Which Loona Solo Song Has The Most Views?

I went down a Loona rabbit hole a while back and their solo debut project is honestly one of the most fascinating things in K-pop! Each member of Loona had their own solo song and music video before the group officially debuted, and it's such a cool way to introduce their individual colors. There are 12 solo debut songs in total, one for each member. The whole project was called 'Loona yyxy' and it spanned over a year, with each release building hype for the group's eventual formation. My personal favorite is probably 'Eclipse' by Kim Lip—it’s got this moody, synth-heavy vibe that just sticks with you. But honestly, the range of styles across all the solos is wild. You get everything from JinSoul’s dreamy 'Singing in the Rain' to Chuu’s adorable 'Heart Attack.' It’s like a sampler platter of what Loona can do, and it makes their group releases even more exciting because you can spot how each member’s solo flavor blends into the mix. The attention to detail in their lore and visuals is just chef’s kiss—I’m still piecing together all the connections between their MVs.

Loona's most iconic track has to be 'Butterfly' for me—it's not just a song, it's a whole movement. The way it blends dreamy synths with that addictive chorus feels like stepping into a kaleidoscope. Every time I listen, I notice new layers in the production, especially those whispered harmonies in the bridge. What really seals its legacy is the choreography; those wing-like formations went viral for a reason. It’s the kind of track that makes you want to learn the dance even if you’ve got two left feet. Beyond the music, 'Butterfly' became symbolic for Loona’s international fandom. The lyrics about transformation resonated with fans during their pre-debut era, and the music video’s globe-trotting visuals tied into their 'girl of the month' concept perfectly. It might not have been their biggest chart-topper, but it’s the song that defined their artistic identity—airy, ambitious, and unapologetically ethereal.

The most popular LOONA solo album is undoubtedly 'Kim Lip's 'Eclipse'—it's the one that truly put LOONA on the map for me and so many others. The moment I heard that dark, sultry synth-pop sound, I was hooked. 'Eclipse' wasn't just a debut; it was a statement. Kim Lip's vocals slithered through the track with this mesmerizing confidence, and the production felt like a midnight drive through a neon-lit city. The B-side, 'Twilight,' was just as addictive, blending moody R&B vibes with that signature LOONA mystique. It’s no wonder this album became a turning point in the fandom, sparking endless theories about the LOONAverse and solidifying Kim Lip as one of the most iconic soloists in the project. What makes 'Eclipse' stand out even more is how it perfectly encapsulated LOONA’s early allure—mysterious, high-concept, and unapologetically stylish. The music video was a visual feast, with its cinematic lighting and symbolic choreography. I still see fans dissecting every frame for clues about the group’s lore. And let’s not forget the impact: 'Eclipse' charted surprisingly well for a solo debut from a pre-debut project, and it remains a staple in LOONA’s discography. Even now, years later, I’ll catch myself humming the chorus or rewatching the MV. It’s just one of those releases that never loses its magic.

The LOONA members' solo releases were part of their ambitious pre-debut project, where each member dropped their own single over a span of about two years. It all kicked off with HeeJin's 'ViViD' in October 2016, which set the tone for what was to come—a mix of vibrant concepts and experimental sounds. After her, HyunJin followed with 'Around You' in November 2016, and then HaSeul with 'Let Me In' in December that same year. The project was structured so that each member's solo would highlight their unique color, and it was fascinating to see how their individual styles blended into the group's overall identity later on. From 2017 to 2018, the remaining members got their turn, with YeoJin's 'Kiss Later' in January 2017, Vivi's 'Everyday I Love You' in April, and Kim Lip's 'Eclipse' in May. The latter especially felt like a turning point, with its moody, synth-heavy vibe. After that, JinSoul's 'Singing in the Rain' in June, Choerry's 'Love Cherry Motion' in July, and Yves' 'new' in November kept the momentum going. Finally, Chuu's 'Heart Attack' in December 2017 and Go Won's 'One&Only' in January 2018 wrapped things up before Olivia Hye's 'Egoist' in March 2018. It was a marathon of releases, but each one added something special to the LOONA universe. I still go back to some of these tracks—they’re that good.

The Loona solos are such a gem in the K-pop world, and I've spent way too much time hunting down all their tracks! While most of their pre-debut solo projects are indeed on Spotify, the availability can be a bit patchy depending on your region. Tracks like Heejin's 'ViViD,' Kim Lip's 'Eclipse,' and Chuu's 'Heart Attack' are usually there, but some B-sides or older releases might be missing due to licensing quirks. I remember freaking out when 'Love Cherry Motion' by Choerry suddenly disappeared for a week—turns out it was just a temporary glitch, but Orbit Twitter was in chaos! If you're diving into their discography, I'd recommend checking playlists curated by fans or the official Loona account. Sometimes, the solos are grouped under compilations like '[#]' or '12:00,' so they might not show up under individual member searches. Also, keep an eye out for reuploads; BBC's messy management has caused a few delays in getting music back up after disputes. Still, streaming their solos feels like uncovering hidden treasure—each one has such a distinct vibe, from Jinsoul's synth-heavy 'Singing in the Rain' to Yves' moody 'new.'

The debate over who delivered the best LOONA solo stage performance is a tough one because each member brought something uniquely captivating to their pre-debut project. Personally, I keep circling back to Kim Lip's 'Eclipse'—there's just something about the moody, avant-garde choreography paired with that hypnotic bassline that feels like a masterclass in atmospheric performance. The way she commands the stage with those sharp, deliberate movements while maintaining an almost ethereal aura? Chills every time. It wasn't just dancing; it was storytelling through her body, and that midnight-sun concept felt revolutionary for K-pop at the time. But then I rewatch Jinsoul's 'Singing in the Rain' and waver instantly. The water-themed staging, her icy blonde hair contrasting with the dark set, and that iconic umbrella spin—it’s pure visual poetry. What edges it out for some fans is the technical difficulty; she had to sing live while executing precision choreography in water, which is absurdly hard. Yet she made it look effortless, like some futuristic siren luring us into her world. The duality between her power and grace in that performance still lives rent-free in my head. Honorable mention to Yves' 'new' though—that fiery red suit, the chair routine, and the way she oozed confidence while flipping between playful and fierce? Iconic. No definitive answer exists, but these three stages are my emotional support LOONA moments.

What a wild, electric night it was — the 'A Night With LOONA 2' setlist leaned hard into the group's biggest, most theatrical numbers while carving space for quieter solo and unit moments that let each member shine. The core of the show rotated through their major singles: 'PTT (Paint The Town)', 'So What', 'Why Not?', 'Hi High', and 'Butterfly' — those big-stage songs that pushed the crowd into full scream-mode. Between those, they sprinkled a handful of deep cuts and unit medleys that pulled from older eras and subunit releases, plus a couple of rearranged B-sides to keep longtime fans grinning. Solos and subunit stages were where the pacing changed: expect stripped-down vocals, dance-heavy rearrangements, and playful covers sometimes slipped into medleys. The encore typically brought back one or two emotional tracks and a final high-energy closer, leaving the audience buzzing for days. I left feeling like I’d been on a roller coaster — equal parts adrenaline and warmth, and already planning the next concert I’ll catch.

I get super excited thinking about a full night built around LOONA — they have this uncanny ability to shift from euphoric pop to dreamy, emotional moments, and that contrast is what makes a setlist sing. Start with a blast: open with 'Hi High' to get everyone jumping and locked in. Follow it with 'Butterfly' as the first big emotional peak — it’s cinematic and gives the stage production room to breathe. Mid-set, drop in a powerful choreography hit like 'So What' and the funkier, playful 'Why Not?' to keep energy varied. Tuck in solo showcases in the quieter middle: Kim Lip's 'Eclipse' or Heejin's 'ViViD' (those solos are perfect for lighting changes and intimate staging). For the closer and encore, choose something anthemic and tender — 'Star' or a stripped-down ballad to end on a glow that lingers. I love how the set can go from full-throttle synchronized dancing to a soft, single-mic moment; it feels like a story, and LOONA’s catalogue gives you the chapters. Personally, I’d stay long after the lights to hear the crowd hum those final notes together — it’s blissful.

Whenever I put on 'Night with Loona' I feel like I'm stepping into a soft, nocturnal movie — the soundtrack really carries that vibe. The official collection is a cozy mix of vocal pieces, solo moments, instrumentals, and a couple of surprise reprises. It opens with the sweeping title piece that sets the mood and then moves through quiet interludes that feel like scenes between the characters. Tracklist highlights: 1. 'Night with Loona' (Main Theme) 2. 'Moonlight Walk' 3. 'Lantern' - Heejin (Solo) 4. 'Rosebud' - Hyunjin (Solo) 5. 'Confession Under Stars' 6. 'Velvet Midnight' 7. 'Instrumental: Night Theme' 8. 'Interlude: Afterglow' 9. 'Butterflies at Dawn' (Reprise) 10. 'Midnight Radio' (Remix) 11. 'Soothing Lull' (Instrumental) 12. 'Credits: Loona Chorus' 13. 'Hidden Track: Night's Echo' 14. 'Orchestral Suite' (Bonus). I like how the solos give each voice a moment while the instrumentals pull you back into atmosphere. My go-to for late-night reading is 'Lantern' followed by the orchestral suite — they feel like different chapters of the same story, and they hang with me long after the last note fades.

If you're looking for LOONA's music videos, YouTube is definitely your best bet. Their official channel 'LOONA' has most of their MVs, from pre-debut solos to full group comebacks like 'Butterfly' and 'So What.' The visuals are stunning—each video feels like a mini-art film with lore hidden in details. Beyond YouTube, some performance versions or special stages pop up on 1theK or Mnet's channels. For deeper cuts, VLive occasionally has behind-the-scenes content tied to their MVs. Honestly, falling down the LOONA rabbit hole is half the fun; their universe-building through music videos is next level.