Why Is The Montgomery Ward Catalogue Of 1895 Historically Significant?

On the fifth anniversary of Rebecca Perry's marriage to Vance Bradford, his first love returned to the country. That night, she caught him in the bathroom, murmuring Catherine's name as he pleasured himself. That was why, for five years, he had never touched her. "Catherine is back; she's all alone. I'm just helping her as a friend." "I understand." "I promised her I'd accompany her to the island for her birthday. I'm just fulfilling it." "Okay." "This banquet requires a capable companion, and Catherine is more suitable than you." "Okay, go ahead." When she stopped getting angry, stopped shedding tears, and stopped making a fuss, he grew puzzled. "Rebecca, why aren't you angry?" Of course, she wasn't angry anymore—because she was preparing to leave. Weary of this stagnant marriage, she had secretly learned a foreign language, taken the proficiency exam, and applied to study abroad. The day her visa was approved, she presented him with the divorce agreement. Vance froze. "No joke. How are you gonna survive without me?" Rebecca turned away, bought a plane ticket, and flew to the European continent, vanishing without a trace. The next time he saw news of her was in a viral video. Dressed in a flowing red gown, she danced against a foreign sky, igniting the internet with her performance. He gritted his teeth. "Rebecca, no matter where you hide, I will find you and bring you back!"

I was the only female carpenter in town, and I made caskets at cost price for anyone in the area who needed one. Everyone said I was generous, kind-hearted, the whole routine. Then one afternoon, Doug Hadley showed up at my shop with his wife Trish Grady and a handful of neighbors to order a cremation urn. Trish stared at the price tag. "An urn for only 50 dollars? What is this, scrap wood?" Doug shot her a look. "Don't run your mouth about things you don't understand. It's solid ebony. Bridget makes them herself, so it's cheaper." Trish snickered behind her hand. "Solid ebony? That might fool someone who doesn't know any better. My cousin runs a funeral supply shop, so trust me, I know what I'm looking at. This isn't ebony. It's plywood. It's five dollars' worth of material, tops. "I can take you all to my cousin's place. I'll make sure he gives us a deal." The neighbors were already nodding. "The urn's supposed to last a hundred years. Obviously, I want the best for my mom." "Selling plywood and calling it ebony... You ought to be ashamed." "Come on, let's all go to Trish's cousin. I'm not giving her the chance to make dirty money off any of us." Dirty money? As far as I knew, mine was the only shop in town that actually stocked real ebony. Everyone else used MDF. If they were not afraid of the thing falling apart, they were welcome to go for it.

As the year’s end approached, the city of Portlas’ high society joked that there was no need to worship Lady Fortuna. They only had to worship me instead. That was because, after our remarriage, I became the most materialistic husband in all of Portlas. I no longer cared how much Lana Gable doted on that man. Even when my daughter called him “Daddy,” I turned a blind eye. There was just one new rule in the house. Every time they mentioned Eliot Speke’s name, they had to give me one hundred thousand dollars. Thanks to that, I saved up thirty million dollars in less than two weeks. On our wedding anniversary, Lana and my daughter mentioned Eliot once again. The two of them looked stiff, while I simply held out my hand with practiced ease. “One hundred thousand dollars. Transfer it to my account.” My daughter finally could not hold back any longer and looked at me with utter contempt. “Daddy, you’re so vulgar. Is money the only thing on your mind? You’d even demand money for such a trivial matter. You can’t even compare to a speck of dust on Uncle Speke’s shoes.” I did not argue. I simply held out my hand to my daughter as well. “One hundred thousand dollars. Since you brought it up first, you have to pay too.”

There's this thing that my mom keeps repeating to me. "I love my children equally. I will always treat you and Brielle the same." It's true that I get everything my sister, Brielle Montgomery, has since we were children. If Brielle has a new backpack, I do too. If Brielle goes for piano lessons, I'll be given the opportunity to attend the same lessons. When I go home for the holidays, my mom digs out two beautiful shopping bags sporting luxury brand logos. With a smile on her face, she hands them to us. "I specifically went to the store to buy you nice coats. Both of you get a coat each. I'll have you know that coats with wool linings are worth thousands of dollars. I don't even have the heart to wear one of these coats. I only bought these coats for you two." As I gaze at the expensive-looking coat, I feel warmth surging into my heart. But when I try on the coat, I feel a weird, scratchy sensation coming from my armpits. After flipping the coat inside out, I notice a few strands of long, dry hair tightly entangled among the seams. I even smell a faint trace of mold mixed with a strong hint of rot that can't be covered up by the cheap fragrance on the coat.

The Weight of Gold is a trilogy about what happens after the meet-cute — not the falling, but the building. It follows Eleanor across seven years as she trades inherited splendor for a chosen life: a small house, a workshop full of sawdust and linseed oil, a diner owner who becomes her true north, and a town that becomes her home. But it is also the story of the people pulled into the orbit of a life genuinely lived. A cousin who arrives hollowed-out by the wrong marriage and finds her footing in native plants and honest argument. A mother who mistakes the form of a life for the life itself, and slowly, carefully, begins to dismantle that mistake. A sculptor who needs wood that speaks. A town that goes better for being attended to. At its heart, this is a story about craft — the craft of furniture, of restoration, of building institutions and relationships and selves. About the difference between the shape a life is supposed to take and the shape it wants to take. About a word Daniel uses for bleached wood: ghost — not white, not absent, but elsewhere, waiting for the right conditions to return. Eleanor spends seven years learning that ghost is not an ending. It is the beginning of something better.

We had agreed to spend the New Year with our own families, but at the last minute, my husband, Drake Murrell, changed his mind and insisted I go back with him this year. I agreed, planning to take this opportunity to finally tell him the truth about who I really was. When we first got married, my parents told me to keep a low profile so that Drake, who came from a single-parent household, wouldn’t feel pressured. So I hid the fact that I was the daughter of the richest family in the capital, the Thorntons. When we returned to his hometown, I specifically bought my mother-in-law, Diana Murrell, a pair of gold bangles. She accepted them with a beaming smile, praising me again and again for being such a thoughtful daughter-in-law. However, the next day, as I passed by the old oak tree at the edge of Willow Creek, I overheard her talking about me with a group of people. "Oh, you have no idea. My daughter-in-law is absolutely ridiculous!" My hand froze midair, still holding my phone, as I instinctively ducked behind a haystack. I heard her continue loudly, "She bought me a pair of gold bangles this year. The moment I touched them, I knew they were fake! I’m telling you, they’re probably those cheap online knockoffs, like the kind that cost next to nothing and start fading the moment you wear them!" I was stunned with anger. She called pure gold fake? Looks like the million-dollar New Year gift I had prepared for her wasn’t necessary anymore.