based on what I've heard from friends in healthcare. But what struck me hardest was the emotional whiplash: one minute you're laughing at a ridiculous patient request, the next you're holding back tears after a tragic loss. The book doesn't shy away from the systemic cracks either—understaffing, underfunding, and the toll on personal lives. Some critics argue it amplifies the chaos for comedic effect, but having shadowed in hospitals, I'd say it's more 'condensed' than exaggerated. The gallows humor? 100% accurate—it's how they survive. If anything, the real-life version might be even messier, with less narrative structure and more paperwork. Still, it's the closest most civilians will get to understanding that world without wearing scrubs.

but nothing official has dropped. That said, artists sometimes pop up with surprise summer festival slots or one-off shows before a full tour announcement, so keep your expectations flexible. In the meantime I follow his verified accounts, Ticketmaster alerts, and the major promoters; that’s how I caught presale windows for previous dates. If a new tour does get revealed, expect presales, VIP packages, and quick sellouts — his shows move fast. Personally, I’m already daydreaming about choreography, set design, and what new era visuals he might bring next. Can’t wait to see what he does next, honestly.

Killua x Gon fanfics with hurt/comfort themes hit me right in the feels every time. There’s something about their bond—fragile yet unbreakable—that authors capture so beautifully. One story I’ll never forget is where Gon, after the Chimera Ant arc, spirals into guilt and self-loathing, pushing Killua away. The way Killua refuses to give up on him, even when Gon lashes out, is heart-wrenching. The author nails Killua’s internal struggle—his fear of losing Gon while battling his own demons. The slow build of trust, the quiet moments where they just sit together under the stars, and the raw vulnerability in their conversations make it unforgettable. Another fic that left me in tears explores Killua’s trauma from his family. Gon, for once, becomes the anchor, helping Killua confront his past. The scenes where Killua breaks down, admitting he feels unworthy of Gon’s friendship, are gut-punching. The author doesn’t shy away from the darkness but balances it with tender moments—like Gon teaching Killua how to laugh again or Killua finally opening up about his fears. It’s a story about healing, not just for Killua but for Gon too, as he learns to be patient and understanding. I also stumbled upon a post-Election arc fic where Killua leaves to protect Alluka, and Gon, realizing his mistakes, chases after him. The emotional weight of their reunion—Gon apologizing, Killua hesitating but ultimately forgiving him—is masterfully done. The hurt/comfort dynamic shines here, with Gon learning to be the support system Killua always was for him. The fic delves into their insecurities, their fears of abandonment, and their desperate need to stay connected despite everything. What makes these stories so powerful is how they stay true to the characters. Gon’s recklessness and Killua’s self-sacrificing nature are amplified, but so is their love for each other. The hurt/comfort isn’t just about physical pain; it’s about emotional scars, the kind that take time and patience to heal. These fics remind me why I fell in love with their relationship in the first place—it’s messy, complicated, but ultimately beautiful.

I still get a lump in my throat thinking about that scene — the Going Merry’s send-off in the 'Water 7'/'Enies Lobby' stretch is one of those moments in 'One Piece' that hits so many little emotional buttons. The short version is: the Going Merry had taken too much damage over the crew’s adventures and the shipwrights in 'Water 7' ultimately declared her beyond repair. That decision fractures the crew because Usopp, who loved that ship like a member of his family, can’t let it go. He fights Luffy over it and leaves the crew, which makes the whole situation painfully personal rather than just practical. After the conflict, the Straw Hats keep fighting through the 'Enies Lobby' business — rescuing Robin and taking on CP9 — and when the dust settles they finally face what they knew they’d have to: farewell. The Going Merry gets a proper, tragic goodbye. The crew takes her out one last time, hold a ceremony that feels like a Viking funeral, and watch their loyal ship burn and sink. It’s more than a boat leaving; it’s a mourning for a companion that had literally carried them through everything. Usopp reconciles with the crew afterwards, and then Franky (and others) help get them a new ship, the Thousand Sunny. I always tell people: if you want to see how emotional worldbuilding can be, watch that farewell — I cried on a crowded train and had to hide it behind my phone.

Using nipple clamps can definitely come with a mix of sensations. Some might experience discomfort or pain, especially if it's their first time. Others find the pressure can be quite pleasurable. It's really about personal preference and sensitivity. If someone is new to this, starting with lighter clamps might help ease into the experience more comfortably. Always listen to your body and communicate with your partner about what feels good or too intense. Safety first, always!

Ponyboy decided to stop going to church because he started feeling a disconnect after the tragic events that unfolded. The church felt less like a sanctuary and more like a reminder of the pain he was going through. It was a place filled with memories of a simpler time, and each visit just brought back the heaviness of loss. He needed space to process his feelings and figure out what's next for him and his friends. The whole experience was about finding his own path and healing in his own way.

The relationship between Christian and Anastasia in 'Fifty Shades of Grey' is complex. Christian's desire to hurt Ana stems from his past experiences, where pain and control were intertwined with love for him. He believes it allows him to connect deeply. Yet, Ana challenges this notion, seeking a more balanced love. Their dynamic is heavy, exploring themes of power, consent, and emotional vulnerability, making it intriguing and thought-provoking. These intricacies create a captivating story that resonates with many. It's not just about physicality; it dives into deeper psychological aspects that spark discussions about love and boundaries.