Is Kissing The Witch: Old Tales In New Skins Worth Reading?

2026-03-27 23:42:10 80
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Zane
Zane
2026-03-28 02:59:49
I’d say 'Kissing the Witch' is a standout. Donoghue doesn’t just tweak the plots—she dismantles the patriarchal frameworks of stories we think we know. The queer undertones in 'Beauty and the Beast' retelling? Chef’s kiss. It’s short but dense; every sentence carries weight. I loaned my copy to a friend who typically reads high fantasy, and even they got hooked by its experimental style. My only gripe is that it leaves you craving more—some stories feel like they could’ve been expanded.
Bryce
Bryce
2026-03-31 18:02:27
The first thing that struck me about this book was its voice—each tale has a distinct narrator, yet they all share this wry, knowing tone. Donoghue’s take on 'Snow White' flips the script entirely, turning the mirror into a metaphor for self-perception rather than vanity. It’s less about magic and more about the quiet revolutions women enact to survive. I’d recommend it to fans of 'The Penelopiad' or 'Circe,' though it’s leaner and more fragmented. Perfect for readers who like their fairy tales with a side of existential depth.
Micah
Micah
2026-03-31 23:59:37
Honestly? 'Kissing the Witch' ruined other retellings for me. After reading it, most adaptations feel superficial. Donoghue’s ability to intertwine stories while keeping them standalone is genius. The 'Rapunzel' segment alone—where hair becomes a metaphor for both constraint and liberation—just wrecked me. It’s the kind of book you underline fiercely and then press into others’ hands.
Thomas
Thomas
2026-04-02 11:06:17
I picked up 'Kissing the Witch: Old Tales in New Skins' on a whim, drawn by its promise of reimagined fairy tales. What surprised me was how deeply it subverts expectations—these aren’t just retellings but radical reinventions that peel back the layers of classic stories to expose their hidden complexities. Emma Donoghue’s prose is lyrical yet sharp, weaving connections between tales like 'Cinderella' and 'The Little Mermaid' in ways that feel both fresh and inevitable. The book’s feminist lens is subtle but powerful, especially in how it redefines agency for female characters.

What stayed with me longest was the structure—each story flows into the next, creating a tapestry that feels like a conversation across time. It’s not a light read; some twists are unsettling, but in a way that makes you rethink the original tales. If you enjoy Angela Carter’s 'The Bloody Chamber' or Margaret Atwood’s fairy tale revisions, this’ll likely resonate. I found myself rereading passages just to savor the language.
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