How Does 'Notes On Camp' Define The Concept Of Camp?

2025-06-27 03:00:44 182

3 Answers

Owen
Owen
2025-06-28 19:08:12
Sontag’s essay frames camp as a private code, a way of seeing the world through a lens of flamboyant theatricality. It’s the difference between a tearjerker movie and one so bad it’s glorious—camp leans into the latter. The essay lists 58 points, but the core idea is that camp is about failed seriousness. It’s not parody; camp genuinely loves what it mimics.

Take old B-movies like 'Plan 9 from Outer Space.' They’re earnest but accidentally hilarious, and camp revels in that gap. Sontag also ties camp to queer culture, where exaggerated femininity or hypermasculinity becomes a subversive performance. It’s why John Waters’ films or Cher’s outfits feel camp—they’re outrageous but deeply intentional.

The essay contrasts naive camp (unintentionally absurd, like a telenovela) and deliberate camp (knowingly overdone, like 'Drag Race'). Both celebrate excess, but the latter winks at the audience. Sontag argues camp is apolitical, just pure aesthetic indulgence. Yet today, camp often feels political—think of Lady Gaga’s meat dress as a statement on fame and consumption.
Dylan
Dylan
2025-06-30 21:49:54
Camp, per Sontag, is the art of loving what’s excessive, artificial, and unserious—but with a straight face. It’s the glitter, the drama, the feather boas. Camp isn’t kitsch; kitsch tries to be profound and fails. Camp knows it’s frivolous and leans in. Sontag’s examples range from Tiffany lamps (beautifully tacky) to 'Valley of the Dolls' (soap opera as high art).

What’s fascinating is how camp flips norms. Bad acting becomes genius, and garishness becomes chic. Sontag ties this to queer aesthetics, where marginalized groups turn stereotypes into empowerment. Camp isn’t about subtlety; it’s about doubling down. Modern camp might include 'Euphoria’s' makeup or 'Schitt’s Creek’s' Moira Rose—characters who are walking, talking camp icons. The essay’s genius is showing how camp transforms 'bad' into 'brilliant' by sheer force of style.
Paige
Paige
2025-07-02 02:47:10
Susan Sontag's 'Notes on Camp' breaks down camp as an aesthetic that thrives on artifice, exaggeration, and playful irony. It’s not just about being over-the-top—it’s about loving the over-the-top unapologetically. Think drag queens, vintage Hollywood melodramas, or gaudy Baroque decor. Camp isn’t trying to be profound; it’s about style over substance, but with a wink. Sontag calls it 'a seriousness that fails,' where bad taste becomes art because it’s so committed to its own extravagance. The key is detachment—camp enjoys the spectacle without taking it seriously. It’s why 'The Rocky Horror Picture Show' or Liberace’s sequined capes are iconic: they’re ridiculous, and they know it.
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