How Did Mina Join Twice And When?

2026-04-16 18:50:18 284
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2 Answers

Charlie
Charlie
2026-04-17 18:03:48
Twice's journey as a group has always fascinated me, especially how each member was carefully chosen through the survival show 'Sixteen' back in 2015. Mina, one of the group's most elegant and graceful members, was actually a JYP trainee before joining the show. What's interesting is that she wasn't part of the initial lineup announced at the finale—she was added later as a 'wild card' pick by JYP himself, alongside Momo and Tzuyu. This decision shocked fans at the time, but looking back, it’s clear how essential Mina’s unique vibe became to Twice’s overall dynamic. Her ballet background and soft-spoken charm added a layer of sophistication that balanced the group’s energetic image perfectly.

Mina officially debuted with Twice on October 20, 2015, with their first EP 'The Story Begins'. From the start, her presence stood out, especially in tracks like 'Like Ooh-Ahh', where her fluid movements and serene aura contrasted beautifully with the song’s edgy concept. Over the years, she’s grown into a fan favorite, not just for her dancing but also for her heartfelt vocals in songs like 'Feel Special'. It’s wild to think how different Twice might’ve been without her—she’s proof that sometimes the best additions aren’t the obvious ones.
Riley
Riley
2026-04-19 01:43:03
Mina’s addition to Twice feels like one of those k-pop stories that could’ve gone either way but ended up being totally meant to be. She joined the group after 'Sixteen', the 2015 survival show that formed Twice, but here’s the twist: she wasn’t originally in the final lineup. JYP Entertainment added her (along with Momo and Tzuyu) after the show ended, citing the need for a more complete group. Mina brought this quiet, ethereal energy that instantly clicked—like when she stunned everyone with her ballet-inspired moves in 'Like Ooh-Ahh'. Debuting in late 2015, she quickly became the 'black swan' of Twice, a role no one else could’ve filled as perfectly.
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