How Do Kurt Vonnegut’S Recurring Characters Link His Different Novels?

I grew up abroad. My mother feared I might marry a foreign man, so she arranged an engagement for me with a talented and handsome man in Flodon. She insisted that I return home to get engaged. I came back and started shopping for an engagement dress at a luxury boutique. I selected an off-white strapless gown and decided to try it on. Suddenly, a woman nearby glanced at the dress in my hand and told the saleswoman, “That’s a unique design. Let me try it.” The saleswoman immediately yanked it out of my hands. I protested indignantly, “Excuse me, I was here first. Don’t you understand the principle of ‘first come, first served’? Or do you just not care about common decency?” The woman scoffed and retorted, “This dress costs $188,000. Do you really think a broke nobody like you can even afford it? “I’m Lucas Goodwin’s sister in all but blood. He’s the chairman of Goodwin’s Group. In Flodon, the Goodwin family sets the rules.” What a coincidence! Lucas Goodwin was my fiance! I immediately called him and said, “Hey, your ‘sister in all but blood’ just stole my engagement dress. Do something about it.”

Her name was Cathedra. Leave her last name blank, if you will. Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things. Three words: Lies, lies, lies. A picture that moves. And a plea: Please tell them the truth. All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know. No one believed her. No one ever did. She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless. As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone. Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind. Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.

She was never supposed to matter. The novel never gave her a name worth remembering. After dying in a mundane accident, twenty-three-year-old Clara Quinn opens her eyes inside the pages of the fantasy novel she despised most — reborn not as the heroine, not as the villainess, but as an unnamed background character fated to die before the story even begins. Her plan is simple: stay invisible. Attend the Imperial Academy of Asterveil, avoid every named character, and quietly survive a plot designed to destroy everyone foolish enough to interfere. That plan lasts exactly one day. During the entrance ceremony, Lady Morwen Ashvale — the infamous crimson-eyed prodigy that even crown princes fear — steps off her platform, walks past every noble heir waiting for her acknowledgment, and stops directly in front of Clara. "You belong to me," Morwen says, loud enough for every student in the hall to hear. "Do not forget it this time." This time. Clara has never met this woman in her life. Yet Morwen looks at her as though she has been searching for centuries. As shadows begin stalking Clara through the academy's cursed corridors — as the original story fractures and rewrites itself around her — Clara uncovers the truth that should be impossible: Morwen has lived this story hundreds of times. She has watched Clara die in every single one. And in every timeline where Clara falls, Morwen burns the kingdom to ash. She is not obsessed. She is grieving. She has always been grieving. And this time, she refuses to lose again.

Every story, every experience... Have you ever wanted to be the character in that story? Cadell Marcus, with the system in hand, turns into the main character in each different story, tasting each different flavor. This is a great story about the main character, no, still a super main character. "System, suddenly I don't want to be the main character, can you send me back to Earth?"

Connor Lopez has experienced slight déjà vu for the first time in his life with someone who's stranger to her--Savannah Greene. Since that one strange night, Connor has been experiencing déjà vu often times than the usual, and it's making him feel like there's something wrong with his mental health. Through Savannah, he learned about the possibility of past lives and parallel universe. On the other hand, Savannah is a student of Multimedia Arts, to which, she keeps on experiencing dreams from someone else's life, and unconsciously painting the face of someone she never really know in the first place.

In the third year after my death, the one who remained faithfully by my wife's side was still the bionic robot I had painstakingly designed. It looked exactly like me and carried within it every detail of my mannerisms, speech, and habits. The only difference was that it never lost its temper with her. Because of that, my wife never sensed anything amiss. Yet each night, she brought home a different man, deliberately testing "me," desperate to see the wild jealousy and rage I once wore so vividly. Then, one day, her childhood sweetheart and first love, shoved "me" off the balcony. It was only then, in her horror, that my wife realized… "I" didn't bleed.