How Do I Play From Moment Shania Twain On Acoustic Guitar?

2025-08-28 01:31:11 87

5 Answers

Georgia
Georgia
2025-09-01 00:37:19
I prefer playing this song gently with fingerstyle. Use capo 2 and the progression G – D/F# – Em – C for verses, then G – D – Em – C for chorus; it keeps things simple and faithful to the feel of 'From This Moment'. Start by picking the bass then rolling the top three strings like a slow arpeggio, using alternating thumb and fingers. For the bridge, strum a little fuller and let the chorus swell.

A tiny practice trick: loop two bars and play them at half speed until the left hand moves automatically. It makes the little D/F# slide feel natural and improves your singing timing.
Valeria
Valeria
2025-09-01 01:13:41
I geek out on fretboard detail, so here’s a compact, practical roadmap you can try immediately: capo 2, play the song with these voicings — G (320003), D (xx0232), Em (022000), C (x32010), and optional D/F# (2x0232) to smooth bass motion. For a clear picking pattern use PIMA: P (thumb) plays the bass string of the chord on beat 1, I plays the G string on beat 2, M plays the B string on beat 3, A plays the high E or top tone on beat 4. So a measure can be: P - I M - A, P - I M - A (slowly at first). That gives you an arpeggiated, hymn-like texture similar to many acoustic covers of 'From This Moment'.

For rhythm strumming, a soft palm-mute on the low E during verses adds intimacy; release the mute for the chorus to let the ring open. Work on the D to D/F# to Em movement: keep your index and ring fingers steady and just move the thumb and middle finger — it’s a tiny motion but it makes the change sound seamless. Record a practice take and listen back; you’ll catch timing hiccups faster that way.
Lila
Lila
2025-09-01 17:37:40
I'm a sucker for slow, romantic ballads, and I play this one a lot when friends ask for campfire requests. For a friendly, singable version of 'From This Moment', put a capo on the 2nd fret and use G-shaped chords — they sit nicely under the fingers and sound close to the recorded pitch for many singers. Common chords you'll use are G (320003), D/F# (2x0232), Em (022000), C (x32010) and D (xx0232). A simple verse progression is G – D/F# – Em – C, and the chorus rides G – D – Em – C with the occasional D to lead back.

Start with a gentle arpeggio for the intro: play the bass note (thumb) on beat 1, then pick the D and G strings with your index and middle, then the B or high E with your ring. The strumming pattern I like for the chorus is down, down-up, up-down-up (slow and flowing). For dynamics, play the verses softly with fingerpicking and open up to full strums in the chorus and bridge. Practice transitions slowly: the D/F# to Em shape can be smoothed by sliding the thumb on the low string and keeping the top fingers stable. Listen to 'From This Moment' while you practice to catch phrasing — sing along if you can, it helps lock the rhythm into your hands.
Ethan
Ethan
2025-09-02 08:15:54
If you're looking for an easier, more direct approach, try capo on the 4th fret and play basic G, D, Em, C shapes — this pushes the vocal up a bit so it matches many cover keys and keeps chord switching breezy. The whole song basically revolves around those four chords with little extras: throw in a Dsus4 (xx0233) for color before resolving to D, and an Em7 (020000) if you want a slightly airier sound. For strumming, a steady ballad pattern works: down, down, up, up, down, up at a relaxed tempo; emphasize the first down of each bar to keep the pulse.

If fingerpicking is your thing, do a simple Travis-style bass: thumb on the bass string on beat one, fingers pluck the higher strings on beats two and three. Learn the vocal melody separately and try humming it while you play — that helped me lock the groove. Also, watch a few live acoustic covers of 'From This Moment' to see how others handle the bridge and harmonies; it's a great shortcut to picking up small performance choices without overthinking theory.
Ryder
Ryder
2025-09-02 14:39:02
I like to think of this song as an exercise in restraint and payoff. Use capo 2 and stick to G – D – Em – C for most of it, and sprinkle Dsus4 or Em7 where you want a little emotional lift. Begin the verse with calm fingerpicking (thumb bass, two-finger roll) and then open up into confident, full strums on the chorus so the moment really feels earned. For live playing, mute the last strum of a phrase to create a tiny space before the vocal line comes in — it’s a small theatrical trick that works wonders with 'From This Moment'.

If you sing as you play, check your comfortable key first: move the capo up or down until your voice sits easily. And don’t be afraid to simplify — a steady down-up strum with good dynamics beats complicated patterns that you can't keep steady during the whole song.
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