Will Kaku Return In One Piece After Wano?

Can't stop picturing the chaos of the final clash in 'Wano' and wondering where someone like Garp would fit into that picture. If I'm being hopeful and dramatic, I imagine a short, thunderous cameo rather than a full-on return to the frontlines. Oda loves emotional payoffs and family beats, and Garp showing up—even for a single panel where he stares down the fallout of the battle or quietly meets Luffy afterward—would land heavy. It wouldn't need to be a fight scene; a brief exchange where his complicated pride and soft spot for Luffy leak through would be enough to give fans chills. Realistically, though, the logistics make a big intervention by Garp during the finale unlikely. 'Wano' is an isolated, politically thorny war involving Yonkos, samurai, and a pirate alliance; a Marine admiral—or Garp, who still carries Marine baggage—bursting in would shift the narrative tone and legal consequences in ways Oda usually prefers to handle in aftermath chapters. So I see him showing up in the immediate fallout: giving terse commentary to other Marines, dealing with repercussions for his family ties, or appearing at the celebratory/aftermath moments where characters reflect and the world reacts. Either way, whether it's a blink-and-you-miss-it panel or a meaningful post-battle scene, I feel like a Garp moment would be crafted to highlight the emotional resonance of the victory rather than steal the spotlight. I’d be thrilled if he popped in for a gruff, unexpected hug or a grumpy line about Luffy’s reckless nature—classic Garp—because that kind of beat would make the finale feel fuller and more satisfying to me.

Kaku's recruitment into CP9 is one of those wild twists that only 'One Piece' could pull off seamlessly. Initially introduced as a shipwright at Galley-La Company in Water 7, he seemed like just another quirky side character—until the big reveal. The moment he and Rob Lucci shed their disguises, it blew my mind. What's fascinating is how his background as a skilled carpenter actually fed into his role in CP9; his mastery of the Rokushiki techniques, especially the geometric precision of his Rankyaku attacks, feels like an extension of his craftsmanship. What really sticks with me is the emotional whiplash. One minute, he's this goofy guy with a long nose joking around with the Straw Hats, and the next, he's a cold-blooded assassin. Oda played the long game with his integration—CP9 had been embedded in Water 7 for years, and Kaku's loyalty to the organization ran deeper than his friendships. His devil fruit, the Ushi Ushi no Mi: Model Giraffe, even feels like a dark joke on his lanky physique. The whole arc is a masterclass in subverting expectations.

Man, Kaku's devil fruit reveal was one of those classic Oda twists that had me laughing and amazed at the same time. During the Enies Lobby arc, when he first ate the 'Ushi Ushi no Mi, Model: Giraffe,' I remember thinking, 'A giraffe? Seriously?' But damn, Oda made it work. Watching Kaku's lanky frame stretch even further with those neck attacks and his sword techniques blending with giraffe kicks was bizarrely brilliant. What really sold me was how he turned something seemingly goofy into a legitimately threatening power. His 'Bigan' technique, where he spins his neck like a saw, or 'Rankyaku' slashes combined with giraffe legs—it shouldn’t work, but it does. It’s peak 'One Piece' logic: take the absurd, own it, and make it cool. Even his personality leaned into it; that deadpan giraffe pose lives in my head rent-free.

Man, this debate takes me back to the Water 7 arc vibes! Kaku and Jabra were such wild cards in CP9, and their power levels sparked so many lunchtable arguments with my anime club. Kaku's giraffe zoan form gave him that insane reach and those brutal rankyaku techniques, but Jabra's wolf zoan felt more vicious up close - dude fought like a cornered animal (literally). What really tipped scales for me was Kaku's adaptability. Remember how he improvised those sword techniques with his neck? Pure genius. Jabra had raw ferocity, but Kaku's strategic mind made him scarier in drawn-out fights. That final clash with Zoro showed how much endurance he had compared to Jabra's more straightforward brawling style against Sanji. Still gives me chills seeing those rokushiki techniques collide!

Kaku's fights in 'One Piece' are some of the most memorable because of how his giraffe Zoan abilities clash with the Straw Hats' creativity. The Water 7 and Enies Lobby arcs really showcase his growth from a quiet CP9 member to a formidable opponent. His fight against Zoro is a standout—watching Zoro adapt to Kaku's absurdly long limbs and unpredictable movements was hilarious yet intense. The way Kaku integrated his sword skills with his giraffe form made for a visually bizarre but thrilling battle. Another great moment was his earlier skirmish with Franky. The sheer absurdity of Franky's cyborg strength versus Kaku's precision and agility was a perfect mix of comedy and action. Kaku's deadpan reactions to his own ridiculous powers added a layer of charm to his character. Even though he was an antagonist, you couldn't help but enjoy his fights because of how uniquely Oda blended humor with high stakes.

Man, the thought of Rika returning in 'One Piece' gets me hyped! She might seem like a minor character from the Fish-Man Island arc, but Oda has a knack for bringing back folks when you least expect it. Remember how he reintroduced characters like Bellamy or even Crocodile? There's always a chance Rika could pop up again, maybe in a future arc involving the Revolutionary Army or even as part of a bigger Fish-Man Island storyline. Her kindness and connection to Shirahoshi could play a role in bridging human and fish-man relations. Honestly, I'd love to see her again—maybe even as part of a flashback or a small cameo during a critical moment. Oda loves his world-building, and Rika's innocence could contrast beautifully with the darker tones of later arcs. Fingers crossed!

The Wano arc was such a rollercoaster! After all the buildup, the big reveal came when Luffy finally defeated Kaido and the alliance celebrated. But here's the twist—the One Piece itself wasn't 'found' in the traditional sense during Wano. The arc was more about setting the stage for the final saga, with Luffy awakening his Gear 5 and the Road Poneglyph playing a huge role. Oda kept teasing us with hints about the treasure's location, but the actual discovery is still pending. The emotional payoff was more about Wano's liberation and the Straw Hats' growth. I loved how it tied into the bigger picture, though—every moment felt like a step closer to Laugh Tale. That said, the arc did drop massive lore bombs about Joyboy, the Ancient Kingdom, and the true nature of the One Piece. It's wild how much deeper the story gets with each reveal. Wano left me with this buzzing excitement for what's next, especially with the crew finally heading toward the ultimate treasure. The way Oda balances action, world-building, and character arcs is just chef's kiss.

The possibility of Enel returning in 'One Piece' is one of those topics that sparks endless debate among fans. His departure to the moon after the Skypiea arc felt so final, yet the world Oda built is full of surprises. Enel's Logia powers were terrifyingly overpowered in Paradise, but the New World is a different beast. If he does come back, I imagine it’d be tied to the Void Century or the ancient civilizations—maybe even the Lunarians. His cover story showed him discovering ruins on the moon, and with how everything connects in this series, that can’t be a coincidence. Personally, I’d love to see him return as a wildcard. Enel’s god complex clashing with the likes of Imu or the Gorosei would be poetic. But Oda’s pacing is meticulous, and reintroducing him would need a solid narrative hook. Maybe the Straw Hats’ eventual confrontation with the World Government could pull him back into the fray. Until then, I’ll keep rereading his cover stories for clues.

Big Mom's role in 'One Piece' has always been unpredictable, and her potential return in the final saga is a hot topic among fans. After her dramatic exit in Wano, where she fell into the magma with Kaido, many assumed she was done for. But this is 'One Piece'—characters rarely die off-screen, and Oda loves bringing back major players when least expected. Her connections to Elbaf, the giant homeland teased for years, make her return plausible. Imagine the chaos if she allies with Shanks or even the World Government! Personally, I think she’ll resurface with a vengeance, maybe even as a wild card in the battle for the One Piece. Her hunger for power and her twisted maternal instincts could drive her to manipulate the final war. Plus, her Devil Fruit’s full potential hasn’t been fully explored—what if she awakens it? The unpredictability is what excites me. Whatever happens, Oda won’t waste a character as iconic as Big Mom.

That Wano finale left my head spinning in the best possible way. I loved the spectacle, the emotional payoffs, and the fireworks, but right after the celebratory panels faded I was left staring at so many dangling threads that it feels like Oda handed us a suitcase of treasure and said, 'pick a chest.' First off: the true finality of the big bosses. Are Kaido and Big Mom really done for good, or is this the kind of defeat that sets up a later return? In 'One Piece' there's precedent for villains coming back in unexpected ways—death in this world can be ambiguous. If either survives in some form, how will that reshape the balance of power between the Yonko, and how will Blackbeard react? He had to be watching Wano like a hawk, and his next move could be seismic. Then there’s Yamato and Momonosuke, and what Wano becomes politically. Yamato’s choice to sail away (or at least the implication of it) raises questions about cultural identity and duty—will Wano modernize or cling to its isolation? How will the samurai class adapt? Momo’s leadership, the future of the Kozuki name, and how the people rebuild—those are huge narrative opportunities. I’m also obsessing over the Road Poneglyph situation: with what the Straw Hats gained in Wano, how many steps closer are they to 'Laugh Tale'? Which allies still hold the other Poneglyphs, and how many more massive puzzles will Oda throw at us before the final voyage? On a thematic level, the arc left me wondering about the wider world consequences. The World Government and the Gorosei/Imu subplot felt like simmering coals; Wano’s upheaval should provoke major moves from the Marines and the Revolutionaries. Vegapunk’s tech, the Ancient Weapons, and the void century hints—how will revelations from Wano accelerate those reveals? I’m also personally curious about the surviving crews: the fate of the Beasts Pirates, the shards of Kaido’s empire, and how allies like the Mink Tribe or the Nine Red Scabbards will integrate into the global theater. So yeah, the finale satisfied my hype-hunger but it also stretched the map wider—exactly what I want. I can’t wait to see which of these threads Oda untangles next; I’ve got island-sized theories brewing.