Is Picasso At The Lapin Agile And Other Plays Worth Reading?

2026-01-27 12:37:00 232
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3 Answers

Isaac
Isaac
2026-01-29 21:57:40
As a theater kid who’s always hunting for quirky scripts, this collection was a gem. Martin’s writing here feels like a love letter to the absurd—think 'Waiting for Godot' but with more punchlines. The title play is the star, obviously, with its anachronistic jokes and surreal debates (young Picasso arguing physics with Einstein? Yes please). The other plays are shorter, almost like sketches, but they’re packed with his trademark wit. 'WASP,' for instance, is a brutal satire of suburban America that had me cackling and cringing simultaneously.

What I adore is how Martin doesn’t just go for easy laughs. There’s depth beneath the zaniness, especially in how he frames artistic genius as something both ridiculous and sacred. It’s not for everyone—if you prefer linear storytelling, these might frustrate you—but for anyone who enjoys plays that bend reality, it’s a must-read. Bonus points if you’ve ever daydreamed about historical figures roasting each other over drinks.
Lincoln
Lincoln
2026-01-30 17:50:10
If you’re into plays that feel like a lively debate at 2 a.m. after too much coffee, this collection is your jam. Martin’s 'Picasso at the Lapin Agile' is the standout—imagine these two legends meeting in a bar, trading quips about art and science, and somehow it’s both profound and ridiculous. The dialogue crackles with smart humor, and the anachronisms (like Einstein predicting karaoke) are pure gold. The other plays are hit-or-miss, but even the weaker ones have moments that make you go, 'Wait, that’s genius.' It’s short enough to devour in an afternoon, and the kind of thing you’ll want to read aloud with friends just to savor the rhythm of the words.
Quincy
Quincy
2026-02-01 12:51:22
Steve Martin's 'Picasso at the Lapin Agile and Other Plays' is this weird, delightful cocktail of absurdity and intellect that somehow works. I picked it up on a whim after loving 'Shopgirl,' and it’s nothing like that—but in a good way. The title play throws Picasso and Einstein into a bar together, and their banter is both hilarious and oddly profound. It’s like Martin took history’s biggest brains and made them riff like stand-up comedians. The other plays in the collection are hit-or-miss, but even the 'misses' have this playful energy that makes them fun to read. If you enjoy dialogue that dances between silly and smart, this’ll scratch that itch.

What stuck with me is how Martin uses humor to poke at big ideas—genius, creativity, even the meaning of life—without ever feeling pretentious. The plays are short, too, so even if one doesn’t land for you, another might. I’d say it’s worth reading just for the title play alone; the rest is bonus material. It’s the kind of book that makes you laugh first, then leaves you scribbling notes in the margins about existentialism.
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