9 Answers2026-01-20
I sort of skimmed the last few chapters. They started to get into some really heavy philosophical musing, and it wasn't really my cup of tea. It seems like, in the end, everyone went their separate ways, the big cloud of sorrow (or whatever it was) disappeared, and Dorothy planted a tree. Maybe I'll re-read the end of the series in a few months when I've got more time and I'll get to enjoy it as I'm sure it's a great read. But for now, I just don't get it. The heists and the dungeon crawling were so much better than this. A totally different story. Not really my bag.
9 Answers2025-09-08
I’m rather cynical about dark and psychological storylines and typical vampire/demon/monster plots that promise a deep and complex struggle, but eventually resolve into a standard battle shounen story for the last few arcs. The friends are suddenly piloting mech machines or using the strongest magic, because a big bad Demon Lord is behind everything. The deep and complex personal struggle of the traitorous friends is wrapped up in a few easy battles, and the friends apologize and are friends again. It feels shallow and unfulfilling, and doesn’t deal with the sufficient amount of trauma and guilt that the friends would have had to go through. It would be better to keep the story small and personal, with the final fight taking place in a location that is familiar to the readers, such as the old friends’ classroom, an empty playground at night, rather than some crumbling dimensional rift.
7 Answers2025-06-26
For the practical-minded reader, the ending of those novels can be extremely frustrating. There is no revelation as to what ultimately happened to Lila. Did she start a new life, or did she take her own life? Or was there something else? The author is denying the reader closure when all he or she needs to do is to tell the reader what happened to Lila. Instead, Ferrante is showing the reader Elena’s experience of not knowing what happened to her friend.
As readers, our experience is similar to that of Elena. We are left in uncertainty, forced to look at the clues that could explain what has happened to her (the set up of the affairs, the postcard, the dolls). We are left with the same discomfort of not knowing the outcome of an event, and are forced to engage with the story to try to make sense of it. The refusal of Ferrante to wrap up the story for us and to provide us with answers to the questions that he has set up, allows for a deeper and more meaningful understanding of the work, and recognizes the intelligence and ability of the reader to deal with ambiguity.
3 Answers2025-11-10
I was left feeling equally heartbroken and happy at the end of The Cows. Tara’s redemption of owning the scandal of her life rather than trying to hide it from her family and friends was amazing. Cam’s story was another favorite of mine – so quietly and honestly Finland of the struggles to be a mother and to pursue your ambitions. But Stella’s journey was the hardest to read of all and yet there is a glimmer of hope at the end that felt justified and not a cheap ending. The ending of the book is so real life and really shows the messy middle ground of closure and how small victories can be huge. I dogs ear’d the last page as it was so perfect.
3 Answers2026-07-31
After her journey, the princess returns to her kingdom and takes back her throne. The prince and the rest of the court realize too late the error of their ways and publicly acknowledge the true value of the princess. Bittersweet for her as the relationships with them can never go back to what they were before. In the end she sits on her throne, looking out at the same set of courtiers who had once treated her with such disdain. The image of her, now, is one of triumphant power. The movie doesn’t go into much detail of how she will deal with the relationships of the people around her now that she has achieved her goal and has been recognized for her true worth.
3 Answers2025-11-10
I've been left in a really unusual reflective space for days after finishing 'Broken'. It's been left open in a really meaningful way - ambiguous but purposeful. After a long journey of running from her past, the protagonist finally comes to a stop but doesn't find instant redemption. A really poignant moment came when she returned to the site of a trauma from her past, and instead of falling apart, she just sat with it. The rest of the story didn't get tied up with a bow, and the secondary characters didn't get the closure that they maybe would have. I love endings that trust the reader to sit with the negative emotions and find their own way through them.
10 Answers2026-07-26
Let's be real, this ending totally destroyed the fandom for a long time. I've read a lot of posts on the forums, mostly written in all caps, with sad mushroom memes accompanying them. But from my perspective, this ending totally validates An Zhe's view on things. While the human characters were running around in a panic, blaming each other for everything, An Zhe simply went about trying to fulfill his simple needs. In the end, he was the only one who had a solution that did not involve destruction. And his solution was so simple, yet so beyond the comprehension of the human characters. They could only see dissolution, but not integration. An Zhe's view on things was so innocent, yet so clear. And his victory looked exactly like that to the human characters. This is a brilliant subversion of the chosen one trope: the chosen one was a mushroom and his power was not in his strength, but in his ability to integrate.
13 Answers2025-04-28
This is one of the few thrillers where I remember the feeling of the ending rather than the individual plot twists. The ending leaves one with a deep feeling of relief, but it is not a satisfying kind of relief. Instead it is a tired kind of relief mixed with a little dread. The mystery has been solved and the lovers have been reunited but their peace is in no way permanently secure. They must continue to live a lie in order to preserve their truth. And that tension is never fully resolved. The bad guys are defeated, but the need to keep secrets alive and well continues to hang over the heads of the heroes in this wonderful novel. It is a superbly realistic conclusion to a novel, one which will stay with readers long after the final page has been turned because it so closely and uneasily mirrors the way things really are. In real life happy endings are rarely neat and tidy.
5 Answers2025-11-26
When I read Marnie the first time, Marnie’s fate was very impactful on me. But upon re-reading the novel as an adult, I see how Robinson used Marnie’s departure to delve further into the novel of Anna’s development. When Anna finds Marnie’s diary and can make connections, for me, that wasn’t just a nice ending to the novel. That was the moment when Anna confronted some of her repressed emotions. The ending of the novel is very ambiguous, and it lingers with the reader, just as it lingers with Anna. But, even though there are more questions than answers for the reader, that is enough.
9 Answers2026-02-04
The ending is contrary to most stories and really is a rebuke to the ‘chosen one’ story-line. Alex was never the ‘chosen one’. He was a rather average guy who had a big mistake in his life and the story doesn’t end by somehow bestowing ultimate power on him for that mistake. Instead, he has to live with it. As opposed to most other heros, his journey isn’t one of growth to be greater than everyone else. It’s a very grounded and realistic journey of a guy taking responsibility for the biggest mistake of his life and then moving on. That’s really heroism and it’s very powerful and humbling. Most stories say you don’t have to be the savior of the world to be a hero. You can just clean up your own mess and move on.