How Long Is The Hamilton Broadway Show?

Behind velvet curtains and gilded balconies, the opera is more than a performance. It's a hunting ground, a court of monsters disguised as patrons and benefactors. When a masked nobleman claims her talent as his own, Lyria is drawn into a world where music is power, restraint is survival, and desire is the most dangerous temptation of all. The longer Lyria remains under his protection, the more she awakens. Her body responds to hungers she does not yet understand and her are dreams invaded by a silver-eyed predator who promises freedom instead of restraint. As the opera's beauty curdles into something predatory, Lyria must decide what she is willing to become to survive it. The stage is watching. The city is listening. And once the blood sings, it cannot be silenced. TRIGGER/CONTENT WARNING: This story contains mature themes and content intended for adult audiences (18+) Reader discretion is advised. It includes moments of violence, sexual content and dark erotic elements, manipulation, obsession, and emotional power dynamics.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Serena Voss walked into Nate Calloway's office to beg for more time on a loan. She walked out as his fiancée. The deal was simple. Sixty days, one role to play, and every debt her family owed would disappear. No feelings. No complications. Just business. But Nate had been looking for her for ten years. And Serena had no idea why. The more time they spend together the harder it becomes to pretend. But when secrets buried between their families long before either of them were born come tearing into the open, Serena starts to wonder if any of it was ever really her choice — or if she was always just the last piece of a plan someone else made decades ago.

One night in Vegas is all it takes for Madison and Ethan to tie the knot, after an unplanned night filled with fun and laughter; their whole life becomes entwined. Madison has no idea what she’s getting herself involved with but can Ethan say the same? Ethan’s mum comes up with the brilliant idea; they should fake their relationship for six months, enough for Ethan to get the reigns of Maverick enterprises while Madison gets paid to cater for hers and her mum’s medical fee. Will the world realize it’s all pretense? Will Ethan’s father and the board members see that they’re being played? Will it work out for both Ethan and Madison as they planned or will emotions get involved?

I could see the countdown above a person’s head when they had already decided to leave their partner. The day my father’s countdown hit zero, he slapped a lawyer’s letter on the breakfast table and walked out on my mother and me. The day my best friend’s countdown hit zero, she finally threw her parasite of a boyfriend out of her apartment and changed the locks before sunset. That was why I’d always been terrified of seeing a countdown above my fiancé, Lucian Bellandi. Luckily, for seven years by his side, the space above his head had stayed clean. Lucian was the youngest Don the Bellandi family had ever seen. He owned the docks, the casinos, and half the South Side’s dirty money, yet he saved every soft part of himself for me. Until last month, when he picked me up after a family auction. I looked up and saw blood-red numbers stabbing into my eyes. [702 days, 14 hours, 22 minutes.] Less than two years. My heart tightened like a cold hand had closed around it. I started searching for an answer like a woman losing her mind. Had I done something wrong? Then, during a blizzard by the lake, we ran into Mia Crane at the back entrance of the Bellandi Hotel. Lucian had just brought her into his charity foundation as a new assistant. Snow clung to her hair and lashes. She was shivering from head to toe, but her smile was bright and painfully innocent. Lucian pulled a black silk handkerchief from his breast pocket and handed it to her. His face was calm. There was nothing openly improper in the gesture. But in that exact second, the countdown above his head jumped. [327 days, 4 hours, 47 minutes.] More than three hundred days, gone. And I knew I had found the reason.

After winning a lawsuit against billionaire CEO Alejandro Vega's pharmaceutical company, Camila Reyes expects compensation for the medication mistake that nearly cost her mother her life. Instead, Alejandro offers her something outrageous: a fake marriage for sixty days in exchange for paying every cent of her mother's treatment and tripling her settlement. Desperate to save her mother, Camila agrees, even though she hates the arrogant billionaire responsible for turning her life upside down. Living under the same roof was supposed to be simple: play the perfect couple, survive the estate review, and walk away. But as secrets surface, old wounds reopen, and a dangerous conspiracy inside Vega Pharmaceuticals begins to unravel, the line between fake and real becomes impossible to ignore. When the sixty days are over, will Camila walk away from the man she swore she'd never love, or will the truth destroy them before they get the chance?