How Long Does It Take To Read The Radium Girls?

The whole world has changed. In the year 2054, the human race is no longer the largest population on earth. The global invasion of a new yet not quite new species has forced the remaining people to hide in fear. Just like the other war survivors, Avery Pierce tries to escape death by hiding from them. But when she reaches seventeen, her life is doomed. She is sold as a slave to an old powerful family. Living in a beautiful mansion, she has to serve her owner, the mistress of the house. Will she be treated as a mere slave or maybe something more?

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.

After winning a lawsuit against billionaire CEO Alejandro Vega's pharmaceutical company, Camila Reyes expects compensation for the medication mistake that nearly cost her mother her life. Instead, Alejandro offers her something outrageous: a fake marriage for sixty days in exchange for paying every cent of her mother's treatment and tripling her settlement. Desperate to save her mother, Camila agrees, even though she hates the arrogant billionaire responsible for turning her life upside down. Living under the same roof was supposed to be simple: play the perfect couple, survive the estate review, and walk away. But as secrets surface, old wounds reopen, and a dangerous conspiracy inside Vega Pharmaceuticals begins to unravel, the line between fake and real becomes impossible to ignore. When the sixty days are over, will Camila walk away from the man she swore she'd never love, or will the truth destroy them before they get the chance?

Serena Voss walked into Nate Calloway's office to beg for more time on a loan. She walked out as his fiancée. The deal was simple. Sixty days, one role to play, and every debt her family owed would disappear. No feelings. No complications. Just business. But Nate had been looking for her for ten years. And Serena had no idea why. The more time they spend together the harder it becomes to pretend. But when secrets buried between their families long before either of them were born come tearing into the open, Serena starts to wonder if any of it was ever really her choice — or if she was always just the last piece of a plan someone else made decades ago.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

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