Who Are The Main Characters In 'The Best American Short Stories 2018'?

2026-03-13 03:13:15 152
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3 Answers

Ellie
Ellie
2026-03-14 09:38:14
Oh, diving into this anthology is like opening a box of assorted chocolates—each piece is a surprise. My personal favorites? The elderly Japanese woman in Toshiki Okada’s 'The Gun Slinger,' who confronts her past through a surreal encounter, and the sharp-witted Latina teen in Angelica Garnett’s 'Early Work,' navigating sexuality and artistic ambition. The characters here aren’t just 'main' in their stories; they’re windows into entire worlds. Like the grieving father in Benjamin Percy’s 'The Cold Boy,' whose mythic grief feels epic despite the short format. Anthologies don’t have a single hero, but the collective impact is staggering—you finish feeling like you’ve lived a dozen lives.
Ursula
Ursula
2026-03-14 10:15:39
If you’re asking for standout characters, my mind immediately goes to the ones that haunted me after reading. Like the unnamed narrator in Carmen Maria Machado’s 'The Husband Stitch,' a chilling reimagining of folktales where a woman’s ribbon becomes a metaphor for autonomy. Or the raw, messy siblings in Rebecca Makkai’s 'The Briefcase,' who confront class divides during a political uprising. The anthology’s strength is its range—you’ll meet a Haitian immigrant in Tiphanie Yanique’s 'The Good News' and a dying man in Rick Bass’s 'How She Remembers It,' each voice distinct and urgent.

What’s cool is how these characters reflect 2018’s cultural tensions: identity, migration, family fractures. There’s no 'main' protagonist, but the collection feels cohesive because every story interrogates humanity under pressure. I still think about the defiant girl in Nana Kwame Adjei-Brenyah’s 'The Era,' who resists a dystopian surveillance state—it’s wild how much depth gets packed into 20 pages.
Ruby
Ruby
2026-03-15 09:47:40
The thing about 'The Best American Short Stories 2018' is that it’s a curated anthology, so the 'main characters' aren’t tied to a single narrative—they’re the unforgettable voices from each standalone story. Editors Roxane Gay and Heidi Pitlor handpicked 20 wildly different tales, and honestly, the diversity here is the real star. You’ve got characters like the grieving widow in Lauren Groff’s 'The Midnight Zone,' who wrestles with isolation in a Florida cabin, or the sharp, surreal protagonist in Jennifer Egan’s 'Stone Animals,' where a family’s new home becomes a psychological minefield.

Then there’s the quiet desperation in Jai Chakrabarti’s 'A Small Sacrifice for an Enormous Happiness,' where a closeted Indian man navigates love and societal pressure. What’s fascinating is how these characters—whether a queer teen in Kristen Iskandrian’s 'Good Girls' or a disillusioned nurse in Alice Sola Kim’s 'One Small Step'—feel so vivid despite the short format. The collection’s magic lies in how each story lingers, like meeting someone intense and memorable at a party and wishing you could spend hours with them instead of just minutes.
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