How Many Pages Does 'Upright Women Wanted' Have?

I grabbed my copy of 'Upright Women Wanted' from a local indie bookstore last month, and it was totally worth the trip. The staff had it displayed in their sci-fi section with a handwritten recommendation card that sold me instantly. If you prefer shopping online, Bookshop.org supports small stores while delivering to your doorstep. Amazon has both paperback and Kindle versions if you need it fast. Libraries often carry it too—mine had three copies with no waitlist. Check Libby for digital loans. For collectors, Subterranean Press occasionally releases special editions, though those sell out quick.

'Upright Women Wanted' is a wild mix of genres that defies simple labels. It’s primarily a Western, with dusty trails, horseback chases, and that classic frontier spirit. But then it throws in a hefty dose of sci-fi with its near-future dystopian America where books are controlled by the state. The queer romance element is just as vital—it’s about lesbian librarians smuggling forbidden literature, blending heart-stopping kisses with gunfights. Some call it ‘queer pulp,’ others ‘speculative Western,’ but honestly? It’s its own beast. If you liked 'The Handmaid’s Tale' but wished it had more revolvers and sapphic resistance fighters, this is your jam.

'Upright Women Wanted' is a wild ride through a dystopian future where librarians are basically rebel spies. The story follows Esther, a young woman who stows away in a librarian's wagon after her lover is executed for possessing 'subversive' materials. These librarians aren't just book pushers - they're part of a secret resistance network smuggling banned information across a fractured America controlled by authoritarian regimes. The world-building is intense, showing how information control becomes a tool for oppression, with queer identities and dissenting ideas labeled as contraband. The beauty of this story lies in how it flips traditional Western tropes. Instead of lone cowboy heroes, we get a found family of queer librarian outlaws riding through the desert. Esther's journey from sheltered girl to hardened resistance fighter feels organic, especially as she learns the librarians' true mission. The romance subplot with one of the librarians adds emotional depth without overpowering the main narrative. What really sticks with me is how the author uses the physical act of book smuggling as a metaphor for preserving marginalized histories and identities in hostile environments. The pacing keeps you hooked, balancing action sequences with quiet moments that explore themes of censorship, identity, and rebellion.

I recently finished 'Upright Women Wanted' and was completely drawn into its unique cast. The story centers around Esther, a young woman who flees her oppressive hometown after a personal tragedy. She stumbles upon a group of librarians traveling across the dystopian American Southwest, and they become her unlikely family. The librarians are actually resistance fighters, using their book deliveries as cover for subversive activities. There's Leda, the tough but caring leader who takes Esther under her wing. Bet, the sharpshooting, no-nonsense member who keeps the group safe. And Cye, the nonbinary smuggler who joins them later, adding another layer of depth to their found family dynamic. What makes these characters so compelling is how they each represent different forms of resistance in an authoritarian society. Esther's journey from a scared runaway to a confident rebel mirrors the novel's themes of self-discovery and defiance. The librarians aren't just fighting the system with guns; they're weaponizing knowledge and queer love in a world that criminalizes both. The relationships between the characters feel authentic, especially the slow-burn romance between Esther and Bet. Sarah Gailey does an excellent job showing how these women and nonbinary characters navigate danger while staying true to themselves and each other.

I just finished reading 'Upright Women Wanted' and loved its standalone feel. While it’s not officially part of a series, the world-building leaves room for more stories. The author, Sarah Gailey, has crafted a rich dystopian setting with librarians as rebel spies—perfect for expansion. There’s no direct sequel yet, but their other works like 'Magic for Liars' share a similar bold tone. If you crave more queer-centric speculative fiction, try 'The Unbroken' by C.L. Clark. It’s got that same mix of rebellion and heart. Gailey’s style makes this novel complete on its own, but I’d jump on a sequel instantly if one appears.

If you're trying to dodge surprises or just curious about what you'll find, here's the short compass I use: yes, discussions and summaries about 'My Fiancé Wanted to Marry Two Women' absolutely contain spoilers, and some of them hit the big beats early. I usually scan tags and previews before diving into anything, and this title is one of those where the premise itself telegraphs a lot — the setup about a fiancé and two prospective partners is front-and-center, so you'll see relationship dynamics discussed even in casual posts. Beyond that, fan reviews, chapter recaps, and comment sections commonly spoil outcomes, like who leans toward which choice, key confrontations, or how the central relationships evolve. If you're reading translations or serialized updates, some scanlation notes and chapter summaries often summarize important turns. I also notice that spoilers tend to accumulate in episode or chapter titles and in headline-style reviews, so even a single line can reveal courtship resolution or emotional climaxes. If you want to stay spoiler-free, I lock comments, avoid forums, and only read up to the official synopsis or the first chapter/episode. If you don't mind a little peeking, curated reviews that warn about spoilers are your friend — they let you choose how much to reveal. Personally, I like discovering character beats organically, so I avoid the discussion trenches until I finish the arc; it keeps the surprises fresh and the emotional hits real for me.

Wow — that finale of 'My Fiancé Wanted to Marry Two Women' really pulled on my heartstrings. The last chapters fold all the tense family politics and personal betrayals into one messy, honest confrontation. The main confrontation scene has the protagonist finally forcing the fiancé to admit the truth: he was being pushed into an extra marriage by family duty and business alliances, not because he honestly wanted to. The second woman involved turns out to be in a similar bind — more scared than scheming — which complicates the morality in a way that feels human rather than soap-opera villainy. After that blowup, the book doesn’t hand out an easy reconciliation. I loved that the protagonist doesn’t just swoon back; she sets boundaries and walks away to give everyone space to untangle the mess. The fiancé goes through a period of real fallout: public disgrace at a family banquet, having to choose between his inherited obligations and the people he actually cares about. In the epilogue, he rejects the arranged match publicly, takes responsibility for the damage, and spends time earning back trust rather than demanding a quick forgiveness. The wrap-up is a gradual repair rather than a lightning-bolt happy ending. They don’t get married the next day — there’s a time jump where both characters grow separately, the second woman carves out an independent life, and eventually the protagonists reunite on more honest terms. I closed the book feeling satisfied and oddly hopeful; the ending respected pain and gave maturity instead of melodrama, which I appreciated.

After poking around fan sites, ebook listings, and discussion threads, I kept hitting the same snag: there isn’t a single, clear-cut author credited across the usual sources for 'My Fiancé Wanted to Marry Two Women'. A lot of romance and web-serial titles get translated and reposted under slightly different English names, and this one seems to float around those circles without consistent metadata. In several places the work is attributed only to a translation team or an anonymous uploader rather than the original creator. What I found useful while trying to trace things was looking for the original-language title or the platform where it first appeared — many of these stories start on sites like Webnovel, Qidian, Wattpad, or native-language forums, and the original author’s name shows up there. Some communities also keep translation archives and discussion threads that track who originally wrote a story and how it migrated between platforms. Personally, whenever a title is vague like this I cross-reference ISBNs, publisher info if available, and reader comments; that usually clears things up. In this case, though, the author attribution remains inconsistent on English-speaking sites, so my takeaway is that the novel is circulating mainly as a translated/republished web serial with unclear or uncredited original authorship — which is annoying but common. I still enjoy the drama in the story even if the paperwork is a mess.