Who Are The Main Characters In Utterly Wicked: Curses, Hexes & Other Unsavory Notions?

2026-03-23 08:54:50 120
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5 Answers

David
David
2026-03-24 14:49:54
The main 'character' here is the art of cursing itself, with Morrison as your tour guide. She doesn’t romanticize it; she treats it with the seriousness it deserves, but her dry humor keeps things from feeling too heavy. It’s a weirdly intimate read—like she’s trusting you with secrets most wouldn’t dare whisper.
Spencer
Spencer
2026-03-26 22:04:50
Morrison’s book is a solo act—her voice carries the entire thing. She’s the storyteller, the expert, and the cautionary figure all rolled into one. The 'unsavory notions' she explores become almost like entities themselves, each with their own personality. It’s less about who’s in the book and more about what’s in it—the dark, the dangerous, and the morally ambiguous.
Ivan
Ivan
2026-03-27 04:02:17
Dorothy Morrison is the heart and soul of 'Utterly Wicked.' Her writing style is so vivid that you can almost hear her chuckling at the absurdity of some curses or warning you about others with a grave tone. The book doesn’t have characters in the traditional sense, but it’s packed with stories—real and folklore—that give life to the practices she describes. It’s like she’s handing you a double-edged sword and saying, 'Here, but be careful.'
Peter
Peter
2026-03-28 15:24:32
If you’re expecting a novel with heroes and villains, 'Utterly Wicked' isn’t that kind of book. It’s a gritty, hands-on guide to hexing, and Dorothy Morrison is your no-nonsense teacher. She’s the main 'character' in the sense that her voice is everything—blunt, witty, and unapologetic. The book feels like sitting in a dimly lit room with someone who’s seen it all and isn’t afraid to tell you the messy truth.
Mila
Mila
2026-03-29 15:16:49
Utterly Wicked: Curses, Hexes & Other Unsavory Notions' is a fascinating dive into the darker side of folk magic, written by Dorothy Morrison. It's less about traditional protagonists and more about the practices themselves, but Morrison herself is the central voice guiding readers through these taboo topics. Her expertise and personal anecdotes make the book feel like a conversation with a seasoned practitioner rather than a dry manual.

What I love about this book is how Morrison doesn’t shy away from the ethical complexities of cursing. She’s not just a detached author—she’s a witch with strong opinions, and her personality shines through. The 'characters,' if you can call them that, are the curses and hexes she describes, each with its own history and weight. It’s like they’re alive on the page, demanding respect and caution.
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