What Personal Philosophies Appear In Steinbeck’S Journal Of A Novel Letters?

I gave Julian Marchetti thirty years of my life after the war ended. I built his empire, raised his children, and held the family together behind the scenes. But when he died, his will didn’t even mention my name. Half his fortune went to our children. The other half went to Lydia Carter, the daughter of the man who’d saved his life in Normandy. The same Lydia who’d stolen my identity.The same Lydia who’d built her entire life on the ruins of mine. All he left me was a single note, scrawled in his familiar handwriting. I loved you. We had thirty good years. But I owe Lydia. This is the least I can do. I dropped dead of a heart attack right there in his study, clutching that pathetic piece of paper. When I opened my eyes again, I was reborn in 1945, when the war had just ended This time I will not swallow my anger and suffer in silence; I will fight back. And I will take back every single thing that is rightfully mine.

My best friend and my husband, Lorenzo Bartoli, fought every time they met. Lorenzo was the Don of the family, while my best friend was his Consigliere. She always fiercely opposed his most ruthless, high-risk decisions. Tempers explode every single time. But there was one rule that they both agreed on without any hesitation. No one was allowed to touch me. Because of them, no one in the city dared to cross me. Until the fifth month of my pregnancy, when I went down to the basement vault to organize Lorenzo's guns for him. I opened the safe to see stacks of letters, hundreds of them, all unsent. I picked one up. The moment I opened the letter, cold dread overwhelmed me. The receiver of the letter wasn't me. [My dearest Sofia…] I quickly scanned downward to the final lines of the letter. [If I don't make it back alive, everything in the Swissie accounts goes to you. As for Vittoria, she's a good woman, but I have never loved her.] With trembling hands, I tore open the rest of the letters like a hysterical woman. Three hundred of them in total. Every single one was addressed to Sofia Finzi. Sofia was not a stranger. She was my best friend.

Her name was Cathedra. Leave her last name blank, if you will. Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things. Three words: Lies, lies, lies. A picture that moves. And a plea: Please tell them the truth. All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know. No one believed her. No one ever did. She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless. As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone. Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind. Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.

Leonard Burton and I are childhood sweethearts, bound by a family-arranged marriage. After we marry, we live a loving, harmonious life. In a terrible accident, he even gives up his only chance at survival to save me. After Leonard's death, we find a journal among his belongings. In it, he records the three years he was missing after falling off a cliff—years spent with another woman he deeply loved. But his parents had forcibly separated them and arranged our marriage instead. Unbeknownst to anyone, he had continued to protect that woman from afar, silently and faithfully. At the funeral, Leonard's mother, Charlotte Newman, is inconsolable. "Leonard, it's all my fault. Would you still be alive if I'd let you marry Yelena back then?" His father, Samuel Burton, glares at me with hatred. "He fell off that cliff saving you. He died in that crash shielding you. Why do you bring him nothing but harm? Why aren't you the one who's dead?" Yes, why is it not me who's dead? I look at Leonard's familiar, smiling face on his gravestone before running at it and smashing my head on it. When I open my eyes again, I'm taken back to when he just returned from that small fishing village. This time, I choose to let him go and give him what he wants. Finally, I see Leonard again.

Ever since my husband, the mafia capo Rocco Marchetti, poured all his attention and the family's resources into his brother's widow, the woman whose husband took a bullet for him. I found our daughter Tessy's diary, where she had started writing, "My Papa is gone." A nun from her private Catholic school called, asking about his passing. I paused for a moment. "Yes," I replied. "He passed away a long time ago." On Father's Day, the school organized a trip to the church to light prayer candles. While other children wrote cards praying for their fathers' safety, Tessy neatly wrote just two words on hers: "To Heaven." During the parent-teacher open house, the nuns displayed the children's decorated diaries on their desks. The theme for their entries was My Father. My Papa died in a shootout in the next neighborhood over. A lady there wouldn't stop crying, and then Papa never came home. After every entry like this, she would clutch the crucifix on her necklace, her small hand gripping it so tightly her palm grew slick with sweat. Eventually, Rocco sensed the growing chill at home. He dropped everything and rushed back to the estate with a bouquet of expensive red roses, hoping to celebrate his daughter's birthday with her. The door opened. On the coffee table lay Tessy's new diary, its title scrawled in a childish hand: If Papa Were Still Alive.

The year I became one of the country's top defense attorneys, I received a case request from my ex-boyfriend, Julian Sterling. We'd loved each other for four years, yet I couldn't marry him, couldn't have children with him, and couldn't even meet his family. All because the Sterling family had a rule: whoever cast nine blessed oracle blocks in a row would be the daughter-in-law recognized by their ancestors. I begged for that blessing a thousand times. Every cast came back cold. Everyone in Harbor City laughed and said I was born without the fortune to marry into wealth. Then my adopted sister returned from overseas, casually cast nine blessed blocks, and became engaged to Julian Sterling. At last, he told me the truth. "I weighted those oracle blocks with lead. No matter how many times you cast them, they were never going to bless you. "Celia had a difficult background. I had to do this to win her the dignity and status she deserved." So the humiliation I endured for four years had all been his way of paving a road for another woman. On the day of the Sterling family's century wedding, I left Harbor City for Capital City and joined a law firm. Now I was a top attorney with a perfect win rate. Julian Sterling, trapped in a legal crisis, sat across from me and pushed over a check. "You're the only one who can win this case. "Take it, and fifty million is yours." I gave a soft laugh. Then I opened my drawer, took out a pair of oracle blocks, and set them in front of him. "The Sterling family has Sterling rules. I have mine. "If you can cast nine blessed blocks in a row, I'll take your case."