Are There Any Movies Based On 'No Longer Human'?

2025-09-11 13:28:15 129

3 Answers

Finn
Finn
2025-09-12 11:01:40
If you dive into adaptations of 'No Longer Human,' you'll find a wild range! The 2019 movie nails the bleakness but skips some key scenes from the novel, which bugged me as a purist. Then there's the manga version by Usamaru Furuya—technically not a movie, but its art style is so cinematic that it might as well be one. Fun trivia: even Junji Ito did a horror-twisted manga adaptation, though it's more about body horror than the original's psychological torment.

For something totally different, check out 'The Fallen Angel' (1958), a loose Hong Kong adaptation that reimagines the story as a noir melodrama. It's fascinating how this story morphs across cultures and mediums. I keep hoping someone will try an animated film with watercolor visuals to match Dazai's lyrical despair.
Willow
Willow
2025-09-17 10:54:58
Y'know, adaptations of 'No Longer Human' are like trying to bottle lightning—everyone approaches it differently. The 2009 Korean film 'No Regret' isn't a direct adaptation but borrows heavily from Dazai's themes of alienation. Meanwhile, the stage plays, especially the 2016 one by Tokyo's Theatre Project, use minimalist sets to force you into the protagonist's headspace.

What sticks with me is how the story's core—this crushing sense of not belonging—resonates even in wildly different formats. Like, there's a 2020 short film on Vimeo that transplants the plot to a cyberpunk setting, and somehow it still works. Makes you realize how timeless Dazai's despair really is.
Hudson
Hudson
2025-09-17 22:37:51
Osamu Dazai's 'No Longer Human' is such a haunting masterpiece, and it's no surprise filmmakers have tried adapting its raw emotional depth. The most famous adaptation is probably Shinya Tsukamoto's 2019 live-action film, which captures the protagonist's self-destructive spiral with visceral visuals. But my personal favorite is the 1993 anime film 'Aoi Bungaku Series,' where the story gets this surreal, almost dreamlike treatment—it really amplifies the existential dread.

There's also a lesser-known 1973 Japanese film adaptation that leans heavily into the autobiographical elements, though it takes some liberties with the ending. What fascinates me is how each version reflects the era it was made in—Tsukamoto's feels like a modern psychological thriller, while the '70s one has that gritty New Wave vibe. Honestly, none fully capture Dazai's prose, but they're compelling companion pieces.
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