Who Are The Main Characters In Kissing The Witch: Old Tales In New Skins?

2026-03-27 00:59:26 238

4 Réponses

Trent
Trent
2026-04-01 11:22:03
I adore how 'Kissing the Witch' turns fairy tales inside out. The main characters are familiar yet utterly transformed—like the Cinderella here, who swaps her glass slipper for a harder truth about freedom and choice. Her story dovetails into the witch's, who isn't a crone but a woman with her own history of love and loss. The book's structure is brilliant: each tale bleeds into the next, so the princess you met two chapters ago reappears as a side character, then a narrator. The Beast isn't a monster to be tamed but a mirror for the Beauty's own hunger. Even the minor figures, like the miller's daughter from 'Rumpelstiltskin,' get moments to shine. Donoghue's prose is lush but sharp, cutting through the sugarcoating of childhood stories to reveal something thornier and more beautiful beneath.
Isla
Isla
2026-04-01 15:26:00
'Kissing the Witch' is a book where every character feels alive in ways that haunt you. The main figures—Cinderella, the witch, the maiden from 'Donkeyskin'—are all grappling with desire and power. Cinderella's story arcs into a quiet rebellion against the very magic that 'saved' her. The witch, often a villain in other retellings, here becomes a catalyst for self-discovery. What sticks with me is how Donoghue lets their voices overlap, creating this chorus of women who've been silenced in the original tales. It's not about happy endings; it's about waking up to the stories they've been forced into and rewriting them.
Graham
Graham
2026-04-02 09:55:53
Reading 'Kissing the Witch' feels like stumbling into a secret garden of subverted expectations. The main characters? They're the fairy-tale icons you know, but with a radical twist. Take the protagonist of 'The Tale of the Hair'—it's Rapunzel, but she's not just letting down her hair for some prince. She's entangled in a layered relationship with the witch, blurring lines between captivity and desire. Then there's the Snow White stand-in, who's more intrigued by her stepmother's power than afraid of it. Donoghue's genius is in how she makes these women talk to each other across stories, weaving a tapestry of defiance. The 'witch' isn't a single person but a recurring symbol—sometimes a guide, sometimes a lover, always challenging the heroines to see beyond their prescribed roles. It's short but dense, every sentence weighted with meaning.
Ursula
Ursula
2026-04-02 21:51:08
Emma Donoghue's 'Kissing the Witch: Old Tales in New Skins' is this wild, poetic reimagining of classic fairy tales where the characters twist and turn in ways you wouldn't expect. The main figures are all women—Cinderella, Snow White, Rapunzel, and others—but they're stripped of their usual damsel-in-distress roles. Instead, they're complex, flawed, and often queer, which is so refreshing. The book's structured like a nesting doll of stories; one character's tale leads into another's, and suddenly you're seeing connections between them that make you rethink the original tales entirely.

What I love is how Donoghue gives them agency. Cinderella isn't waiting for a prince; she's questioning the witch who helped her. The Beauty and the Beast dynamic gets flipped into something tender and mutual. Even the 'witch' figures aren't villains—they're mentors, lovers, or just women who refuse to fit into society's boxes. It's a book that lingers in your mind because it doesn't just retell stories—it cracks them open and lets something new spill out.
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