How Does The New York Times Choose Its Best Mystery Novels?

I'm a half-baked forensic examiner whose only redeeming quality is the ability to understand animals. The crime scene is inside a lavish villa. The lady of the house lies dead on the floor with a blunt-force injury to the back of her head so deep that her bone is visible. The safe has been pried open, and a million dollars in cash has vanished without a trace. Clear shoe prints mark the backyard wall, evidence that someone has climbed over it. "This one's clear as day. This is a textbook robbery-homicide. The suspect is likely a young male, around six feet tall, has a prior theft record, and knows how to cover his tracks. Check the surveillance footage in the area and look into places where he might've moved the stolen cash." The director of the forensic science center, Egbert Woodward, has been in the profession for three decades and is a widely respected authority. The officers at the scene nod in unison and begin taking notes. I'm the only one who stares at the 30 flies circling the ceiling for a full 3 minutes before taking a step forward and piping up, "Dr. Woodward, this isn't a robbery-homicide. It's a crime of passion. The murderer is the victim's husband!"

My grandmother is, as far as the law is concerned, a dead woman. She faked her own death so she could go off with the boy she'd grown up beside, and she left evidence behind that made my grandfather her killer. He went away for twenty years. She sold his house and ran to Port Halcyon with the other man. One of them became a famous attorney who talks about justice in courtrooms. The other became a philanthropist who talks about compassion under television lights. My grandfather carried the word wife-killer for the rest of his life. My father grew up on whatever the neighbors could spare. He never spent a day in school, and he wore his hands raw laying brick until he'd put me through college. Two generations, two pairs of ruined hands, lifting me one step at a time out of Pinebarrow. Fifty years after my grandmother's fake death. I sit on the felony bench of the Dunstone Superior Court. In front of me are five young women charged in a murder. The case against the first four is airtight. Against the fifth, there's half a fingerprint at the scene and a witness who accounts for her entire night. Even the police call her the least likely of them. The murder charge won't hold. I go through her file. Under family, there's a name. Evelyn Harrow. My grandmother. I look at how much the two of them resemble each other. And when her lawyer moves to have her released from this courtroom a free woman, I bring the gavel down lightly. "This court denies the defense motion for dismissal. This court further recommends that the district attorney formally charge the defendant with murder."

There are three things Samara Culkin loves: her father, wearing high heels, and being a detective. But in a world where being a female officer is considered weak, she struggles to find a place where she feels truly belong. Determined to prove The Detective Tag firm that she is worth it, she sets out to solve one of the biggest cases the city of Los Angeles has ever seen. There are three things Clayton Jones likes: his car, detective skills, and the female detective who happens to catch his eye—Samara. As an expert and well-known crime officer, he is given the chance to work with her; a one-time possibility that rarely happens. The only problem is that she hates him. And he does not know why. The Detective Tag is a crime fiction with a twist of romance. Join Samara and Clayton—all the bitterness, dislikes, and romance in between—as they dive into the world of crime cases and murder investigations. Well, maybe a bit of finding love, too.

I quit and dipped. City threw a parade. Only Jenna Blake—my oh-so-gifted junior who claimed she could "see through killers' eyes"—lost it. At her celebration banquet, she went full drama queen: "I owe everything to Kate Mercer. Please, bring her back!" I laughed. Cold. Not happening. Last time around, I was the hotshot detective. But every clue I found? She dropped it first like she read my mind. People started saying I was washed. So I went all in—three months, no sleep, cracked a massive trafficking ring. Led the raid myself. She beat me there. Again. Place was cleaned out. Boom. She's the city's golden girl. I'm the clown with no game. Pressure got ugly. My head snapped. I died chasing the last scumbag. Then—bam. I woke up. Same day. Raid morning. Round two.

Murder Inquiry is a crime fiction, whose plot is about Edwin Wolfgang, a rich New York based banker, who gives out loans for which he accepts artworks as collateral, but kills his customers before they are able to pay back the loan. And a FBI agent attached to the New York field office, who's charged with the task of bringing Mr Wolfgang to book. The story is set in three cities, in three different continents, and is full of twists and turns from the killing of Wolfgang's last two victims, up to his eventual arrest.

Alice Warren was the daughter of two famous murderers. Her fate, which was full of bad luck, finally met its end when the Le Blancs adopted her. The Le Blancs were good and kind people; they helped the poor, donated to charities, and built an organization for the orphans called UNITY. Alice was already contented with her life, but all of her beliefs and luck crumbled down when she entered Saint Clair Academy, and the series of accidents and deaths started again. Of course, it did not help that an irritating genius artist, Thomas Saint Clair, was always at her tail. Now that the number of dead bodies increased, Alice had to investigate whether the accidents were just lousy luck full of coincidence or carefully planned-out murders.