Did Peter Bogdanovich Write A Book On Orson Welles?

2026-03-30 04:36:12 165

3 Answers

Jocelyn
Jocelyn
2026-04-01 11:54:30
I first heard about Bogdanovich’s Welles book from a film professor who called it 'the closest thing to a Welles autobiography we’ll ever get.' That stuck with me. 'This is Orson Welles' isn’t your typical dry analysis—it’s alive with Welles’ voice, thanks to Bogdanovich’s interview format. The two had this mentor-protégé dynamic, and you can feel Bogdanovich’s reverence in every footnote. My favorite part? Welles ranting about how 'Citizen Kane' was overanalyzed ('People think it’s a damn crossword puzzle!'). It’s hilarious and heartbreaking in equal measure.

I’d argue the book also humanizes Bogdanovich. He’s not just an interviewer; he’s a fan wrestling with his hero’s contradictions. Like when Welles dismisses 'The Magnificent Ambersons' as a failure, and Bogdanovich gently pushes back—it’s this tender moment. For anyone who’s ever geeked out over film history, it’s like finding a secret masterclass.
Max
Max
2026-04-04 09:54:55
Yep, Bogdanovich’s 'This is Orson Welles' is legendary. I adore how it blends gossip (Welles calling Hitchcock 'a technician, not an artist'), technical insights (that long take in 'Touch of Evil' was pure spite against the studio), and personal confessions. It’s messy, opinionated, and utterly absorbing—much like Welles himself. My dog-eared copy has sticky notes everywhere, especially near the 'F for Fake' rants. Pure gold.
Felix
Felix
2026-04-04 23:51:57
Oh, this takes me back! Peter Bogdanovich absolutely did write about Orson Welles, and it's one of those deep-cut gems for cinephiles. The book is called 'This is Orson Welles,' and it's essentially a series of conversations between Bogdanovich and Welles himself, edited and annotated with incredible care. It feels less like a traditional biography and more like eavesdropping on two geniuses debating film over coffee. I stumbled on it years ago in a used bookstore, and the way Welles dissects his own work—like how he fought studio interference on 'Touch of Evil'—is just electrifying. Bogdanovich’s notes add this layer of intimacy, like he’s guiding you through Welles’ labyrinthine mind. If you love behind-the-scenes chaos or the mythos of Old Hollywood, this is a must-read.

What’s wild is how raw Welles comes across—self-deprecating, witty, but also haunted by projects he couldn’t finish. Bogdanovich captures that duality perfectly. I’ve loaned my copy to friends so often it’s practically falling apart. It’s not just a book; it’s a time machine to when films felt like they could change the world.
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