How Many Volumes Does Manga Rainbow Have?

The first time I picked up 'Rainbow: Nisha Rokubō no Shichinin' I didn’t expect to be knocked flat by how heavy it feels and how tender it can be at the same time. It’s a post-war drama about seven teenage boys shoved into a brutal reform school and the scars—both physical and psychological—that follow them into adulthood. The storytelling leans hard into grim realism: corporal punishment, poverty, betrayal, and systemic cruelty show up often. But the heart of the manga is the bond among the seven; their friendship is the only bright thing cutting through an otherwise bleak world. The art by Masasumi Kakizaki matches that tone with gritty, detailed panels and faces that ache. The writer George Abe layers in moral ambiguity, so heroes aren’t spotless and villains aren’t cartoonish. If you’re into stories that aren’t afraid to get ugly to highlight tiny moments of hope, this will hit you. It’s not casual reading—bring patience and maybe a cup of tea—and you’ll come away thinking about resilience for a while.

Rainbow' is this gritty, emotionally raw manga that dives into the lives of six teenage boys stuck in a brutal reform school in 1950s Japan. It’s not your typical underdog story—these kids face physical abuse, systemic corruption, and the kind of despair that makes you clutch your chest while reading. But what hooked me was how their bond becomes this unshakable lifeline. The way they cling to each other’s humanity amid the cruelty? It’s heartbreaking but also weirdly uplifting. The art style amplifies everything—rough lines, shadows that feel like they’re swallowing the characters whole. It’s a story about survival, but also about the tiny rebellions (like sharing a stolen candy bar) that keep them human. What surprised me most was how the manga doesn’t shy away from showing the aftermath—like how these traumas follow the boys even after they leave the school. The later chapters jump ahead to their adult lives, showing how their past shapes them in ways both terrible and beautiful. One becomes a boxer, another a doctor, but they all carry that same fire from their youth. It’s rare to see a story handle PTSD and resilience with this much nuance. Definitely not a light read, but the kind that sticks to your ribs for years.

Rainbow' is one of those manga that hits you right in the gut with its raw emotion and unflinching portrayal of friendship and survival. The author behind this masterpiece is George Abe, with art by Masasumi Kakizaki. I stumbled upon it during a late-night manga binge, and it quickly became one of my all-time favorites. The way it tackles themes of brotherhood, resilience, and the brutal realities of post-war Japan is just unforgettable. What really stands out to me is how Kakizaki's art complements Abe's storytelling—every panel feels heavy with meaning, whether it's the characters' struggles or their fleeting moments of joy. It's not your typical shounen fare; it's darker, grittier, and more mature. If you're into stories that don't shy away from hardship but still leave you with a sense of hope, 'Rainbow' is a must-read.

Rainbow: Nisha Rokubou no Shichinin' is one of those rare manga that sticks with you long after the final page. The story wraps up with a mix of bittersweet triumph and lingering scars—fitting for a tale about seven juvenile delinquents surviving postwar Japan's brutal reform school. After enduring physical and psychological torture, the group finally breaks free, but their bonds are tested by the outside world's harsh realities. Sakuragi, the heart of the group, achieves his dream of becoming a boxer, while others grapple with their pasts in different ways. The ending doesn't sugarcoat their trauma; instead, it shows how their shared suffering forged unbreakable camaraderie. What hit me hardest was how their adult lives still carried echoes of those reform school days—like tattoos they could never remove. I’d argue the real climax isn’t the escape itself, but the quiet moments afterward when they realize freedom comes with new struggles. The final panels of them reuniting as adults, laughing under a rainbow, hit me like a freight train. It’s not a perfect happy ending—some characters never fully recover—but that’s what makes it feel authentic. The manga’s message about finding light through collective suffering lingers in your bones.

Rainbow' hit me like a freight train when I first stumbled upon it—what starts as a gritty prison drama morphs into this raw, unflinching ode to friendship and survival. The 1960s reform school setting isn't just backdrop; it's a character itself, with rusted bars and leather straps that practically creak off the page. What really gut-punches readers is how the six cellmates feel like shattered mirrors of postwar Japan—each kid's trauma (from a boxer with nerve damage to an orphaned pickpocket) reflects real societal wounds. Their 'blood oath' to reunite becomes this visceral, almost mythical thread that pulls you through beatings, escapes, and moments of tenderness so sharp they make your ribs ache. Even the baseball subplots—which sound cheesy on paper—thrum with desperation, like these boys are swinging at their own futures. It's not just popular; it's a story that leaves finger-shaped bruises on your heart. What seals the deal is how George Abe's art evolves alongside the narrative—early chapters are all jagged lines and sweat droplets, but by volume 7, there's this haunting clarity in character expressions. You can track Sakuragi's descent into illness just through the gradual paling of his lips across panels. And the fandom? We still debate whether the ending was triumphant or tragic a decade later—that's the mark of a manga that claws under your skin.

Rainbow: Nisha Rokubou no Shichinin' is one of those stories that sticks with you long after you've turned the last page. At its core, it's about the unbreakable bonds of friendship forged in the darkest of places—a juvenile reformatory in post-WWII Japan. The manga dives deep into themes of survival, resilience, and the fight against systemic oppression. Each character represents a different facet of human suffering, from Sakuragi's tragic past to Mario's struggle with identity. But what really hits hard is how they cling to hope despite everything. The raw, gritty art style amplifies the emotional weight, making every victory and loss feel personal. What surprised me most was how it balances brutality with moments of tenderness. The scenes where the boys share stolen food or whisper dreams under starless skies are as powerful as the fights. It's not just about physical survival; it's about preserving your humanity when the world tries to strip it away. The recurring motif of the 'rainbow' symbolizes their pact to reunite beyond the prison walls—a promise that becomes their lifeline. This manga doesn't just entertain; it forces you to confront uncomfortable truths about justice and redemption.

I got hooked on 'Rainbow: Nisha Rokubō no Shichinin' years ago while rifling through a cramped secondhand bookshop, and the name that stuck with me was George Abe — he wrote it, with the stark, striking art by Masasumi Kakizaki bringing the story to life. The manga is usually shortened to 'Rainbow' in conversation, but its full title hints at the bleak-yet-hopeful tone: it follows seven young men trapped in a reform school in postwar Japan. George Abe provided the raw backbone of the story — his voice is the one that injects brutal realism and a hard-earned empathy into the plot, and Kakizaki’s visuals carve that emotion into faces and environments that never let you look away. What really inspired 'Rainbow' is the mixture of George Abe’s own life experiences and his interest in the darker margins of society. Abe had firsthand knowledge of life on the fringes — he’d been involved in delinquent life and had time in juvenile facilities — and he drew on those memories and the stories of others to shape the characters’ suffering and stubborn dignity. The postwar backdrop is not just a setting; it’s a catalyst. The manga digs into the social breakdowns, shame, and scarce opportunities that press down on the characters, and Abe channels real-world cruelty alongside small, stubborn acts of kindness. That combination gives the story authenticity: it’s not melodrama for its own sake, it’s human beings reacting to a harsh system. Kakizaki’s art amplifies that inspiration — the heavy shadows, the meticulous period details, the body language — all of it makes Abe’s experiences feel immediate. Reading 'Rainbow' felt like eavesdropping on confessions and seeing history’s bruises up close. The inspiration is layered: personal history, interviews and stories from ex-convicts or fellow delinquents, and a broader interest in postwar social issues and how systems can grind people down. Abe wanted to expose cruelty but also to insist on the characters’ dignity; that tension is the heart of the manga. If you haven’t read it, expect something that’s raw and occasionally painful but also quietly redemptive in ways that stick with you. I ended up re-reading key chapters late at night with a cup of bad coffee, marveling at how few authors can make injustice feel both specific to a time and universally familiar — and honestly, it’s the kind of story that keeps nudging me to recommend it to friends who think manga can’t be devastatingly human.

Man, 'Rainbow' hits hard—both the manga and its anime adaptation! I stumbled upon it years ago while digging through gritty seinen recommendations, and it instantly gripped me. The anime, titled 'Rainbow: Nisha Rokubou no Shichinin,' aired in 2010 and covers the first 20 volumes of the manga. It’s a brutal yet beautiful story about seven teens surviving abuse in a postwar Japanese reform school. The animation style captures the raw emotion of George Abe’s art, though it cuts some later arcs. Still, the voice acting and soundtrack (especially that haunting OP) elevate the despair and camaraderie perfectly. If you’re into dark, character-driven narratives like 'Monster' or 'Banana Fish,' this one’s a must-watch. Just brace yourself—it’s emotionally exhausting in the best way possible. I’ve rewatched it twice, and that finale still gives me chills.