Jeux 2018: Quelle Est La Liste Complète Des Sorties?

Man, 2018 was a wild year for games! The top sellers were a mix of blockbuster sequels and fresh surprises. 'Red Dead Redemption 2' absolutely dominated—I lost count of how many friends were glued to their screens hunting outlaws and exploring that gorgeous open world. 'God of War' rebooted Kratos’ story with such emotional depth that even my non-gamer roommate got hooked watching me play. Then there was 'Marvel’s Spider-Man,' which made swinging through NYC feel like pure joy. On the multiplayer front, 'Fortnite' was inescapable—every kid at the park seemed to be doing the floss dance. 'Call of Duty: Black Ops 4' skipped a campaign but nailed zombies and battle royale, while 'Super Smash Bros. Ultimate' became the ultimate party game. What’s funny is how some titles, like 'Celeste,' didn’t top charts but stole hearts with their indie charm. 2018 proved games could be both commercial hits and art.

Oh, diving into 2024 films feels like stepping into a candy store—so many flavors to choose from! While I don’t have an exhaustive list (studio schedules shift like sand), some heavy hitters are unmissable. Denis Villeneuve’s 'Dune: Part Two' is my top anticipatory sweat-fest—those sandworms! Then there’s 'Furiosa,' George Miller’s return to the 'Mad Max' universe, and 'Deadpool 3,' which might break the internet with its multiverse shenanigans. On the indie side, A24’s 'Civil War' looks chillingly prescient, and I’m curious about the surreal vibes of Yorgos Lanthimos’ 'Kinds of Kindness.' Animation isn’t slacking either—'Inside Out 2' is bringing back Riley’s emotions (hello, puberty metaphors!), and Studio Ghibli’s 'The Boy and the Heron' finally gets wider release. For genre lovers, 'Nosferatu' and 'Mickey 17' promise fresh twists on classics. Honestly, half the fun is tracking surprise drops—remember how 'Everything Everywhere All at Once' came outta nowhere? 2024’s lineup already feels like a cinematic buffet, and I’m stuffing my pockets with popcorn.

The 'Assassin's Creed' series is this massive, sprawling universe that’s grown way beyond just games—it’s like a whole historical playground now. The mainline games start with the original 'Assassin’s Creed' in 2007, then 'Assassin’s Creed II,' which introduced Ezio Auditore (my personal favorite protagonist), followed by 'Brotherhood' and 'Revelations' to wrap up his story. 'Assassin’s Creed III' brought us Connor and the American Revolution, while 'Black Flag' pivoted to pirates—still one of the best vibes in the series. 'Unity' and 'Syndicate' explored France and Victorian London, then 'Origins' rebooted the formula with ancient Egypt, leading into 'Odyssey' (Greece) and 'Valhalla' (Viking era). There’s also spin-offs like 'Chronicles' (side-scrollers), 'Rogue' (Templar perspective), and handheld titles like 'Liberation.' And let’s not forget the upcoming 'Mirage,' which seems like a return to stealth roots. The lore’s gotten wild with modern-day arcs, comics, and even a Netflix adaptation in the works. I love how each game feels like a time-travel vacation, even if the modern-day stuff sometimes feels like an afterthought. The series isn’t perfect—some entries are janky, and the RPG shift divided fans—but it’s hard not to admire its ambition. Also, shoutout to 'Assassin’s Creed Embers,' the animated short that gave Ezio the emotional sendoff he deserved.

Back in 2018, I was deep into gaming culture, and finding reliable reviews was a mix of treasure hunting and trial-and-error. My go-to spots were specialized gaming forums like ResetEra or NeoGAF, where passionate players dissected everything from 'God of War' to indie gems like 'Celeste'. YouTube channels like 'ACG' or 'Skill Up' offered in-depth critiques with gameplay footage—super helpful for visual learners like me. For written reviews, I often scrolled through 'Rock Paper Shotgun' for PC-focused critiques or 'Eurogamer' for balanced takes. Metacritic was handy for aggregating scores, but I learned to dig into user reviews too—some hidden gems like 'Return of the Obra Dinn' got overlooked by big outlets. Reddit’s r/Games had threads debating reviews, which sometimes revealed biases or hidden strengths. Honestly, the best insights came from smaller Twitch streamers who played niche titles unedited—raw reactions told me more than polished reviews ever could.

Nintendo's official website is my go-to for upcoming Switch games—they update their 'Coming Soon' section regularly with trailers and release dates. I also love checking dedicated gaming news sites like IGN or Nintendo Life, where they compile monthly release calendars with indie gems and major titles. For a more community-driven approach, Reddit’s r/NintendoSwitch has threads where fans hype upcoming releases and share regional differences. Sometimes, I stumble on hidden gems through YouTube creators who specialize in Nintendo content, like 'SwitchUp'—their deep dives into lesser-known titles are gold. It’s like having a bunch of friends curating the best picks for you.

Keeping up with Nintendo Switch releases feels like being part of an ever-evolving treasure hunt. I usually start with Nintendo’s official social media channels—their Twitter and YouTube are goldmines for announcements. Direct from the source, you get trailers, release dates, and even surprise drops like when 'Metroid Dread' suddenly materialized. Beyond that, I lurk on gaming news sites like IGN or Eurogamer. They’re quick to cover Nintendo Direct presentations, which are basically holiday seasons for Switch fans. And don’t sleep on Reddit’s r/NintendoSwitch; it’s where fans dissect every rumor and datamine like detectives. Sometimes, the community spots hidden eShop updates before anyone else! Lately, I’ve also been using Deku Deals to track discounts and upcoming titles—it’s oddly satisfying to watch that 'Coming Soon' tab fill up.

Man, the 'Call of Duty' series is like a time capsule of gaming history! Starting with the original WWII shooter in 2003, it exploded into this massive franchise with spin-offs, sequels, and even futuristic settings. The mainline games include 'Call of Duty 2,' 'CoD 3,' and the iconic 'Modern Warfare' trilogy that redefined multiplayer. Then came 'Black Ops,' with its Cold War conspiracy vibes, and later entries like 'Advanced Warfare' and 'Infinite Warfare' went full sci-fi. There’s also 'Warzone,' the free-to-play battle royale that’s its own beast. Honestly, keeping track of all the titles feels like cataloging a museum—each one marks a different era of FPS trends. My personal favorite? 'Black Ops II' for its branching story, but I still fire up 'Modern Warfare' (2019) for that crisp gunplay. The series has its ups and downs, but it’s wild to see how it’s evolved from gritty Normandy beaches to exoskeletons and zombies.

The gaming world is buzzing with anticipation for 'Elder Scrolls VI,' and honestly, I’ve been counting the days since that teaser dropped. Bethesda has this magical way of crafting worlds that feel alive, and after sinking hundreds of hours into 'Skyrim,' I’m ready to lose myself all over again. The rumors about Hammerfell as the setting have me dreaming of deserts, ancient ruins, and maybe even some Redguard lore deep dives. Then there’s 'Starfield,' which feels like it’s been in development forever. Sci-fi RPGs are my weak spot, and the idea of exploring thousands of planets? Sign me up. I just hope the procedural generation doesn’t make things feel repetitive. Bethesda’s track record with open worlds gives me hope, though. If they nail the storytelling, this could be a game I play for a decade.

Disney princesses have been part of my childhood—and honestly, they still pop up in my life now! The official lineup includes Snow White ('Snow White and the Seven Dwarfs'), Cinderella ('Cinderella'), Aurora ('Sleeping Beauty'), Ariel ('The Little Mermaid'), Belle ('Beauty and the Beast'), Jasmine ('Aladdin'), Pocahontas ('Pocahontas'), Mulan ('Mulan'), Tiana ('The Princess and the Frog'), Rapunzel ('Tangled'), Merida ('Brave'), Moana ('Moana'), and Raya ('Raya and the Last Dragon'). Some debates swirl around whether characters like Anna and Elsa ('Frozen') count, since they’re technically queens, but Disney often includes them in merch anyway. Then there’s the unofficial additions—like Esmeralda ('The Hunchback of Notre Dame') or Kida ('Atlantis: The Lost Empire')—who don’t always make the cut but have fierce fan followings. I love how the newer princesses, like Moana and Raya, break molds with their focus on adventure over romance. It’s wild to see how the concept of a 'Disney princess' has evolved since the 1930s!

The James Bond video game universe is way more expansive than people realize! From the classic 'GoldenEye 007' on N64 that defined multiplayer shooters to the underrated 'From Russia with Love' adaptation, there’s a wild mix of genres. My personal favorite? 'Everything or Nothing'—it’s like playing a lost Brosnan-era movie with that slick third-person action. Then you’ve got oddballs like '007 Legends', which mashed up Bond eras into a messy but fun tribute. Don’t forget the Game Boy Color’s 'The World Is Not Enough', which had no right being that good for a handheld title. And who could ignore 'Blood Stone'? That one felt like a gritty spin-off with its original story. Honestly, digging through Bond games is like uncovering hidden MI6 files—some are legendary, others should’ve stayed classified. For completionists, the list stretches back to the 80s with text adventures like 'Shaken but Not Stirred', but the real gems are mid-2000s titles. 'Nightfire' had that perfect balance of campy villains and rooftop sniping, while 'Quantum of Solace' tried to ride the COD wave with mixed results. The newer 'GoldenEye 007' Wii remake even had Daniel Craig’s face plastered over Brosnan’s missions, which was… a choice. If you’re after a deep dive, niche titles like '007 Racing' or the Japan-only 'Duel' arcade game exist too. Bond’s digital legacy is as chaotic as his love life—spotty, but unforgettable.