4 Answers2026-07-31 07:21:49
The Tennison prequel series has its own internal order now. 'Hidden Killers' is the second book in that specific prequel line, following 'Tennison.' So yes, it's a direct continuation of that younger Jane storyline. La Plante is clearly building a whole early-career arc for her.
I appreciate the depth it gives to a character we only knew as a hardened DCI from TV. Seeing her navigate the sheer institutional misogyny of the 70s with such grit is inspiring, even in fiction. The latest book reinforces that theme strongly. It's not just a crime novel; it's a period piece about a woman fighting for respect.
8 Answers2026-07-29 03:41:55
Honestly, I had to Google it to be sure. It's 'Dark Rooms'. I'm not a superfan, but my partner is, so I hear about them. She said this one was "a slow burn" and that she figured out part of the mystery early, but not the whole thing. She still enjoyed the journey.
That seems to be the consensus with a lot of series—the destination matters less than spending time with a beloved character. Lynda La Plante created an icon in Jane Tennison, and that alone sells books. I might give it a try myself, though I usually prefer fantasy. A good mystery is a good mystery, though, regardless of genre.
6 Answers2026-07-17 22:20:17
From a craft perspective, La Plante's prose isn't flashy. It's functional, direct, and sometimes repetitive. But it serves the story. It feels like the kind of report Jane herself might write—clear, detailed, unadorned. That stylistic choice might not be for everyone, but it fits the subject matter. You're not reading for beautiful sentences; you're reading for the relentless forward motion of a career being built.
4 Answers2026-07-31 10:14:00
I'm only familiar with the TV shows, but I'm curious about the books now. Is the reading order similar to the airing order of the TV movies? I might check out 'Tennison' first if it's an origin story.
5 Answers2026-07-31 22:37:00
Why is this so complicated? Can't the publisher just number them? Looking at my bookshelf, I have 'Tennison' next to 'Prime Suspect 3' and it feels wrong. I ended up writing numbers on the spines in pencil. My recommended order is: 1. 'Prime Suspect', 2. 'Prime Suspect 2', 3. 'Prime Suspect 3', 4. 'The Last Witness', 5. 'Blind Fury', 6. 'Silent Scream'. THEN go back to 0.1: 'Tennison', 0.2: 'Hidden Killers', etc.
6 Answers2026-07-31 04:00:15
Here's a hot take: you could read the prequels and stop. They form a complete, satisfying arc of Jane's early career, from rookie to established detective. The original series is almost a separate entity, like a spin-off featuring an older version of the character. You get a full, rich story from just the five prequels in order. You don't need to continue. It's a perfect self-contained series for people who don't want a 15-book commitment.
6 Answers2026-07-29 13:00:44
It's squarely in 1979. La Plante's research is impeccable, so the timeline isn't just a date; it's woven into the fabric of the story. The cars, the music, the political headlines, the state of forensic science—all of it informs how Jane builds her career. You see her adapting to the limitations of the era, which in turn shapes her unique, detail-oriented investigative style. Her career is a product of that specific time.
5 Answers2026-07-31 03:16:35
The biggest evolution might be in the reader's relationship with Anna. Initially, we root for the underdog. Later, we may disagree with her choices, become frustrated with her stubbornness, or worry about her well-being. She becomes less of a clear-cut protagonist to champion and more of a complex, sometimes difficult person to observe. This shift in narrative allegiance is a daring move by La Plante, trusting readers to stick with a character not because she's always right or likable, but because she's compellingly, authentically human.
8 Answers2026-07-29 14:09:18
I see it as expanding the universe's emotional palette. There's a pervasive sadness to this book that's different from Tennison's anger and frustration. It's the sadness of time lost, evidence degraded, witnesses dead, and truth becoming irrecoverable. The classic 'Prime Suspect' urgency is replaced by a melancholic determination. This new emotional texture makes the world feel richer and more varied, like we're seeing a different season in the same city.