How Do Onward Books Compare To Other Fantasy Novel Series?

I binge-read the 'Onward' series last summer, and it left me with that rare 'book hangover' feeling. What sets it apart from other fantasy novels is its emphasis on everyday heroes. Unlike 'The Poppy War', where power comes at a brutal cost, 'Onward' celebrates small victories and personal resilience. The magic isn't flashy—it's grounded in empathy, almost like a gentler version of 'The Earthsea Cycle'.

The friendships are the backbone of the story. While 'Gentleman Bastards' excels in clever heists, 'Onward' thrives on quiet moments of trust and sacrifice. The third book's climax had me in tears—something even 'Malazan' couldn't pull off for me.

It's not without flaws. The world lacks the historical depth of 'Tigana', and the plot twists are predictable compared to 'The Lies of Locke Lamora'. But for readers craving warmth and optimism in fantasy, it's a gem.

'Onward' books have a special place in my heart. They blend classic fantasy tropes with modern storytelling in a way that feels fresh yet familiar. The world-building is immersive, but not as dense as something like 'The Stormlight Archive', making it more accessible for casual readers. The character arcs are heartfelt, especially the protagonist's journey from self-doubt to heroism. Compared to 'The Kingkiller Chronicle', the pacing is faster, with fewer meandering subplots. The magic system isn't as intricate as 'Mistborn', but it's intuitive and serves the story well. If you love underdog stories with emotional depth, this series delivers.

'Onward' stands out for its balance of action and emotional resonance. The first book hooked me with its relatable protagonist—flawed, funny, and fiercely loyal. Unlike 'A Song of Ice and Fire', which thrives on political intrigue, 'Onward' focuses on personal growth and camaraderie. The secondary characters are vibrant, each with quirks that remind me of the found-family dynamics in 'Six of Crows'.

Where it truly shines is its middle-grade appeal. While 'The Wheel of Time' can feel overwhelming with its lore, 'Onward' keeps the adventure tight and the stakes clear. The villains aren't as nuanced as those in 'The Broken Empire', but their motivations are straightforward and menacing. The series also avoids the grimdark tone of 'First Law', opting for hopeful themes that resonate with younger audiences. It's a gateway fantasy—perfect for readers dipping their toes into the genre.

One gripe? The prose isn't as lyrical as 'The Name of the Wind', but it gets the job done. The humor lands well, especially the banter between siblings, which feels more authentic than the forced wit in some YA fantasies. If you want a series that prioritizes heart over complexity, 'Onward' is a winner.