Does 'Marvel Peter In Multiverse Mashup' Introduce New Spider-Man Variants?

Just finished reading 'Marvel Peter in Multiverse Mashup', and yeah, it introduces some wild new Spider-Man variants that we haven't seen before. There's this version of Peter who's a medieval knight, swinging on chains instead of webs, and another where he's a cyborg with tech fused into his body. The coolest part is how each variant keeps the core Spider-Man traits—quick wit, sense of responsibility—but twists them to fit their world. The medieval one fights with honor codes, while the cyborg deals with ethical dilemmas about his enhancements. They don't just feel like reskins; their stories add depth to the multiverse concept.

As someone who’s obsessed with Spider-Man lore, I can confirm 'Marvel Peter in Multiverse Mashup' goes all-out with fresh variants. The standout is Noir Spider-Man 2.0—grittier than the original, with a detective twist where he solves interdimensional crimes. Then there’s Spider-Warlock, a Peter bonded to a cosmic entity, trading quips while hurling star fragments. The book smartly avoids making them overpowered; each has vulnerabilities tied to their universe’s rules.

What’s impressive is how their designs reflect their worlds. The steampunk variant has web-shooters powered by pressurized steam, and his suit’s gears actually function. Another, from a frozen apocalypse, uses insulated webbing to survive blizzards. The writing shines when these variants collide, like when the knight’s chivalry clashes with the cyborg’s pragmatism. For fans of fresh spins on familiar heroes, this delivers hard.

This comic isn’t just about new costumes—it reimagines Peter’s essence through radically different lives. Take ‘Spider-Phantom’, a ghostly variant haunted by villains he failed to save. His ‘webs’ are spectral chains, and he flickers between dimensions mid-swing. Then there’s ‘Dino-Spider’, a Jurassic Park-esque Peter who rides a T-rex into battle (yes, really). The artistry sells it; Dino-Spider’s mask has reptilian scales, and his lenses slit like a predator’s eyes.

My favorite detail? How their catchphrases adapt. The medieval Peter shouts ‘For justice and the Weaver’s grace!’ instead of ‘Thwip!’. The book also teases a vampire Spider-Man in one panel, bitten by Morbius instead of a spider. If you love deep-cut Marvel lore, hunt down the variant cover with Spider-Warlock battling Mephisto—it’s gorgeous.