How Long Is The Best Book To Read Now By Stephen King?

YEARNERS delivers addictive short stories filled with building tension and passionate moments. Each tale is a complete journey spread over 7 to 10 chapters. You’ll find slow teasing that leads to overwhelming encounters, touches turning into strong claims, and characters who lose themselves completely in the wrong person. Expect deep emotional games, secret conflicts, and characters who give in to what they know is wrong. Open the book… if you dare to surrender.

> ️ Warning: This collection is sinfully explicit. Just glancing will make you squirm. If you can’t handle moans, ropes, or hands where they shouldn’t be turn back now. You’ve been warned. They say it’s just fiction... but these stories burn too real. Every page drips with lust, danger, and forbidden desire. There are no love stories here, only raw need, untamed passion, and the kind of encounters that leave your pulse racing and your body aching for more. Inside these pages, you’ll find hotel hookups, forbidden age gaps, dominant bosses, naughty students with teachers, moaning nurses, lesbians, stepfathers who cross the line, and desperate daughters who let them and vice versa. From BDSM dungeons to office desks, from late-night threesomes to risky public play... no fantasy is off-limits. Midnight Pleasures is a no-limits collection of erotic short stories meant to tease, tempt, and utterly satisfy. Quick hits. Slow burns. Rough rides. Dangerous desires. Even the ones you’ve never admitted out loud. Quietly, let's go on a journey full of pleasure. Cloud nine is overrated, there's a next cloud after that. Let's show you.

"Kane stays unmoving, and I realize he’s barely breathing. I don’t think he needs oxygen to stay alive, so that’s not too surprising, but I can’t’ figure out why he is so still. His hand at my waist is so very close to my breastbone, the longing for him to slide it up only a few inches, to touch me in places no one ever has before, has a gasp leaving my lips. I have to bite down again to keep from moaning, and he hasn’t even kissed me yet." Emory I was born to be the Alpha of my pack. But now... I am here, in the castle of our greatest enemy, the Vampire King. I should hate Kane, but the more time I spend with him, the more I long for him. I am not here to be his lover, though. I am here to be his feeder. But even before his lips graze my skin the first time, I know I would give myself to him in every way imaginable if only he should ask. Kane I long to taste the wolf shifter, but not her blood, her body. But I'm already betrothed to marry another vampire, and if I call that off, I have resigned my kingdom to yet another war. There has to be a way to keep Emory as my feeder but not claim her in my bed. I just haven't figured it out yet. But I have enemies, and every moment she spends here in my home, Castle Graystone, she's in danger. I can protect her, but at what cost? Am I willing to risk everything to make her mine? Or should I put my duty to my kingdom first?

I met evil when I was a teenager. It never left me after that, hovered over me like a dark cloud, followed me everywhere. When I least expected, he barged into my life like he owned it. Kidnapped and vulnerable, I am trapped on a stranded island with no way out. There's nowhere I can hide. I am afraid. I fear his gentleness more than his cruelity. I don't know if I can survive this but I do know that one of us will be ruined by the time this ends. Every princess dreams about meeting a prince charming. I don't get the prince, I get the King who wants to rule over everything. He's a Beast but I am no Belle. The Beauty changed the beast. The Beast fell in love with her. A beautiful fairytale it was. The Beast doesn't love me, I can't tame him. This isn't a love story. It's a story of obsession. 18+. Not your traditional Mafia Romance. Proceed with Caution.

CONTENT WARNING ⚠️ These are not innocent stories. What's inside these pages is not for the faint hearted. You've been warned. Deliciously. **** Sins Worth Keeping is a collection of stories about men who want what they cannot have and reach for it anyway. In dark corners, empty locker rooms, late nights that last too long and hotel rooms that know too many secrets. These are not love stories that play it safe. These are the ones that burn. Find your quietest corner. Turn the pages and try to breathe normally. Fair warning — once you start, stopping will feel like the hardest thing you've ever done. Don't say you weren't warned. ⚠️🖤

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.