What Are The Longest Novels Ever Written By Word Count?
2026-07-23 18:18:35
141
Follow13
Share
NicoFox
Observer
Engineer
ABO Personality Quiz
Take a quick quiz to find out whether you‘re Alpha, Beta, or Omega.
Scent
Personality
Ideal Love Pattern
Secret Desire
Your Dark Side
Start Test
4 Answers
Cole
Book Guide
Firefighter
My vote goes to 'À la recherche du temps perdu'. The Penguin edition sits on my shelf, seven volumes deep, and just looking at it gives me a mix of pride and exhaustion. I read it over a full year, a little each night. That slow, cumulative effect—the way characters and memories layer over thousands of pages—is something shorter books can't replicate. The length is the point. It's about the gradual, almost imperceptible accumulation of a life observed.
2026-07-24 08:52:11
8
Simon
Story Finder
Receptionist
Okay, look, everyone brings up Proust and 'Clarissa' and whatever. But if we're talking sheer, relentless output, you can't ignore fanfiction and web serials. I've been following 'Super Supportive' on Royal Road, and it's already over 1.5 million words in a couple years. The author just doesn't stop. Compared to a meticulously plotted classic, these stories have a different rhythm—they're built for daily or weekly updates, and the length comes from a sustained, intimate connection with the audience. It's a living document, not a monument. That kind of word count feels earned in a different way, through constant engagement rather than a single, grand authorial vision. The definition of a 'novel' gets pretty blurry here, but the scale of the storytelling is undeniable.
2026-07-25 10:24:29
4
Spencer
Novel Fan
Pharmacist
For some reason my brain just got stuck on this a while back and I had to go down the rabbit hole. Marcel Proust's 'In Search of Lost Time' is the one that always gets mentioned, and rightfully so—it's a monster of introspection and social observation. But the actual word count varies wildly by translation; the English version by C.K. Scott Moncrief and Terence Kilmartin is often cited around 1.2 million. That's the one I attempted in college and made it through maybe two volumes before life got in the way.
Then you've got things like 'Artamène ou le Grand Cyrus', a 17th-century French romance that supposedly tops 2 million words. I've never met anyone who's actually read it, and I'm not sure I want to. It feels more like a historical curiosity than something with a living readership. The real modern contenders are online serials. 'The Wandering Inn' by pirateaba has to be up there, probably past 12 million words at this point and still updating. It's a different beast entirely—consumed in chunks over years, not as a single physical object. That distinction matters more to me than the raw numbers; the experience of reading something that long and ongoing is completely unlike tackling a classic doorstopper.
2026-07-27 10:12:15
7
Henry
Ending Guesser
Editor
A list feels insufficient without context for why these books are so long. Take Henry Darger's 'The Story of the Vivian Girls'—it's over 15,000 pages in manuscript, but it was never published as a conventional novel in his lifetime. Its length is part of its mythos, an outsider art project. Similarly, 'Jerusalem' by Alan Moore is a recent attempt at an encyclopedic, single-volume work that uses its extreme length to weave together history, fantasy, and philosophy about a specific place. The page count is a statement of ambition. For me, the most impressive long novels are those where the length feels necessary, not indulgent. 'Infinite Jest' uses its footnotes and digressions to mirror the distracted, addicted consciousness of its characters. When a long novel loses that cohesion, it just becomes a slog. I'm much more likely to commit to a 300,000-word story with a tight plot than a 1,000,000-word one that meanders without purpose.
2026-07-27 10:16:42
13
View All Answers
Scan code to download App
Related Books
The Immortal Emperor Returns
Xiu Guo
9.1
182.4K
A lifetime ago, Chu Xun was shackled and thrown in jail on false charges. For three whole years, he suffered extraordinary torment from his cellmates every day. Even though he had escaped death many times, he still died from his cellmates' fists the day before he was to be released.After death, Chu Xun transmigrated to a different world of cultivation, where cultivation was the one true path. Carrying the weight of his hatred, Chu Xun began to cultivate in hopes of becoming an Immortal Emperor, who could manipulate heaven and earth and travel through time. After painstaking cultivation of three thousand years, he succeeded. Then he sacrificed all his cultivation without hesitation and returned to the day before he was to be released.This life, he wanted to find out the truth and the one behind his murder in last life. He would continue to cultivate and strengthen himself so that the tragedy would not repeat itself. He wanted to master his own destiny.In this life, what people would Chu Xun encounter and what experience of love and hate would he have with them? What difficulties would he encounter and how would he overcome? The answer is the book.
Her name was Cathedra. Leave her last name blank, if you will.
Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things.
Three words: Lies, lies, lies.
A picture that moves.
And a plea: Please tell them the truth.
All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know.
No one believed her. No one ever did.
She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless.
As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone.
Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind.
Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.
I found an old quill in an antique shop and decided to buy it since I have always wanted to write with quills. However, as soon as I touched the quill to the paper, I was transported into the book. I wasn't the only one there, though three males who always hide their identities behind masks were in the book with me. They claim the quill belongs to them, and I must return it. Since I refuse, they follow me into every book I go into. One day, I was debating which of my mature books to write when I accidentally spilled the ink onto my book, 1001 Dark Tales. The only way they'll help me out of the book is if I give the quill back, and there is now a fourth. As I go through more of the book with them, I start noticing things. Things I had never planned for in my book, and it concerned me because even though I hadn't written those parts yet, none of the other stories I had used the quill on had ever gone that off track. However, when we tried to leave the book, it wouldn't let us back out. It seems we're stuck in the book until we finish all 1001 Dark Tales.
The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him.
The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar.
The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.
Ten years ago, Mara's older brother disappeared just outside of their home town. With no clues, everyone believed that he'd just run off. But Mara knew better. She vowed to continue the search. Despite being called crazy, she believed the local legend about a portal to another world. The Old Oak Archway. Now, after all these years, Mara has found a way through.What she didn't expect was to find on the other side was her brother living happily with the Golden Draygons.Suddenly, Mara is claimed by the King and the portal is closed. She is stuck on a planet filled with dragons and thrust into a struggle for power everywhere she turns.But, Tohr is determined to win her hand and her heart to keep her with him. Mara quickly learns that when a Draygon makes up his mind, he will stop at nothing to make it happen..*Adults Only* *Explicit Scenes* *Extreme Violence* *Hot Dragon Shifters*The Book of Mara is created by Leann Lane, an eGlobal Creative Publishing Signed Author.”
Okay, straight-up: if we measure by raw serialized web-novel length, the longest isekai titles are almost always the big web serials rather than the trimmed, illustrated light novels. I’ve skimmed forum threads, checked fan translation notes, and poked at raw chapter counts, so here’s the picture I’d give you.
The usual suspects that pop up as the longest are 'Mushoku Tensei', 'Death March to the Parallel World Rhapsody', 'Tensei Shitara Slime Datta Ken', 'Kumo Desu ga, Nani ka?', and 'Re:Monster'. These started as web serials and often exceed several hundred thousand to multiple million words in their native form. For example, many fans estimate web serials can run anywhere from roughly 500,000 words up to 2–3 million+ words, depending on whether you count Japanese characters as words or use English translation word counts.
One big caveat I always tell friends: word-count comparisons are messy. Japanese web-novel chapters are counted in characters; English translations expand or contract that significantly. Also, the officially published light novel versions are usually much shorter because they’re edited, split into volumes, and trimmed for pacing and art. If you want the longest reading experience, hunt the original web serial versions of the titles above, but if you want polish and art, grab the light novel or official translation first.
Ever fallen down a rabbit hole of absurdly long books? I once tried tackling Marcel Proust's 'In Search of Lost Time,' which clocks in at around 1.2 million words across seven volumes. What starts as a meditation on memory becomes this sprawling, poetic universe where a single description of a madeleine cookie unfolds into pages of introspection.
Then there's 'Artamène ou le Grand Cyrus,' a 17th-century French romance novel that makes 'War and Peace' look like a pamphlet. At roughly 2 million words, it's basically the literary equivalent of binge-watching 10 seasons of a soap opera—complete with convoluted plots and exaggerated emotions. These works aren't just long; they're immersive experiences that demand you surrender to their rhythm.