Where Is The Outlander Spin Off Being Filmed?

I still get a little thrill talking about how Murtagh keeps surprising people. In plain terms: Murtagh—Murtagh Fitzgibbons Fraser from 'Outlander'—is a major presence in Diana Gabaldon’s novels and in the main 'Outlander' TV series, but he hasn’t been a regular in any officially released television spin-off. The world around 'Outlander' has spawned companion novellas and side-stories (like the 'Lord John' books), and those focus on different characters and corners of the timeline rather than on Jamie’s fierce godfather. That said, Murtagh does pop up in other formats created by fans and the broader franchise culture: audio dramatisations, fan fiction, and community-created comics or illustrations. There have been sporadic reports and ideas floated—production companies have talked about possible spin-offs centered on other characters—but as of mid-2024 there hasn’t been an on-screen spin-off that specifically features Murtagh as a main or recurring character. For folks who love him, that gap just means more room for headcanons and fan projects, and honestly I’d watch a Murtagh-led frontier story in a heartbeat.

Wildly excited to talk about this — the spinoff is officially rooted in the same rich historical soil as 'Outlander' but it shifts the map a bit. The series is set mainly in the 18th century, splitting time between the Scottish Highlands and the early American colonies; you’ll get the windswept glens and peat smoke of Scotland alongside the raw, unsettled coastal and frontier landscapes of colonial North America. For production, the bulk of on-location filming is happening in Scotland to capture those iconic outdoor shots, while larger interior sequences and some period town builds are being handled in a studio hub overseas. Reports and production notices pointed to significant studio work taking place in South Africa as well, where soundstages and skilled crews are being used to recreate detailed interiors and controlled environments that would be tough to pull off on remote Scottish moorland. From my perspective, that mix makes total sense — Scotland gives authenticity to the exteriors that fans of 'Outlander' crave, and the studio work elsewhere keeps the production manageable for those complex period scenes. There are also a few planned shoots in North America for authenticity when the story requires specific colonial architecture or landscapes that are hard to replicate. I love that they’re balancing on-location atmosphere with the practicalities of modern production; it feels like a smart way to honor the feel of 'Outlander' while expanding the world, and I can’t wait to see the Highlands meet the new colonial settings on screen.

honestly there isn’t a locked-in premiere date to point at yet. Starz has talked about expanding the universe for a while, and there have been announcements about development and creative teams at different points, but a firm TV premiere day and month haven't been officially released. That means any specific date you see online right now is likely rumor or hopeful speculation. If you're wondering how long it could take, think of the usual TV pipeline: development and writers' room, then casting, filming, and months of post-production. That whole stretch can easily push a new series into the next TV season, depending on when production actually started. For a project with a built-in fanbase like 'Outlander', networks sometimes fast-track things, but there are still scheduling, actor availability, and location logistics to consider. I’m keeping an eye on Starz press releases, Comic-Con panels, and the author’s social posts because that’s where they drop the good news first. For now I’m crossing my fingers and bookmarking the official channels — can’t wait to see the first trailer when it finally pops up.

Bright afternoon energy here — I’ve been tracking this spin-off chatter for a while, and the clearest thing to say is that the new series is built around Lord John Grey and the stories Diana Gabaldon wrote about him. The spin-off isn’t plucking from the main Jamie-and-Claire novels as its primary source; instead it’s expected to adapt the Lord John-focused novels and novella collections that center on his life, investigations, and complicated code of honor. If you want concrete reading pointers, look to 'Lord John and the Private Matter', the longer novel 'Lord John and the Brotherhood of the Blade', and 'The Scottish Prisoner', plus the assorted Lord John novellas Gabaldon interspersed through collections. Those works give you the character arcs, the mysteries, and the personal backstory that a Lord John series would naturally mine. I think that focus will free the show to be more of a period mystery/drama than a straight Outlander retread — which is exactly why I’m curious to see it come alive on screen.

I get a little giddy thinking about all the places they’ll use this season — Scotland is basically a character in 'Outlander' at this point. Production will be centered around Glasgow for logistics and studio work, with Wardpark Studios in Cumbernauld handling most of the interior sets and controlled scenes. That’s where the heavy lifting happens: period rooms, stunt rehearsals, and hair-and-makeup setups that would be impossible to stage on a windy moor. For exteriors they’re back out in the Highlands and Central Belt. Expect familiar spots like Doune Castle (Castle Leoch), Midhope Castle (Lallybroch), and the preserved village of Culross to pop up again alongside Blackness Castle and Hopetoun House. They’ll also scout around the Highlands and Lochs for sweeping landscapes and battlefield sequences, and a few smaller towns will double for 18th- and 20th-century locations. As a fan who’s chased down a few filming days, I can already picture the tents, the crew, and the buzz in each village — it’s always a mixture of organized chaos and magic, and I’m hyped to see how they frame those vistas this season.

This has been floating around fan circles for a while and I kept digging because I wanted to be sure before telling people. The spin-off of 'Outlander' is being developed for Starz, and the production is tied to the same creative forces behind the main series. That includes the production partnership with Sony Pictures Television and names associated with the original show—people like Ronald D. Moore's production outfit and the team that shepherded 'Outlander' through multiple seasons. The author, Diana Gabaldon, has also been noted as involved in the broader franchise, lending creative oversight or executive-producer status in various ways. From a practical standpoint, that means Starz is driving the project as the network/platform, with Sony Pictures Television handling the production side and international distribution business. The original show's executive producers and creative team have been credited as connected to the spin-off development, which makes sense: it keeps continuity of tone and worldbuilding. I love that the same production backbone is involved—it feels like they're treating the spin-off as a sibling, not a cheap knockoff—and that gives me real hope the new series will capture the same textures and character depth that hooked me on 'Outlander' in the first place.

my excitement meter is off the charts. The latest official word from the network confirmed a spin-off is in development, but they haven't handed out a set TV premiere date yet. From what I can piece together, these kinds of projects move through writing, casting, and then a full production schedule before you even get a trailer — and that can easily take a year or two. If I had to map out a realistic timeline based on similar shows, expect at least a 12–18 month window from a greenlight to a premiere if everything moves smoothly. Delays happen: script rewrites, actor availability, and post-production effects can stretch things out. Also consider that international distribution and streaming deals sometimes stagger release dates, so even when it does air, viewers in different regions may see it at different times. Personally, I'm keeping my calendar open around 2025 and drooling over potential casting rumors — it feels like prime-time tea to sip while waiting.

I got goosebumps watching the location reels — the new season of 'Outlander' was shot almost entirely across Scotland, and you can really feel the place in every frame. They mixed sweeping Highland landscapes with intimate, lived-in villages: the production leaned heavily on historic spots like Culross (which has long doubled for 18th-century village life), the iconic Midhope Castle for Lallybroch scenes, and a handful of coastal and lowland towns that give the show its warm, weathered texture. Interior sequences were mostly built on soundstages just outside Glasgow, where they recreate Fraser family rooms, taverns, and the more elaborate period sets that would be impossible to rely on in the open. What I loved about this season’s filming is how they balanced studio control with real-world grit. Wide shots of lochs and glens were captured on location across the Highlands and lowlands, then tightened in studio for dialogue-heavy scenes. There are also a few pockets of the series’ older practice — bringing in locations that double for other places in the world — but this season felt very Scottish through and through. As a long-time fan, seeing familiar streets and castles repurposed for new story beats made me want to pack a bag and trace the filming map myself; it’s pure pilgrimage material, honestly.

I get the thrill of following every little production tidbit, and here’s what I know about who’s actually putting pen to paper for the 'Outlander' spin-off. Diana Gabaldon, the author of the novels, is closely involved — not just in name but as a creative presence and consultant — and she’s had a hand in shaping the early scripts and story outlines. Alongside her, the writers’ room is being shepherded by Matthew B. Roberts, who’s been a major creative force on the main 'Outlander' show and has stepped up to lead the spin-off’s narrative voice. Beyond those two, executive producers from the series — folks like Ronald D. Moore and Maril Davis — are guiding the project at a high level, helping pair experienced TV writers from the original series with fresh voices. That mix aims to keep the spin-off faithful to the books while giving it room to breathe on its own. I’m excited to see that balance in pages and on screen; it feels like the right team to honor Gabaldon’s world while making smart TV choices, and I’m quietly hopeful about how it’ll turn out.

I get a real kick out of geeking out over locations, and for the newest 'Outlander' episodes the production kept returning to the beautiful, gritty landscapes of Scotland. Most filming happens across the central belt and the Highlands — Glasgow and its surrounding studios handle a lot of the interior and controlled-set work, while castle exteriors, villages and moors are shot around places like Doune Castle (the show’s Castle Leoch), Midhope Castle (Lallybroch), and the picturesque village of Culross, which doubles as period Inverness and Cranesmuir. Blackness Castle and various Highland roads and estates also pop up when the story needs fortresses or sweeping countryside. I’ve visited several of these spots on a whim and it’s wild how recognizable they feel on screen. The crew mixes on-location shoots with studio days to keep weather from derailing production, so you’ll see both authentic stone courtyards and painstakingly dressed interiors. There are also estate houses and country manors used for plantation or noble interiors in later episodes, so the visual palette shifts from rustic Highlands to grander settings depending on the storyline. If you’re planning a pilgrimage, check what’s open to the public — some castles are private or used seasonally — but seeing the actual hills and cobbled streets where 'Outlander' was shot really brings the show alive for me.