Who Owns The Publishing Rights To Taylor Swift Safe Sound?

2025-08-27 00:16:06 130

5 回答

Jack
Jack
2025-08-29 22:12:06
When folks bring up music rights I tend to break things into two buckets right away: composition (publishing) and master (recording). For 'Safe & Sound' the publishing rights belong to the composers — Taylor Swift and John Paul White — and are managed by their publishing companies or administrators. That’s the side you contact for sheet music, mechanical licenses, or sync fees for the song itself.

If you need a more concrete lead: search the major PRO repertoires (ASCAP, BMI, SESAC) for 'Safe & Sound' and you’ll see the listed publishers and often the administration contacts. Also keep an eye out for catalog sales — publishers sometimes move, and administration can be licensed to a larger company. For the actual recorded track you’d approach the label or whoever currently owns the master. I always recommend verifying in the PRO database before sending any licensing requests.
Xavier
Xavier
2025-08-30 09:16:18
I usually keep my explanations short and practical when people ask me about who owns a song’s publishing. For 'Safe & Sound', the composition rights belong to the credited songwriters — Taylor Swift and John Paul White — and their respective publishing companies that administer those rights. Publishing ownership can be split into percentages, so both writers and their publishers will have specific shares. If you need to clear a sync or get mechanical licenses, you contact the publisher(s); for the sound recording license you go to the label or whoever currently owns the master.

Publishing can also change hands if companies sell catalogs, so the online PRO entries (ASCAP, BMI, SESAC) or a publishing rights database are your go-to to see current administrators. I check those databases whenever I’m curious, because they show current publishing affiliations and administration contacts.
Oliver
Oliver
2025-08-31 02:21:46
I get curious about music-rights stuff all the time, and with 'Safe & Sound' it’s a good little case study. The song itself was written by Taylor Swift and John Paul White, so the publishing rights are held by the songwriters and the publishing companies that administer their shares. That means if you want to license the composition — not the recorded sound — you’d be dealing with whoever represents Taylor and John Paul’s publishing interests.

From a practical standpoint, the easiest route to confirm exact publishers and splits is checking a performing-rights database like ASCAP, BMI, or SESAC (depending on the writer’s affiliation). Also remember that publishing and master rights are different: the recording for 'Safe & Sound' was released through Taylor’s label at the time, so the label controls the master, while the songwriters/publishers control the composition. I always find it satisfying to dig up the PRO entries — it feels like detective work for music nerds.
Quincy
Quincy
2025-09-02 01:17:19
I love poking around song credits in the middle of a rainy afternoon, and with 'Safe & Sound' the headline is simple: publishing is with the songwriters and their publishers — Taylor Swift and John Paul White. That composition side covers the melody and lyrics, and whoever administers the publishers handles licensing for covers, syncs, and mechanicals.

If you need the current company names or exact contact info, check the PRO repertoires (ASCAP/BMI/SESAC) or a rights database — publishers sometimes shift if catalogs are sold or administrated by a third party. For licensing a recording, though, remember to contact the label that owns the master instead. Anyway, looking up the PRO entry usually clears up any lingering mystery for me.
Hudson
Hudson
2025-09-02 05:05:55
I’m the kind of person who looks up credits on songs I love. For 'Safe & Sound' the publishing side is owned by the songwriters and their publishing companies — namely Taylor Swift and John Paul White. That means if you want to license the song itself, you’ll need their publishers. The recorded version (the master) is a separate thing and is controlled by the label that released it. If you want exact publisher names and exact split percentages, check ASCAP/BMI/SESAC or a rights database — those list the administrators and are usually up to date.
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